“Symphony for Chamber Orchestra - 4th Movt: Finale” was completed in January 2025 in Fairview, TX. Performance time is about 10.5 minutes. Printed and electronic copies of the score and parts will be available soon from www.CreativeSpiritOnline.com.

About this recording:
The present virtual recording was produced using Finale 27.4.1 and the Garritan Personal Orchestra 5 virtual instrument library. Mastering was done by EMastered. For the best listening experience, high quality headphones are recommended. 

Instrumentation:
Flute. Oboe, Bb Clarinet, Bass Clarinet, Bassoon, Horn in F, Trumpet in C, and Strings

Performance notes:
• Tempo, expression, and dynamic markings should be strictly observed.
• There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
• Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
• Passages marked fff or ppp indicate playing as loudly and as quietly as possible, respectively.
• Double-bass “C-extension” is required.

Contact information:
Robert John Brooks, Fairview, Texas USA
Email: robtjbrooks@yahoo.com
Web: www.CreativeSpiritOnline.com
Web: eMastered.com/profile/robtjbrooks

Engraving by the composer
Artwork by the composer
Copyright 2025

Symphony for Chamber Orchestra - 4th Movt: Finale

we are all doomed

Cast of Characters:
Joe Stroffolino-- @joseph-stroffolino -- Taylor 114ce acoustic guitar, main vocals, harmony vocals, lyrics, composition 
Llanpsych -- @llanpsych -- Tez – Fender HSS Telecaster electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Custom T electric guitar, mix, mastering, and production
Mistermark-- @user-432503709 -- Mark – piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- four string Fender Precision Bass with a plectrum 
 
This song began as one of Joe's, lyrically centered songs, which he wrote and filled in with VST instruments. He came up with the lyrics by sharing ideas with fellow SoundCloud musician Michele Ansani.
   Knowing that Josh is a fan of his work, Joe offered this song to him in hopes that he'd share it with the rest of the band. Of course, Josh jumped at the opportunity to work on his song, and immediately shared it with the rest of the group. 
  Ken went to work first, adding his driving, excting drums. Josh was having a hard time coming up with a good bass line for it, until Ken suggested that he use the power of the 1/8 note to propel it. Tez was up next with his clever fills you hear throughout the first half of the song. Stephen came along right after and matched Tez's energy for the guitar fills in the second half of the song. 
  It was still missing a solo in the designated spot, though, so Mark stepped up with his innovative piano solo you hear in the middle. If it sounds a little mechanical, that's because he's using an arpeggiator to achieve the effect. We thought it sounded good in a song about AI, though. 
  Once all the parts were dialed in, and Joe had gotten all his vocals tuned up, we asked one of our resident pros, Stephen, to mix it for us. He did that and mastered it, too, expertly, as always.
  This is the first song we've ever done with Joe, and don't expect it to be the last. We all really enjoyed putting together, in no small part because Joe is such a competent, receptive, and gracious collaborator. We all hope you enjoy listening to it as much as we enjoyed creating it. 
Original lyrics by Joe Stroffolino (and Michele Ansani):
When I was thirteen I picked up my first guitar
it was my mother's, it only had one nylon string 
I tried to play it like a rock star
I learned to play the Coca-Cola jingle
So I could teach the world to sing
When I was fourteen, I put on six new strings
I learned to play Beatles, I learned a Bob Dylan song
I sounded out of tune but I tried to carry on
At fifteen I wrote my first original tune 
So bad it sounded like it might have been written by a baboon
When I was sixteen, I got a new guitar for my birthday
The metal strings sawed through my fingers 
But I continued to play
And the calluses formed and every day I learned a brand new chord
I was obsessed with that guitar and I never grew bored.
I wrote songs every day and most of them were a mess
But I believed that through hard work, I could achieve success
Malcom Gladwell wrote a book that said it takes ten thousand hours
To become and expert at your craft
But now all it takes is two commands and an enter
And in two minutes you have ten versions of the same damn new song,
You just have to choose the type
folk, rock, rap, pop, metal, jazz, trap or blues.
You don't even need to write the lyrics, 
your push a few buttons let the AI choose.
And people will think your songs are great even though you didn’t write or play a single note.
When I was 20, I did my first concert, it was time
it occurred in a village square
there were four cats all friends of mine
I was still using the plectrum and sometimes I got the chords wrong
at thirty I finally wrote what I thought was a decent song
It had a very well thought out structure
And a catchy vibe and beat
It was overly verbose but when I played it people tapped their feet
In my forties I stopped wasting my time
Work was more fun I was doing just fine

AI Sucks - The Eclectic Collective with Joe Stroffolino

being with you

Prélude No.28 Op.11

🤨⁂©All Rights Reserved 04-2025
©Lyrics, Mixer, Mastering, Pro License & Creator: Lady ElectroTrek 
***

TITLE: STRUNG & RUN
________________________________________________
LYRICS:

(Verse 1)
I gave you love
It filled the air
You vanished quick
Like you weren’t there
You left me tangled
Threads undone
You keep me strung
But then you run

(Chorus)
Life ain’t sweet like candy dreams
No Good & Plenty
Bursting seams
I need someone who truly sees
The hidden worth inside of me

(Verse 2)
I asked for care
You gave me none
Your silence weighed a thousand tons
I held my heart out in the sun
You keep me strung
But then you run

(Chorus)
Life ain’t sweet like candy dreams
No Good & Plenty
Bursting seams
I need someone who truly sees
The hidden worth inside of me

(Bridge)
Was I a moment
Just a fling
A song you hum but never sing
I won’t be left
Undone
Unsung
You keep me strung
But now I’ve sprung

(Chorus)
Life ain’t sweet like candy dreams
No Good & Plenty
Bursting seams
I need someone who truly sees
The hidden worth inside of me

The Hidden Worth Inside

Strung & Run

Hello again friends and Listeners,

It Delights me to celebrate the 8th birthday of one of my eldest 'Musical Children'.  Her name is 'Tiramisu'.  Pronounced - Tear - Ah - Mih - Su 

In foodie talk, her name alludes to what one might call a 'Pick-Me-Up'.  ;-)
I named her after the delicious Italian Dessert made of Lady Fingers, Custard, Hazelnuts, and Chocolate!  MMM mnm mm .  

May She "Live Long and Prosper" ! 

Warmest Regards,

~ Gary!

It's a Big Band orchestral Fusion piece with all kinds of delicious phrases, sounds and rhythms within it. Composed over 2 months in 2016 on Saturna Island here, it has some 24 layered tracks, and i trust you'll find it a surprising change from the simple but passionate organic improvs i've been posting lately.  :-D

Here's how composer Francesco Adornetto described it.

"A joyful burst of color and rhythm — Tiramisu is as rich and layered as its namesake. With a really eclectic, multi-genre sound, it blends nu jazz, big band, and electronic elements into a playful celebration that feels both nostalgic and fresh. You can hear the love and detail in every phrase. What a treat! "

Music Composed and Arranged by Gary Courtland-Miles
© July 15th 2016 - 2025

Re-Mastered and Re-Released April 5th 2025

All Rights Reserved

Chilled Tiramisu * w. Organic Flow

Remembering Jill.

Piano M 7964 3:00 04-08-2025

Soft piano music for sleeping, relaxing, studying and meditation.

Piano_Sleep_Interlude_Take10_2AUG25Braxton

Lost

Why talk about yourself...when you can talk about Mozart?

Prélude No.28 Op.11

Paul Maurice Roche | Composer

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