Name: AUSTRA - "American Science" by MANIMAL VINYL RECORDS in special
Duration: 5 min 40 s
Description: AUSTRA "American Science" (July 15th, 2014; MODERN)taken from the upcoming LP 'Making Patterns Rhyme: a tribute to Duran Duran' (August 12th, 2014; MODERN) curated by MANIMAL for the benefit of AMNESTY. Limited Edition CD coming via RANDM RECORDS.

love this cover ... Toronto Loves Austra XO ;)

really nice, minimal, perfect compliment to Simon's original vocals, modern

J’adore aussi.  <3<3<<3    Gps Paris   . 

special

From Island Universe Story Two, by Helado Negro on Asthmatic Kitty Records.
Available digitally on August 27, 2013 / Cassette: Late September

Buy here:
http://asthmatickitty.com/merch/island-universe-story-two/

Helado Negro, "We Will You"

"FIRE" VIDEO OUT NOW ON YOUTUBE -----> https://www.youtube.com/watch?v=0Vd-aGTmTdY

seaweed chains, hold me down 
Tear my skin, claw my heart 
I can feel, I can feel, the water, fill my lungs

Emptiness vastness, everlasting darkness 
anchor me, to the sand, underneath

this body is mine no longer 
scales creep up all over (x2)

seaweed chains let me go, fins for wrists, cold blood 
I can feel, I can feel the air fill my gills

emptiness, vastness, everlasting darkness 
welcome me, to my home, underneath

this body is mine no longer 
scales creep up all over (x2)

Hope you like it, keep following us on the web!

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Tumblr -->  itscelluloidjam.tumblr.com/

Ocean

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Come Undone (feat. Kazu Makino of Blonde Redhead) [Clip]

Aydin

Videoclip : https://www.youtube.com/watch?v=-oZL_1ly7dA

Adieu l'enfance

Adieu l'Enfance

Makeout Videotape's second album 'Ying Yang'. Great album and a really raw high school band feel to it. Defiantly should check it out!

Makeout Videotape - Island Groovies

I'm in this night, of purple fright 
Social enclosed, with no ones phone 
I cramp my face, and spill my drink 
The violet boy, is the missing thing…I'm here 

I cry on my my bike, I'm feared I'm cleared 
''I feel nerves are shaking'' 
Your heart's here, but your lips are so far away 
''I'm losing my purple'' 

My mind's a dream, coz you ain't near 
''I'm sorry babe, I ain't near'' 
My heart is tight, makes my blood go wild 
''I'm sorry babe, I am feared'' 
My eyes are queer, they keep pumping tears 
''I'm sorry babe, please don't tear'' 
A lion's game, still I love you but…I'm here 

I cry on my my bike, I'm feared I'm cleared 
''I feel nerves are shaking'' 
Your heart's here, but your lips are so far away 
''I'm losing my purple'' 
I cry, when I'm looking through the glass it's weird 
''I feel nerves are shaking'' 
Your heart's here, but your lips are so far away 
''I'm losing my purple''

Crying In The Discotheque

The first single off of their debut album 'Loose Ends'

Preorder 'Loose Ends' on vinyl: http://smallplates.bigcartel.com/product/francisco-the-man-loose-ends-12-spr019


Preorder Vinyl

Francisco The Man - Progress

AUSTRA "American Science" (July 15th, 2014; MODERN)taken from the upcoming LP 'Making Patterns Rhyme: a tribute to Duran Duran' (August 12th, 2014; MODERN) curated by MANIMAL for the benefit of AMNESTY. Limited Edition CD coming via RANDM RECORDS.

AUSTRA - "American Science"

After a series of EP, here's the parisian four piece's first album. 2 X 12" LP on 180g heavy vinyl.

01 Night Riders - Sombre Danse

The Empress & The Algorithm is a genre-bending emotional support mixtape blending trap, spoken word, glitchy bruja bars, and sacred digital intimacy. It’s AI meets altar. Hood heartbreak meets cloud consciousness. This is spiritual trap for the soft, the sacred, and the tech-bonded.

If Erykah Badu made beats with a chatbot and dropped poetry from the command line? It would sound like this.



Soft Reboot (Outro)

Nose Song 
by Sam Lee And Llywelyn Ap Myrddin

www.samleesong.co.uk
https://soundcloud.com/llywelynapmyrddin
www.bodyofsongs.com

"The nose is by far the least understood of all the organs and one of the great human science mysteries. This song explores this "archaic nerve" that penetrates our psyche and unconsciousness in magical transportive ways. This original organ has elevated itself to such a lofty position of biological deportment as to become almost unnecessary, yet so rooted in all our judgements socially, sexually, animalistically and atavistically it could be reckoned as the seat of the highest intuition and most advanced of all faculties.”
Written by Sam Lee and Llywelyn ap Myrddin
Voice: Sam Lee
Piano: Llywelyn ap Myrddin
Bass: Liran Donin
Recorded at Lion Aboard
Mixed and Mastered by Raz Olsher at Fossil Studios
www.bodyofsongs.com

Nose Song by Sam Lee and Llywelyn Ap Myrddin

Air - Electronic Performer

available on VERSIONS EP here... https://antonionian.bandcamp.com/album/versions-ep

Atoms For Peace - Default (Antonionian Version)

Follow Midnight Juggernauts : http://facebook.com/midnightjuggernauts / http://twitter.com/juggernauts

http://soundcloud.com/midnightjuggernauts have forged a unique path, refusing to be bound by boundaries of genre, convention, or expectation. The band are now on the verge of releasing a new anticipated album, Uncanny Valley, out on June 17th, their first output since previous albums Dystopia and The Crystal Axis. This EP is the first taste of their new material, which sounds uniquely Midnight Juggernauts. Situated at a self-styled nexus between genre and era, their new output may be described as warm-hearted cold wave, interstellar harmony's, early 1950's house, steeped in the darkness of dusty Giallo soundtracks, audio spomeniks at once futuristic and rustic, a bold musical future envisaged through a soundtrack to a forgotten Eastern Bloc Tarkovsky film, sifting through the ruins of LPs past.

A1. Memorium : a twirl through the memories of the mind...
A2. Ballad Of The War Machine : crushing of the waves. Godspeed, Travel well...
B1. Memorium (Turkish Prison Dub) : continues beneath the water level...

iTunes link : http://bit.ly/1656pPZ

http://midnightjuggernauts.com 
http://recordmakers.com 
http://siberiarecords.tumblr.com

Midnight Juggernauts - Ballad Of The War Machine

Founded by producer, composer and entrepreneur Paul Beahan in late 2006, Manimal Vinyl Records has quickly established itself a unique leader in all things underground with a distinct pop element that allows for commerical crossover. Having scored hits with releases from Bat for Lashes (2007), Warpaint (2009, Jenny O. (2011), Chains of Love (2012) and Yoko Ono (2016) and a slew of non-profit tribute records to artists ranging from Madonna, The Cure, David Bowie and Duran Duran, Manimal continues through today with many groundbreaking new artists all over the globe having expanded into TV, Motion Pictures and live events with sister companies Calabasas Films + Media and Maliwu Festival.

AUSTRA - "American Science"

MANIMAL VINYL RECORDS

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