https://soundcloud.com/prepaidrecords

https://prepaidrecords.bandcamp.com/album/ordinary-days

"Waking up to the ever-flowing, ever-expanding limitlessness of time. An unexpected feeling of obliteration, intricate greatness and introspective madness. Promised lands of the post-internet age turn into a barren, yet artificial landscape. Silver linings are these Ordinary Days."
- a.

Tokyo-based Yolabmi delivers a fulminant debut on Prepaid Records encapsulating modular ideas in sound design on tape.

Liquid (Ordinary Days - Prepaid Records)

vital022
2022 élan vital recordings 

Manja Ristic / Toni Dimitrov - Dystopian 001

1. Manja Ristic - Nothing Has To Happen, Fortress Europe
2. Toni Dimitrov - Against Civilization

🏴 'Dystopian 001' is split release between the sound artists Manja Ristić and Toni Dimitrov, and it is part of the new 'Dystopian series', showcasing a more abstract, darker, obscure and politically infused side of the sound of élan vital artist roster. Inspired by everyday life in the last several years living in realized dystopian visions and darkest predictions, the sound on this series will be the soundtrack for our daily dystopian reality. We are all aware that the future of our civilization is not bright, but that doesn't mean we are not living in an exciting epoch.

🏳️ Part one brings two longer pieces, presenting the dark side of the mystical long form experimentations by the Serbian violin and field recordings diva Manja Ristić and the latest field recordings experiments of the sound art naturalist Toni Dimitrov. Through this joint release the artists are trying to explore the potential for change of the society, resulting in a mature, expressive and complex album. 

Composed and arranged by Manja Ristić & Toni Dimitrov 
Mastering LaPlant Studio Belgrade
Cover drawings by Dorian Dimitrov
Design by Toni Dimitrov

Release date 27th March 2022
 https://elanvital.bandcamp.com/album/dystopian-001

Manja Ristic - Nothing Has To Happen, Fortress Europe (excerpt)

Released September 19th, 2022

Lorenzo Abattoir, Angelo Bignamini, Andrea Borghi, Devid Ciampalini, Marco Ferrazza, Nicola Fumo Frattegiani, Giovanni Lami, Fabio Perletta, Nàresh Ran, Gaspare Sammartano, Dominique Vaccaro

11 schegge

Mark Vernon live at Iklectik 23rd July, 2022 for Persistence of Sound. Binaural recording of quadraphonic live set diffused over the 13.1 surround sound speaker set up.

Live at Iklectik 23-07-2022 - Binaural recording of quadraphonic set

Dobra voda is a small bay on the island of Silba. A remote beach is situated an hours walking distance from the only village on the island.

This mystical and completely secluded place was once a summer commune, gathering creative minds from Yugoslavia but also from all over Europe. A versatile art scene emerged, the one that preceded Ljubljana's alternative theatre scene, Rijeka's new wave and some of the most influential ex-Yu alternative bands; "[...] The music was coming from every single bush: violins, cellos, saxophones, trumpets, and, of course, mostly guitars [...]."

One of my dearest friends, Natasha Kadin, curator and cultural manager of SEA Silba Environment Art organised a wonderful exhibition in 2018 with found archive photos made by Marijan Blažina, one of the artists from the commune. Croatian multi-disciplinary artist and author Boris Greiner wrote more about this exhibition: www.silba-environment-art.hr/en/blog/boris-greiner-slikovne-poruke-s-dobre-vode/

I visited Dobre vode on a few occasions, but this particular time I wanted to record a sonic palimpsest, built from water memories and other environmental simulacra of this magical little bay. I recorded with hydrophones from various angles, listened to the interplay between water and salt and different geological formations. The movement of the pebbles from the sea bed, water sliding down the rocks and crevices, burying my "ears" under the sea bed but also inside the enormous piles of dry Posidonia oceanica, commonly known as Neptune grass or Mediterranean tapeweed, a seagrass species that is endemic to the Mediterranean Sea. It forms large underwater meadows that are an important part of the ecosystem. The Posidonia has a very high carbon absorption capacity, being able to soak up 15 times more carbon dioxide every year than a similar-sized piece of the Amazon rainforest.

Dobra voda bay is positioned to accumulate dry Posidonia once it is washed ashore. It is absolutely impossible to be still in those clouds of dry seaweed and be completely silent. Even so, I tried.

