Name: S.N. Goenka Anapana Meditation 10 Min Guided by Manish Roshan
Duration: 10 min 9 s
Description: All rights belongs to : https://www.dhamma.org/en/about/mini_anapana

composition-improvisation based on south-indian Raga Kirwani. Inspired by pandit Hariprasad Chaurasia. Of course, this music is not indian classic, just my first try to play solo and to follow the scale. Many thanks to pandit Harsh Wardhan for the flute. Performed by Sasha Zhuravlev in august 2013 in Oporto, Portugal

Improvisation based on Raga Kirwani

Bhimsen Joshi Raag Kedar

India's classical music is deeply bound to the country's ancient mystical traditions. This unique Rough Guide brings together the greatest names in Indian Classical music, performing some of the most beautiful ragas of India’s classical legacy. Enjoy the musical artistry of legendary performers such as Shivkumar Sharma, Hari Prasad Chaurasia, Zakir Hussain and Ravi Shankar.

For more information, visit www.worldmusic.net/indianclassical

THE ROUGH GUIDE TO INDIAN CLASSICAL MUSIC

India's classical music is deeply bound to the country's mystical ancient traditions. Stretching back  through time to the Vedic period musical historians encounter the Rigveda, an ancient collection of Sanskrit hymns, and the Sama Veda, a text which begins to discuss the origin of seven shruti (notes) from the sounds of nature. The practice of combining tones in certain sequences and the notation system that was developed during this era is connected to the development of the Indian classical raga form. 'Raga' literally translates as a 'hue' of colour and is a musical method of constructing melody through prescribed conventions. Ragas are linked to different moods and times of the day. Amjad Ali Khan's ‘Raga Chhaya Nat’ is in the Hindustani (North Indian) chhayanat mode and illuminates his crystalline prowess on the sarod, a stringed lute that is played with a plectrum. Uppalapu Srinivas' song 'Sankari Sankuru' is played on his mandolin in saveri raga, which is said to bring about the mood of pity and was originally composed by one of Carnatic (South Indian) music’s greatest figures Syama Sastri (1762-1827). 

Indian Classical Legends Shivkumar Sharma, Hari Prasad Chaurasia and Brij Bhushan Kabra are heard delicately delivering a Hindustani bhairav raga on ‘Ahir Bhairav’. This raga is related to Sikh tradition from northern India and appears in the Guru Granth Sahib (the central religious text of Sikhism). Ravi Shankar’s radiant sitar shines bright on the fast-paced track ‘Devgiri Bilawal Dhun’. Shankar’s name and ascendant international career is now synonymous with Indian classical music. Widely regarded as a musical sage or pandit, his definition of raga touched upon its vast and complex nature, describing it as a ‘scientific, precise, subtle and aesthetic melodic form’. Another sitar scholar, Vilayat Khan is heard on ‘Dhun Punjabi Ang’. The Khan musical lineage traces all the way back to the court musicians of the Mughal Empire.

Father and son duo Allah Rakha and Zakir Hussain enter into percussive playoff on the live track ‘Ek Taal’. Tabla virtuouso Zakir Hussain remains grounded by the musical discipline and natural flair he inherited from his father who he regarded as ‘a spirit who was created to work for music by God’. Carnatic vocalist Dr M. Balamuralikrishna’s marvellously melodic instrument sparkles on ‘Sadhathava Pada’. His formidable range and versatile tone mark him out as a legendary singer. He is also credited with popularising the jugulbandi concept in Indian classical music – when two soloists of equal skill perform together. Riverboat Records artist Jyotsna Srikanth contributes ‘Annapoorne’, a work crafted by the famous Carnatic composer, Muttuswami Dikshitar. The subject matter concerns Annapoorne, the Hindu goddess of nourishment. The raga used is sama, one that denotes peace.

Uncover the mystery and beauty of India’s verdant classical tradition on this excellent introduction to one of the world’s most valuable musical repertoires. 

Jyotsna Srikanth: Annapoorne (taken from The Rough Guide To Indian Classical Music)

"Ja Ja Re" ft. Nirali Kartik - Shankar Tucker

Jagjit Singh - Gayatri Mantra Chant With Harmony And Rhythm

Kumar Gandharva - Sunata Hai Guru Gyani - Kabir

11th Of November - My Father, My Guru, My Mentor's Birthday. 
On this Day a Small Offering to him. 
When I Was 7 Years old he had taught me this.
Today years later, I bring to all of you - "Alhaiya Bilawal"  

Baba Birthday Pranams

All rights belongs to : https://www.dhamma.org/en/about/mini_anapana

S.N. Goenka Anapana Meditation 10 Min Guided

Classical Indian - Bhatiyali Dhun

Song, words, translation and discussions at http://ishqfakiri.com/album/

Ishq Fakiri

Nirbhay Nirgun

On Dec, 11, 2012, The GodFather of Sitar & WorldMusic left this world's stage to play with the heavenly orchestra. This is a little tribute to him who was an inspiration to so many, and to me to get hold of a sitar & try to play it. May he live & be blessed forever...

http://www.pasadenastarnews.com/weekend/ci_22187123/steve-smith-springsteen-gaga-black-keys-join-stones

"Indian sitar master Ravi Shankar, who was responsible for bringing classical Indian music to the masses in the Western world via Beatle George Harrison's interest in Shankar, his instrument and his Hindu religion, died at Scripps Memorial Hospital in La Jolla last week. He was 92.

Shankar had been given heart-valve replacement surgery. A message on his website said, "Though the surgery was successful, recovery proved too difficult for the 92-year-old musician."

The three-time Grammy winner's final performance was Nov. 4 in Long Beach; it was a celebration of his 10th decade in music.

In 1952, Shankar began a musical collaboration with Western classical violinist Yehudi Menuhin but their work, while highly lauded, didn't bring about mass exposure to a Western audience. That would come a decade-and-a-half later.

In 1965, Harrison developed a fascination with the sitar and Indian music. The Beatle bought a secondhand sitar in a London shop and improvised a sitar part on John Lennon's "Norwegian Wood," marking the first time the instrument was used in a Western pop song (months earlier, The Yardbirds recorded a version of their hit, "Heart Full of Soul," with a sitar as the lead instrument, but that version wasn't released until much later).

In June 1966, Harrison met Shankar and asked to be his student. Shankar accepted. Interest in the sitar and other Indian instruments and the music spread through rock music like a wildfire.

His appearance at the 1967 Monterey Pop Festival provided his introduction to a young generation of music fans eager for diverse sounds and blending of musical forms. He also performed at Woodstock and in August 1971, he convinced his friend Harrison to stage rock music's first major benefit, the Concert for Bangladesh, that raised international awareness of the plight of refugees following a devastating cyclone and civil war in the south Asian nation. Shankar opened the two concerts (afternoon and evening) at Madison Square Garden.

Eventually, Shankar became mostly critical of rock's incorporation of the sitar because of its connection to drugs. He and Harrison remained the best of friends and collaborated often until Harrison's death from lung cancer in Los Angeles in November 2001. Harrison was 58.

Among Shankar's survivors are his wife Sukanya and two daughters, acclaimed sitar player Anoushka Shankar Wright, whose husband, Joe Wright, directed the recently released film, "Anna Karenina," and Shankar-Wright's half-sister, adult contemporary singer-songwriter Norah Jones."

S.N. Goenka Anapana Meditation 10 Min Guided

Manish Roshan

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