Name: Scaring Isn't It??? by LA MAKINA CRISIS UNIT
Duration: 4 min 36 s
Description: https://www.youtube.com/watch?v=6FIE3-Jno7o

A slow-drip atmosphere for the late set or the solitary drive. Intravenous Blue blends ghosted Alesis SR-16 textures, spectral piano loops, and reverb-soaked decay into a mood piece that lingers. Kicks pulse like a slow heartbeat, spectral piano loops shimmer in reverb, and delay tails stretch into the void. Bleak Cathedral doesn’t do background music—this is intravenous.

Bleak Cathedral - Intravenous Blue

Reports Of Space Debris

Rege - My Mistake

BreaK the Frame 4

revealing in the dark
the sadness of things
a fisherman's torch
 

Tagami Kikusha (1753-1826) was a Japanese multi-disciplinary artist and Buddhist nun, mostly known as a poet, painter, calligrapher, and tea practitioner.

Haiku by Tagami Kikusha

Picture by Michael Shannon

fisherman's sadness_naviarhaiku609

Marco Lucchi : synthesizers

*

from 2017 - relaunching it 

The previous interpretations are compiled here 
https://on.soundcloud.com/ErfDeawBKABInIzoNn

The path [you to play with, if you like it]

https://www.youtube.com/watch?v=6FIE3-Jno7o

Scaring Isn't It???

dry times

lyrics: jo richter and jeff gardiner
everything sound - yes, everything! - and premix : jeff gardiner
image, eventual modulation and mix: jo richter


sitting ducks and circling eagles
do not a whole existence make
he told me as I listened listless
tired, drained by his insistence
that I would have to be alert
to push past the break
and be clear enough
to find my hands in dreams
and speak in fluent Nirwanese
in Dada-lekt the verses back
from me to him
that he had taught me while I was not aware

and not-I sat without an ear
in the round of ember eyes still glistening
for both are made of themselves
each other and of fear
but the duck will have to feather up and fly
and the eagle will go hungry as it passes by
this he told me cunning, sly
on this I will rely
not now but when 
time runs dry.....

glitchy glyphs

scalar fields pt 12: glitchy glyphs - with stonerjazz

I LOVE creaky floorboards. ❤️ Always have. They’re the little confessions the world doesn’t know it’s making. How could it?

This particular set — oh, these sonic beauties — were discovered in a small museum in Lille, France. A place so very quiet you could almost hear the air move somehow. The curator said the building used to be a tailor’s shop. But the neighbours reckoned it had been an intelligence post during the war; the kind of place where secrets secreted themselves into the grain of the wood.

So I waited until closing time. Set up my recorder. And walked. Slowly.

Every step had its own personality — one a whisper, one a sigh, one a shriek like a door … perhaps remembering something it shouldn’t. Somewhere between the third and fourth creak, though, the air changed and tilted weirdly. You know that cold, coiled feeling — when you’re not sure if you’ve just been noticed by someone? But I was alone ... I WAS alone.

I kept recording.

Later, when I played the sounds back, there it was: a super faint shuffle beneath and between the creaks. A pause. Then two extra footsteps … that weren’t mine. Perfect rhythm. Perfect distance. Like a partner in a dance waiting years for the next cue, which had now arrived, years later.

So I built the track around that. A haunted duet between spy and spectre, each trying to decode the other’s silence.

Enjoy … if you dare. 🎃😈

More on the 722nd weekly Disquiet Junto project, Spook Street — The Assignment: The Assignment: Make music for a haunted spy film — at https://disquiet.com/0722/.

more halF unusuaL

halF spooK [disquiet0722]

Digital Love

In case of despair, the Makina Crisis Unit is there... Enjoy

Scaring Isn't It???

LA MAKINA CRISIS UNIT

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