The sound piece is a mix of 16 chosen recordings placed in a dronesque metaphor of passing time. 

released August 25, 2022

All sounds recorded, edited and composed by Manja Ristić
Recorded during SEA Silba Environment Art Residence 2021
www.silba-environment-art.hr
Hydrophone built by Jez riley French
jezrileyfrench.co.uk
Mastering La Plant Studio Belgrade
laplantstudio.com

Dobra voda

August 25th, 2022

Bandcamp

'Stožice Walk’ represents the conclusion of the ‘Sonic Ontology of Negligence’ trilogy, initiated in 2020 by Steklenik – Gallery for sound, bioacoustics and art, from Ljubljana.

The first part of the trilogy was a sound work titled ‘Sonic Ontology of Negligence' produced as a publication and a series of in-situ FM radio sound walks.
See archive: www.steklenik.si/en/manja-ristic-sonic-ontology-of-negligence/

The second piece, composed of the material gathered in the performative walk through abandoned mega-structure Stožice, is ‘Nothing Has To Happen, Fortress Europe’, commissioned by Radiophrenia 2022.
See archive: radiophrenia.scot/artist/manja-ristic/
The work was published by Elan Vital Recordings, as a start of the series Dystopian 001, a split release with Toni Dimitrov.
elanvital.bandcamp.com/album/dystopian-001

‘Stožice Walk’, the third and most complete recording of the walk was presented in September 2022 at the TO)pot Sound Walks Festival, in Ljubljana, as a live electro-acoustic set at the Cukrarna Gallery.
www.steklenik.si/en/to-pot-sound-walks-festival/

--

"Sonic Ontology of Negligence is continuous research evolving from listening to abandoned places and landscapes reshaped by the extensive intervention of human presence and exploitation, and eventually “given over” to Nature to reclaim the space."

My intention with the trilogy was to tackle the sphere of the politics of sound and to put a soundscape in a wider socio-cultural framework.

With this work I tried to build a synthesis that included geoanthropology - an interdisciplinary approach to the study of the interaction between Earth processes and humanity, then, I searched for common denominators of the phenomenology of listening and the culture of memory as well as systems ecology which focuses on interactions and transactions within and between biological and ecological systems and is especially concerned with the way the functioning of ecosystems can be influenced by human interventions.

Cover art by Luka Bilbija

Mastering by La Plant Studio, Belgrade
https://laplantstudio.com/

Special thanks to Cona Zavod, Radiophrenia Glasgow, Elan Vital Recordings.

Stožice Walk

Stožica Walk

Track selection from the forthcoming album Serpentine by Gafael, set for release with Noir Age.

Serpentine 2

Gafael - Paradox of the Star

L'ampleur du souffle (2020)

To breathe, is to activate a certain space. Short breaths, deep breaths, dying breaths or sensual ones - they evoke variety of features and peculiarities that the breath embodies. Breath is also a precondition of voice, and further, of a spoken word. Paving the path for every physiological and philosophical activity, breath is essential to all we do and all that we are. 
Auditory situations in this piece are fluidly changing from one to another in a constant fluctuation and transfiguration of the musical material. Acoustic spaces inside of which the music is being situated, give room for the sounds to appear, to change and disappear, develop and transform, and inside of these spaces, the ear can swift freely from one sound object to another in a spatial and non-linear listening experience.

Commissioned for the Tingles & Clicks project by the Musikprotokoll 2020 and supported by the program "Creative Europe" of the European Union and SHAPE platform.

The work was presented in ambisonics, binaural and stereo formats. It was composed for an interactive environment, and the sections (structure, duration) were open. This is one of its renderings (structure and format-wise), made for the presentation at Radio Belgrade in 2020.

Presented at Musikprotokoll, Graz, at Radio Belgrade 3, CYNETART festival and Ö1 radio (Zeit-Ton radio show).

L'ampleur du souffle

This CD features recordings of a now lost sculptural work that was originally commissioned in 2016 for Colour Out of Space festival. The work consists of over 100 empty computer cases, fitted with 16 customised and automated DVD drives. Between 2016 and 2018 it was exhibited in Brighton, Athens, Croydon, Oxford and Rennes, on each occasion being reconfigured into a new form. The most ambitious of these being at Detritus Festival in 2018, where a new and larger version of the work was constructed at the Onassis Cultural Centre from used computer sourced in the city. The work was sadly lost in transit between France and the UK, returning to the global trade in e-waste which its production initially sought to intervene in, so all that remains are these recordings. 

The CD is released in an edition of 150 in an oversized 7" sleeve accompanied by a 16 page risographed booklet featuring photographs and scans of the sculpture, essays by Danae Stefano and Stephen Cornford, and a letterpressed backpanel.

Stephen Cornford - Constant Linear Velocity [excerpt]

Cathedral Ranges

Taken from the album 'Shutting Down Here' released as LP and Digital.

Stožice Walk

Manja Ristic

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