amor y ruidito

A Song For

[ instrumental intro ]

Hard to listen deep harmonies falling down...on you,
on to your shoulders ,
hard tones on your backbone pushing you down
to the ground

[ instrumental intro ]
aahhh, you are not alone
aahhh, everything is moving slow
aaahhh you wish you could just go


friends in white shirts and black coats
around you like a stonecold wall
old ruins of your damned soul
and you, mate, join me in this black light show

[ bridge ]

aahhh, you are not alone
aahhh, everything is moving slow
aaahhh you wish you could just go

light is shining eyes can't survive
doors are open, fresh air deep breath
you feel how blod flows again...in your veins
[ bridge ]
freezing cold disappear
and you are free
free for now


aahhh, you are not alone
aahhh, everything is moving slow
aaahhh you wish you could just go

[ instrumental intermezzo, electric guitar solo ]
[ outro ]
now you know
Black light  was just  a dream
[ bridge]
which melted down like a snow

[ instrumental outro ]

black-light-ceremony ( optimistic ignorant )

minimal synth, minimal wave, minimal electronics, synth pop, synth-pop, cold wave, new wave, wave, post punk, italo disco

Esplanades radieuses - 2016 - [Polytechnic Youth ‎– PY71 - UK]

Crete's Lena Platonos is a Goddess of the piano, and her illustrious career spans over thirty years. Having reissued the excellent Platonos album Galop last year, Dark Entries return with another dose of Lena goodness, transforming her gentle harmonics into dancefloor bliss. The culprits are Tel Aviv's Red Axes, who start their thrashing by moulding "Witches" into a deep, sleek, and masterfully contained groove featuring the artiste's vocals at the helm - perfectly detuned and distorted.

Released // 23-02-2016
Label // Dark Entries ‎– DE-111
http://www.darkentriesrecords.com/store/vinyl/lena-platonos-red-axes-remixes-ep/

All credits to Lena Platonos & Red Axes

Red Axes Remixes - EP

Lena Platonos - Witches (Red Axes Remix)

2nd volume in Tolouse Low Trax's retrospective

OUT NOW

TOLOUSE LOW TRAX - WOODEN WORDS

Techno Primitiv

Misunderstandings

Life Is Short The Answer's Long

The Beat Escape - Nemo Propheta (Extended Mix)

Moon Wheel — Maze Siren

Curses - Talk To Me

Robert Rental - Different Voices For You, Different Colours For Me. Demos 1980 (mini album)

A1 - Big Day
A2 - Double Heart
A3 - Before Closing Doors
A4 - Radio Silence

B1 - Moving My Blue
B2 - Open Air
B3 - On Location


On an unassuming cassette, just labelled ‘Robert Rental’ in green Dymo tape, these demos have lain unheard for years amongst his family’s treasured possessions, cared-for artefacts of a life cut short far too soon.

These songs, which Robert recorded in his council flat in Battersea in 1980, provide an enticing glimpse into his all-too-infrequent solo work. On most occasions, Robert worked with Thomas Leer, Daniel Miller or other collaborators. These are rough recordings, tape hiss still in evidence, but his creativity shines through the murk, like uncut diamonds.

With these recordings Robert appears to be moving towards more recognisable song structures than most of his earlier work, which could be wildly experimental and would often involve found recordings taped directly off television.

We know 2 of these tracks from their later re-recording for the Mute Records single ‘Double Heart’ late in 1980. Robert spoke to friends of his frustration at being unable to replicate his sound in a commercial studio – it was these demos’ sound that he wanted to recreate. Sometimes having only access to the most rudimentary of equipment can hone the creative talent into something sharper and more focused – necessity is the mother of invention, indeed.

Simon Dell,  2018


I am humbled and ecstatic to be entrusted with this music and able to aid getting these songs out into the world. I have now listened to them countless times and feel they are so, so much more than just an interesting archival release, but rather a small, fully formed body of wondrous songs that deserve to be heard and enjoyed by as many people as possible. In this current era where so much music is so completely focussed on the production, with the result that often the soul is sucked out of it, it’s a pleasant shock to discover that a forgotten tape from nearly 40 years ago can be the freshest and most refreshing sounding thing ever.

JD Twitch, 2018

Released on vinyl (and digital) on September 28th 2018. Distributed by Kompakt.

