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FREE DOWNLOAD ♥

This is the remix i made for De Hofnar.
Special thanks to him to let me remix the track
@de-hofnar

Please send me a private message for promo's :-)

FREE DOWNLOAD ♥

De Hofnar - Zonnestraal (Kav Verhouzer Remix) [Free Download]

Matisyahu "Jerusalem" (8/7/12 – Chicago, IL)

Download "Five7Seven2 Live" bre.ad/1956y4

Matisyahu on tour now! 
http://matisyahuworld.com/tour/

MATISYAHU TOUR DATES
*with Rebelution
8/7 Albuquerque,NM Sandia Amphitheatre*
8/8 Phoenix, AZ Mesa Amphitheatre*
8/9 Costa Mesa, CA Pacific Amphitheatre*
8/10 San Diego, CA Open Air Theatre*
8/11 Sacramento, CA Ace of Spades
8/12 Boise, ID Knitting Factory
8/13 Missoula, MT Big Sky Brewery*
8/14 Seattle, WA Marymoor Amphitheatre*
8/16 Eugene, WA Cuthbert Amphitheatre*
8/17 Berkeley, CA Greek Theatre*
8/18 Santa Barbara, CA Santa Barbara Bowl*
8/20 Jacksonville, OR Britt Pavilion*
8/21 Stateline, NV Montbleu Outdoor Arena*
8/22 Las Vegas, NV The Pool at Cosmopolitan*
8/23 Salt Lake City, UT The Complex*
8/24 Morrison, CO Red Rocks Amphitheatre
8/25 Kansas City, MO Crossroads KC
8/26 Des Moines, IA Wooly's
8/27 Minneapolis, MN First Avenue
8/28 Madison, W The Majestic
8/29 Bloomington, IL Castle Theatre
8/31 Ft. Wayne, IN Piere's
9/1 Cleveland, OH House of Blues
9/3 Joliet, IL Mojoes
9/7 Philadelphia, PA Penn's Landing*
9/8 Asbury Park, NJ Stone Poney Summerstage*
9/9 Clifton Park, NY Upstate Concert Hall
9/10 New York, NY Central Park Summerstage*
9/11 Baltimore, MD Pier Six Concert Pavilion*
9/12 Charlotte, NC The Fillmore*
9/14 Atlanta, GA The Tabernacle*
9/15 Norfolk, VA The Norva
9/16 Wilmington, NC Brooklyn Arts Center
9/17 Orlando, FL Hard Rock Live


Download

Matisyahu "Jerusalem" (8/7/12 – Chicago, IL)

CAMPFIRE - Satellite Stories

Young Love (Beachmen)

From Foster The People's debut album TORCHES available May 24.

Pre-order now and receive "Pumped Up Kicks," "Helena Beat," and "Houdini" instantly.

Torches

Helena Beat

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

Lyrics to Trojans:
Take it off
Take it in
Take off all the thoughts of what we've been
Take a look
Hesitate
Take a picture you could never recreate
Write a song
make a note
for the lump that sits inside your throat
Change the locks, change the scene
Change it all but can't change what we've been

Your trojan's in my head

It's ok if it's gone
The thoughts that you had that it was the one
And oh what is left?
For all those times is that what you get?
Oh regardless
The walls get painted anyway
Oh you're guarding
The gates, but it all got away

Your trojan's in my head

Take it off
Take it in
Take off all the thoughts of what we've been
Take a look
Hesitate
Take a picture you could never recreate
Write a song
make a note
for the lump that sits inside your throat
Change the locks, change the scene
Change it all but can't change what we've been

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Trojans

Buy on iTunes

M83's new album Junk is out now: http://m83.it/buyjunkSo 

M83 on tour now. Dates & tickets: http://m83.it/tourSo

More here: http://ilovem83.com
See M83 live: http://ilovem83.com/live

Like M83 here: https://www.facebook.com/m83music
Follow M83 here: https://twitter.com/m83news



Midnight City

Release Info: Album "Inside The Human Body", Minty Fresh, 2008

Ezra Furman & The Harpoons - Take Off Your Sunglasses

Faded Paper Figures - Small Talk

Admiral Fallow - Tree Bursts In Snow
http://www.admiralfallow.com

"Admiral Fallow offers the type of music marked by chamber strings and woodwinds layered with pop structural elements...we have high hopes for their sophomore album."
-- PasteMagazine.com "Top 10 International Acts To Watch For 2012"

Admiral Fallow has been praised by contemporaries (see: Frightened Rabbit) and lauded by fans for their smooth and distinctly Scottish chamber pop.

