manju1

Here is the premiere of my brand new single, "They Took Me" produced by ABCDE of First Five Productions (www.soundcloud.com/abcdethefirstfive) The world usually hears me on features and collaborative projects, but this is a very important and significant track to me because it is my very first SOLO track, ALL ME. It took a lot to conduct these verses and lay out my pain and heart all on an exclusive instrumental. Enjoy. Leave comments. 

The-Exper-T : "They Took Me" (Prod. First Five)

Speech by Sangeetha Natak Academi Fellow Prof. R. Sathyanarayana on Maharaja HH Sri. Jaya Chamaraja Wadiyar.

Speech by Prof. R. Sathyanarayaana

Balakrishnam Bhavayeham - a composition of Maharaja Jayachamaraja Wadiyar.
raga: nilaveni
tala: adi tala
by Vid. R.S. nandakumar

balakrishnam bhavayeham

Very First composition of Maharaja HH Jaya Chamaraja Wadiyar. It was composed on 17-8-1945

SrI MahAgaNapatim - AThANa

A composition of HH Sri. Jayachamaraja Wadiyar in a rare 
rAga: haMsanaTini
tALa: Adi


vaMdEhaM sadA shArada

Too Shayar Hai Remix

Raga: Gauri Manohari
Tala: Mishra Jhampe

Composer: Maharaja of Mysore, H.H. Sri. Jaya Chamaraja Wadiyar 

Jcrw Gaurimanohari

Raga: Amruthavahini
Tala: Adi
Composer: H.H. Sri. Jaya Chamaraja Wadiyar

Jcrw Mahaganapathi Amruthavahini

A rare composition of  Maharaja of Mysore, Late  Sri. Jaya Chamaraja Wadiyar
 ರಾಗ: ಗೀತಪ್ರಿಯ ; ತಾಳ: ರೂಪಕ 
ಪಲ್ಲವಿ:
|| ಗೀತಪ್ರಿಯಯೋಗಿನೀ ಮಾಮವ ಸಂಗೀತಪ್ರಿಯಯೋಗಿನೀ ||
ಅನುಪಲ್ಲವಿ:
|| ಮಂತ್ರಿಣೀ ಮಂತ್ರನಾಯಿಕೇ ವೈಣಿಕೇ ||
|| ಶ್ಯಾಮಲಾಂಬಿಕೇ ಕರಧೃತ ಶಾರಿಕೇ ||
ಮಧ್ಯಮಕಾಲ ಸಾಹಿತ್ಯ:
|| ನೀಪಪ್ರಿಯೇ ಪ್ರಿಯಕಪ್ರಿಯೇ ದಶಮುದ್ರಾದಿಪ್ರಿಯೇ ||
|| ಐಂ ಆತ್ಮತತ್ವಾದಿ ಸರ್ವತತ್ತ್ವವ್ಯಾಪಿಕೇ ಸದಾಮುದ ದಾಯಿಕೇ ||
|| ನವನಾದ ಪ್ರಬೋದ್ಮಾತಿಕೇ ಸಂಗೀತ ರಸಿಕೇ ||
|| ಶ್ರೀ ರಾಜಯೋಗೀಂದ್ರ ವಂದಿತೇ ಅನಾಹತಸ್ಥಿತೇ || ಗೀತಪ್ರಿಯ||

Untitled - 12-28-08

gItapriya

A very rare composition by Maharaja of Mysore, Late Sri. Jaya Chamaraja Wadiyar:

rAga: dUrvAMki, tALa: trishratripuTa

Only known composition in this rAga

DURVANKI

A composition of Maharaja of Mysore, late Sri. Jaya Chamaraja Wadiyar

rAga: nAgasvarAvaLi  ; tALa: KhanDa tripuTa

NAGASVARAVALI

A composition of Late Maharaja of Mysore HH Sri. Jaya Chamaraja Wadiyar.

mahAtripurasuMdari on rAga kalyAni and tALa trishra jhaMpe

Mahatripura Sundari

A composition of Late Maharaja of Mysore, HH Sri. Jayachamaraja Wadiyar.
srI chamuMDeshwari dEvi in rAga kannaDa and tALa Adi

Jcrw28 Kannada

Bale bruhat Srusti Moole: A composition of late Maharaja of Mysore, H.H. Jaya Chamaraja Wadiyar in  raga: simhendra madhyama by Vid. R.S. Nanda Kumar

Jcrw Simhendramadhyama Bale

Matanga Kanya: A Composition of Late Maharaja of Mysore, HH JayaChamaraja Wadiyar in raga Shuddha Thodi by Vid. R.S. Nandakumar

Jcrw Shuddhathodi Matanga

" Paripahimam Mahadevi Meenakshi" - A Composition of  Maharaja of Mysore, His Highness , Sri. Jaya Chamaraja Wadiyar in Raga: Shanmukhapriya in Raga: Mishrajhampe.

Shanmukhapriya

" Kamakshim Varalakshim" - A Composition of Maharaja of Mysore, His Highness, Sri. Jaya Chamaraja Wadiyar in Raga: Vasantha and Raga: Rupaka

Vasantha

" Shri Vidya Modini" - A Composition of Maharaja of Mysore, His Highness, Sri. Jaya Chamaraja Wadiyar in Raga: Kokilabashini in Tala: TrishraTriputa

KOKILABASHINI

Download or listen online: 
isha.sadhguru.org/Thevaram

Lyrics and meaning: isha.sadhguru.org/Thevaram
 
Thevarams are devotional hymns sung in praise of Shiva by the 3 Nayanmars: Sambandar, Thirunavukkarasar and Sundarar. Rendered in an ancient musical style that precedes most Indian classical music systems, these songs give us an insight into the wave of bhakti that swept across southern India during the 7th Century. In this album, children of Isha Samskriti have rendered a select few Thevaram, as an offering to today’s world. 

The Nayanmars travelled the length and breadth of South India, predominantly in current day Tamil Nadu, and the temples in this region find a place in their songs. The 275 temples mentioned in Thevaram are referred to as “Paadal Petra Thalam,” which literally means “the temples that were sung in the verses”. The singing of Thevaram is still an active process in many Shiva temples in Tamil Nadu.  

When Sundarar was to be married, it is said the Shiva, disguised as an old man, interrupted the process and claimed that he was pledged to serve him. Disbelief was rife, and Sundarar called him a madman, or a “Pithan”, denying he belongs to him. The ascetic proved his claim by a written manuscript and whisked Sundarar away from his own wedding. That man was Shiva himself. Upon realizing Shiva’s true form, Sundarar composed this Thevaram, lamenting continuously to Him, “How can I not be yours?”

Sundarar was an 8th century poet from Thirunavalur, Tamil Nadu, and one of the Nayanars - the Shiva bhakti poets of Tamil Nadu. His origin's can be traced back to Bharadwaj who is one of the famed Saptarishis. Sundarar himself, travelled to many Shiva temples in South India and composed close to 1000 poems, which are compiled in the Thirumarai – a compilation of Poems on Shiva.

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Pitha Pirai Soodi

Maharaja of Mysore , Sri. Jaya Chamaraja Wadiyar's Composition

Bhuvaneshwari

Raga: Bhuvanagandhari
Tala: Adi

manju1

Manjunath Smtsm