Robert Rental - Different Voices For You. Different Colours For Me. Demos 1980 (mini album sampler)

Taken from the iDEAL187 "Loyalty Does Not End With Death" LP. Available April 19th 2019 from www.boomkat.com

Carl Abrahamsson & Genesis Breyer P-Orridge

LOYALTY DOES NOT END WITH DEATH

A1. A PERFECT RESTRAINT
A2. BURNING BUSH
A3. S/HE IS HER/E
A4. THEE HEIROPHANT OV LEAD
A5. EASING
B1. A THIN GARDEN
B2. INTERDIMENSIONAL TRAVELS 
B3. FIREFLY'S LAST SPARK
B4. ARBITER OV ELEGANCE

Bonus 12” A: SLOWLY
Bonus 12” B: THIRD MINDS THINK ALIKE

Recorded by Sean Ragon in New York City and by Carl Abrahamsson in Stockholm 2017-2018. Words & vocals by Genesis Breyer P-Orridge. Music, mixing and production by Carl Abrahamsson. Cover art by XXX. Mastered by Gregg Janman at Hermetech Mastering. Words and music published by Interzone/Freibank.

Genesis’ special Thanks to: Ryan Martin; Roxy Farman; Genesse P-Orridge; Caresse P-Orridge; my chosen famille in Psychic TV (3); Leigha Mason; Hamburguer Lady and all thee Oncology Ward staff at Presbyterian Horse Pistol, New York.

Carl’s special Thanks to: Vanessa Sinclair; Sofia Lindström-Abrahamsson; Margareta Abrahamsson; Joachim Nordwall; Ryan Martin; Sean Ragon.

Dedicated to: Thee Twins; Dah Gbedjinon; Lady Jaye Breyer P-Orridge; Susana Vico Valero; Brion Gysin; Joumoux; Dr Sangmin Lee and thee One True TOPI Tribe.

iDEAL187 
iDEAL Recordings 2019

Distributed by Boomkat

Genesis Breyer P-Orridge & Carl Abrahamsson - The Hierophant Ov Lead

Mannequin Records is proud to announce a new press of Decadance "On And On (Fears Keep On)", one of the most iconic underground Italo-wave track ever.

Produced by Franco Rago & Gigi Farina, the masterminds behind cult italo disco projects ‘Lectric Workers, Wanexa, Expansives, Atelier Folie, Peter Richard and many more, the single was originally released in 1983 by Proto Records. 

Permeated by a dark a eerie synths, a perfectly programmed Roland TR-808 and an outstanding analog production, "On and On (Fears Keep On)" belongs to what we like to define "dark italo disco" or "italo wave". Here's there's an extra touch of cosmic / interstellar feeling, sharing the same feelings (and the same synthetic hardware) of "Spacer Woman". Not a intergalactic travel this time, but the wait for somebody to come from the sky. 

"Do you know when the time is coming?
Dark light on the horizon
When the people they come
With the glowing eyes
Look down on me"

The best year for Italo Disco music from a true Italo lover's standpoint is without a doubt 1983. The list is endless and really impressive. We could mention Gaznevada, N.O.I.A., Kano, Finzy Kontini, Gary Low, Gazebo, Righeira.. but let's keep the focus more in the "underground" hits:  Mr. Flagio, Charlie, Casco, B.W.H., Roberto Onofri & Dee Jay Program Band, Amin Peck, Paul Paul, Fred Ventura, International Music System, Kirlian Camera, My Mine and, to cut the long story short, Decadance. MEGA TIP!


Tracklist
A - On And On (Fears Keep On)	
B - On And On (Fears Keep On) (Dub Version)

Re-mastered by Rude 66, 2018, Berlin.
Graphics restored and reworked by Alessandro Adriani.

B - Decadance - On And On (Fears Keep On) (Dub Version)

Stunning selection from Peine Perdue.

Follow artist - https://soundcloud.com/peineperdue

030⚡️Peine Perdue

Lead single from the "Psycho Romance and Other Spooky Ballads" LP (The Bunker New York BK-041)

Sometimes you want something so badly you don't even know to ask for it in the first place. Like Adam and Eve stumbling upon the fruit of knowledge — or psychedelic techno wizards Donato Dozzy and Retina.it (aka Lino Monaco and Nicola Buono) producing a pitch-perfect, vintage-styled minimal wave record, filled with icy synths, shuddering bass, and anthemic vocals, sounding like a lost gem unearthed from 1982 for the first time.

Except it's not — this record is brand new. The three Italians first came together under the moniker Le Officine Di Efesto, releasing an EP of murky left-field techno on Dozzy's own Spazio Disponibile. They quickly discovered a shared love of classic post-punk, wave, and synthpop, and not long after, Men With Secrets was born.