The band worked with Paul Savage (Franz Ferdinand, Mogwai, Teenage Fanclub) in Glasgow to mix and produce Tree Bursts in Snow . Greg Calbi —who has worked with Bon Iver, Fleet Foxes and The National— mastered the record in New York City.

Vocalist Louis Abbott says about Tree Burst In Snow"...the title refers to the sound and the image of an artillery shell exploding into a cluster of snow-drenched trees... I'm also astounded by the sheer volume of gun related violent crimes throughout the world but in particular in the U.S. '"

Beetle In The Box

Hold your tongue the unwilling and the safe
Make your mark in your own tiny way
Your own miniature firework display for one

Fear of facing the shadow on the shore
Tied in knots and hung out on the backdoor
The 'boy-done-good' thoughts of valour and the all for one

It's the beetle in the box that shakes in your hands 
And it's formed out of feelings i don't understand 
They're mapped in the gaps and the spaces between 
The worry of bearing the ghost in the machine

I eat your words and you mark my mistakes
We set the dictionary up to fail
The work of poets is a vapour we exhale it's gone

Fleeting fondness is a flicker in your frown
Spilling out in adjectives and nouns
A mess of letters once it's chewed and swallowed down all gone

It's the beetle in the box that shakes in your hands 
And it's formed out of feelings i don't understand 
They're mapped in the gaps and the spaces between 
The worry of bearing the ghost in the machine

How do you feel pain?
(Tremors through the floor)
How do you hear sound?
(Tapping on the walls)
I wish I could feel it all

Admiral Fallow is:
Louis Abbott: vocals, guitars
Kevin Brolly: clarinet, keys, piano, vocals
Phil Hague: drums, percussion, vocals
Sarah Hayes: flute, piano, accordion, vocals
Joe Rattray: bass, vocals

Admiral Fallow - Beetle In The Box

Buy it now: http://smarturl.it/AnAwesomeWave

An Awesome Wave

Something Good

Port O'Brien - Love Me Through

Shemian - classical symphony (Alle Farben Remix) Snip

Matisyahu - Spark Seeker: Acoustic Sessions EP
Download on iTunes: https://itunes.apple.com/us/album/spark-seeker-acoustic-sessions/id594035574?ls=1

Matisyahu on tour now! 
http://matisyahuworld.com/tour/
MATISYAHU TOUR DATES
*with Rebelution
8/7 Albuquerque,NM Sandia Amphitheatre*
8/8 Phoenix, AZ Mesa Amphitheatre*
8/9 Costa Mesa, CA Pacific Amphitheatre*
8/10 San Diego, CA Open Air Theatre*
8/11 Sacramento, CA Ace of Spades
8/12 Boise, ID Knitting Factory
8/13 Missoula, MT Big Sky Brewery*
8/14 Seattle, WA Marymoor Amphitheatre*
8/16 Eugene, WA Cuthbert Amphitheatre*
8/17 Berkeley, CA Greek Theatre*
8/18 Santa Barbara, CA Santa Barbara Bowl*
8/20 Jacksonville, OR Britt Pavilion*
8/21 Stateline, NV Montbleu Outdoor Arena*
8/22 Las Vegas, NV The Pool at Cosmopolitan*
8/23 Salt Lake City, UT The Great Saltair*
8/24 Morrison, CO Red Rocks Amphitheatre
8/25 Kansas City, MO Crossroads KC
8/26 Des Moines, IA Wooly's
8/27 Minneapolis, MN First Avenue
8/28 Madison, W The Majestic
8/29 Bloomington, IL Castle Theatre
8/31 Ft. Wayne, IN Piere's
9/1 Cleveland, OH House of Blues
9/3 Joliet, IL Mojoes
9/7 Philadelphia, PA Penn's Landing*
9/8 Asbury Park, NJ Stone Poney Summerstage*
9/9 Clifton Park, NY Upstate Concert Hall
9/10 New York, NY Central Park Summerstage*
9/11 Baltimore, MD Pier Six Concert Pavilion*
9/12 Charlotte, NC The Fillmore*
9/14 Atlanta, GA The Tabernacle*
9/15 Norfolk, VA The Norva
9/16 Wilmington, NC Brooklyn Arts Center
9/17 Orlando, FL Hard Rock Live

iTunes

Crossroads (Feat. J. Ralph)

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

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