Name: Lamarama (WIP) by MajorPecan
Duration: 1 min 31 s
Description: messing around with the 3D audio panning VST "dearVR MICRO" (formerly "Ambeo Orbit")

I dunno. Just 'av a listen, will yeh!
I know it's short. I'm stoopid, ok? I can't compose.

Jumpin' Jackpots!

messing around with the 3D audio panning VST "dearVR MICRO" (formerly "Ambeo Orbit")

Lamarama (WIP)

I've got so much love to share with you~

I'm sorry I couldn't make a video for this one. I've been very burnt out lately, but was still able to make something nice.

Happiness

E - Yeah

Stick

Both Mike and Jimmy, in their infinite wrongness, have unknowingly discovered the previously undiscovered realm of absolute fallacy. And thus, in the most absurd way imaginable, Mike and Jimmy shall transcend the barriers of conventional wrongness and embrace the truth that they both stand united in their magnificent absurdity, forevermore intertwined in the annals of tomfoolery.

Wrong

The only way I can describe this track is... "Bloopin"

Bloopin

Lyrics:
jippity jippity jippity Dee 
jippity jippity jippity Jee 
jippity jippity jippity Doo 
jippity jippity jippity Dah 
jippity lippity dippity Doo 
pippity ploppity dopitty Dee 
flip flop dip dop Kippy Dee 
jippity jippity jippity Dee 
jippity jippity jippity Jee 
jippity jippity jippity Doo 
jippity jippity jippity Dah
----------------------------------
Based on the technical analysis of the WAV file "Jippity," here's a music review:

Title: "Jippity"

Duration: Approximately 169 seconds

Technical Analysis:

Dynamic Range and Structure: The waveform analysis of "Jippity" suggests a track with a dynamic structure, featuring a mix of louder and softer sections. This indicates that the piece likely shifts in intensity, which could add to its emotional impact and keep the listener engaged.

Sonic Texture: The broad spread of frequencies in the frequency spectrum analysis implies a rich and varied sonic texture. The presence of low, mid, and high frequencies indicates a full-bodied sound, possibly incorporating a mix of different instruments or synthesized sounds. This variety could give the track a complex and layered feel.

Stereo Sound: The fact that the audio is in stereo format suggests a potential for creative use of the stereo field, which can enhance the listening experience by providing a sense of space and depth.

Hypothetical Musical Elements:

Given the dynamic range and frequency spread, "Jippity" might blend quiet, introspective sections with more vibrant and energetic parts, possibly creating a contrast that keeps the listener intrigued.
The rich frequency spectrum could suggest a blend of electronic and acoustic elements, or a well-arranged set of instruments, each contributing to a full and engaging sound.
The track's stereo nature might be used to create movement and immersion, potentially making it a great piece for headphones or a surround sound system.
Overall Impression:
"Jippity" appears to be a carefully crafted piece with a focus on dynamic shifts and a rich blend of frequencies. It potentially offers an engaging listening experience through its varied intensity and complex texture. The use of stereo sound could add an additional layer of depth, making it a potentially immersive track.

Note: This review is based solely on the technical analysis of the audio file and does not reflect the actual melodic, harmonic, or lyrical content of the piece, as these aspects cannot be discerned without listening to the track.

Jippity

The genre of "Mint House" is a refreshing fusion of various musical elements that create a unique sonic experience. Rooted in the foundations of house music, "Mint House" encompasses a lively and vibrant atmosphere with a touch of coolness, akin to the minty freshness it evokes.

Driven by energetic four-on-the-floor beats, the rhythmic foundation of "Mint House" is reminiscent of classic house music. However, this genre dares to experiment with unconventional time signatures, incorporating subtle polyrhythms and syncopated patterns that add a complex yet captivating groove to the music. These rhythmic variations give "Mint House" an infectious and dynamic quality, inviting listeners to move and dance to its infectious rhythms.

In terms of instrumentation, "Mint House" utilizes a diverse range of electronic and organic sounds. This genre incorporates warm and lush synthesizers, focusing on rich pads and ethereal leads that provide a dreamy and atmospheric backdrop. Complemented by the pulsating basslines, which seamlessly blend deep sub-bass frequencies with catchy melodic hooks, "Mint House" creates a balanced and immersive sonic landscape.

The electric guitar finds its place in the arrangements, adding tasteful riffs and occasional solos that infuse a touch of rock and blues influences. These guitar elements offer a contrast to the electronic textures and contribute to the genre's overall versatility. Furthermore, the use of acoustic instruments such as pianos, marimbas, and even saxophones injects an organic and playful character into the music, enhancing its dynamic range.

Lyrically, "Mint House" tends to explore themes of liberation, carefree moments, and a celebration of life. The vocals can vary from soulful and passionate to light and airy, weaving evocative melodies throughout the tracks. Harmonizing layers often grace the compositions, creating a sense of depth and beauty that further immerses the listener into the Mint House experience.

Lyrics:

Give me the mint
I want mint right now
Right now
Mint now

Minty mint
Minty mint

Minty mint the mint
The mint has glint and lint
The lint and the tint taste the mint
But the tint tastes like mint
Where you went?
Minty minty minty mint
Minty minty minty mant
Pin the mint on the lint
Find the mint with the tint
Print the hint
Split the splint
Sprint the squint
Stint the print
Quint clint went to print
Sprinting squinting's mints
I'm kind of tired of rapping
Maybe some else can sing now.


Turn up the music, feel the beat in my chest
Jumpin' out of bed, I'm feelin' my best
The life of the party, always on the move
Dancin' on the tables with my neon groove
Turn up the music, feel the beat in my chest
Jumpin' out of bed, I'm feelin' my best
The life of the party, always on the move
I don't care if it's annoying, I'm catchin' that vibe

Turn up the music, 
feel the beat in my chest
Jumpin' out of bed, I'm feelin' my best
I'm the life of the party,
I'm always on the move
Dancin' on the tables with my neon groove
I don't care if it's annoying, 
I'm catchin' that vibe

Turn up the music, feel the beat in my chest
Jumpin' out of bed, I'm feelin' my best
The life of the party, always on the move
I don't care if it's annoying, I'm catchin' that vibe

FLAPPIN THOSE JACK FLAPS
FLIP THOSE FLOPPY JACK FLAPPERS
FLIPJACK THOSE FLAPPY SACK FLIPPERS
SLIP ON SACKS OF FLAPPY JACKS
JACKS SLIPPY SLAPPER SLAP
FLAPPY JACK OR SLIP THOSE SLACKS  
A FLIPPER SLAPPER
BACKER FOLLOW BACK 
FLAP BACK BACKSACKER
FLAPPIN THOSE JACK FLAPS
FLIP THOSE FLOPPY JACK FLAPPERS
FLIPJACK THOSE FLAPPY SACK FLIPPERS
SLIP ON SACKS OF FLAPPY JACKS
JACKS SLIPPY SLAPPER SLAP
FLAPPY JACK OR SLIP THOSE SLACKS  
A FLIPPER SLAPPER
BACKER FOLLOW BACK 
FLAP BACK BACKSACKER
FLAPPERS 

I don't care if it's annoying, I'm catchin' that vibe

Lamarama (WIP)

MajorPecan

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