"Men With Secrets" might sound like an old-school synthpop act you've never heard of, but the name is actually borrowed from Richard Bone, an early New York electronic musician and minimal pop pioneer. The trio's name is but one of their many homages — Cabaret Voltaire, The Human League, New Order, and even Dopplereffekt are additional reference points — but this album is neither imitation nor rehash. It's just as carefully and ingeniously produced as you'd expect a record from Donato Dozzy and Retina.it to be, except it's filled with poppy hooks so brilliantly catchy they'll stick in your head until you hit 'Repeat' and find yourself singing along.

These Men With Secrets clearly have their tongue placed firmly in cheek: check the record's title and artwork for proof. But the music is deadly serious. The drums hit hard, the synths soar to emotional heights, and the vocals intone rhythmically. All of it's coated in the warm fuzz of analogue tape. Not many records on The Bunker New York are as likely to be played in goth clubs as they are by adventurous techno DJs, but then again, this is not your average Bunker New York record. 

releases January 31, 2020

Written and Produced by Donato Dozzy, Lino Monaco and Nicola Buono
Published by The Bunker New York 2020
Mastered by Peter Van Hoesen
Design by Common Name

Psycho Romance and Other Spooky Ballads (BK-041)

Pre-order vinyl/digi

Men With Secrets - "Cabaret (Démodé)"

Dance(SexLovePower)

It all started with a fan letter…

“Hey Peter, just noticed you on a Rhys Chatham link. Just want to say I adore your work, I had a release on DFA recently, and they sent me some of your releases you did with Jonathan - so brilliant! I’ve had “Condo” track for a while, this completely catches my personality and when I feel disillusioned or need comfort, I always put this on, and it makes me feel good and strong.....i will stop gushing now! Thank you!

Nik Colk Void x”

This was Peter’s reaction…

“I was quite flattered and was glad that ‘Condo’, one of my lesser-know tracks, was being appreciated. (I was also curious, because the most-viewed clip of ‘Condo’ on Youtube is actually a slowed down version: someone played the 12” 45rpm EP at 33 rpm. The result, however, is quite beautiful.)

I responded, said I hoped we could meet the next time I am in London, and Nik then suggested that she had a track that she was working on, and would I like to listen to it and possibly collaborate. I am always game for a new challenge, so I said sure and Nik sent an mp3.

I was immediately struck by the haunting and evocative nature of the track, the analog synths feeling fresh and familiar at the same time, the vocals having a primal quality of breath and phrasing. I loaded the track into Ableton and instinctively began recording some overdubs. I used analog (Prophet 5) and digital (Moog iPad) synths and a soprano saxophone. I then sent a mix to Nik.

Nik responded quite positively, and over the next few weeks we exchanged files back and forth, experimenting with different mixes and submixes. After a couple of dozen rough mixes, accompanied by email discussions among the three of us (Gabe had entered the process after the first few exchanges,) we settled on a final mix. Shortly after we had a final mix, I synchronized the track with a video that my partner Kit Fitzgerald was working on. This long extended shot fit the music perfectly, and we had a video for ‘Beachcombing’. (A still from this video serves as the artwork for the 12”.)

Initially, there was going to be a one-sided 12”, with ‘Beachcombing’ the only track. Nik then wrote to me that Dominic was also interested in working on a track, and would I be interested in working on a B-side with Dom. Of course, I readily agreed, and I received an mp3 of synth tracks. As previously, I began building up tracks, using the alto sax (rather than the sopranino used on Beachcombing) and the addition of a vintage Korg vocoder.

Once again, a series of file exchanges of mixes, submixes and discreet tracks ensued, and we finally settled on mix #26a. There is kind of a sweet quality which surprised the both of us.”

The result is before you now and forthcoming on Optimo Music. Modern collaborations with magical results!

www.optimomusic.com

Peter Gordon and Factory Floor - Beachcombing

Sofia Zeta,
performer/ ruidista audiovisual/ en experimentación sonora, visual y del cuerpo en movimiento.
::::::::::::::::::::::::::::  

Contacto:
IG @sofiazetaediciones
sofiazetaediciones@gmail.com

No demos

🗓️ Mannequin Records showcases
alex@neptunemusic.net / sari@neptunemusic.net

Distro > http://www.rushhour.nl

Bandcamp http://bit.ly/NcCZYL
Beatport http://btprt.dj/1eGHvo5
Juno http://bit.ly/1hZtSIH
Boomkat http://bit.ly/MBEvCM

B - Decadance - On And On (Fears Keep On) (Dub Version)

Mannequin Records

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