Acmc 2010 excerpt

Decibel pica excerpt

Velika sala excerpt

Performance at the Black Box #3, Sydney Australia, 13/09/2017

I was born Ngamadjidj, a ‘white person’, in Jardwadjali country, Western Districts of Victoria. We left that place when I was very young and I was brought up Wodjella, a ‘white person’, in Nyoongar country, south west Western Australia. My own country remains a nullity defined by the ongoing erasure of this heritage in the ever shifting myths of terra nullius. Vote YES for a First Nations' Voice to Parliament!

https://www.facebook.com/events/257619548079353/
https://www.referendumcouncil.org.au

Wodjella dreams of terra nullius

<a href="http://stanierblackfive.com/body-waves-in-slovenia/" target="_blank">Stanier Black-Five</a> and <a href="http://malcolmriddoch.com/" target="_blank">Malcolm Riddoch</a> performing Body Waves - A Christchurch earthquake soundscape at Spectrum Project Space, 15/05/2012 in Perth, West Australia.

Body-waves

Electroacoustic network ensemble with Stanier Black-Five on soundscape, Helen Greenfield on cello, Rory Dalley on percussion, Nicolas Woollaston on synth, Naomi Smith on ukelele and guest vocalist Andrew Kane.

Lyttelton NY 2012

My musical interest is experimental electroacoustic improvisation and phenomenological method: An investigation of acousmatic listening and electronic transformation of soundscapes; notions of indeterminacy in composition and performance; the use of whole acoustic spaces in music performance; and electroacoustic improvisation as an embodied, intentional, temporalizing process.

My medium is non-tonal, timbrally focused musically organised sound and thematic dissolution is my musical theme.

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