Recorded live in studio from @refugeworldwide, a journey into the darkside of 2-step, garage, and proto-dubstep.

Big up the bad boys, gyals and theys!

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #9 Cape Fear: A Trip to the Darkside of UKG @refugeworldwide

Ashland Mines, AKA Total Freedom, AKA Big Gay Idiot DJ, AKA Bobby Beethoven, is one of the best and most influential DJs of the 21st century. Starting out at pioneering parties like Mustache Mondays and Wildness (which he cofounded with Wu Tsang)—and a regular at GHE20G0TH1K—Mines helped to define the style that would become known, however cringe-inducingly, as experimental club or deconstructed club, directly inspiring fellow visionaries like Arca. 

Like some of the best DJs before him, Mines uses the CDJs as an instrument, but that doesn't mean just fancy tricks and looping. Instead, he artfully throws together clashing sounds—effects, samples, monologues, pop and R&B acapellas, and beats that run the gamut from dancehall to kuduro to breaks and techno. He's not afraid of the grotesquerie of human life and movement (just check out the monologue at the beginning of this mix), and he likes to push buttons. Once he put on a party where dancing wasn't allowed. Some of his sets are intentionally anxiety-inducing, evoking horror movies and modern classical composers like Penderecki, while others are bouncy and ebullient, weaving between genres and tempos like an old-school platformer. The best are both.

On Mines's RA Podcast—a milestone 900th in the series—he shows off this inimitable style, sharpened and reinforced over a decade-and-a-half of playing some of the world's best parties, fashion shows, you name it. He's the kind of DJ who creates his own music as he goes along. He makes you hear old tracks—especially pop music and R&B—in a whole new way. Titled "Cursed Piercing," this is a near-hour of controlled chaos that'll confound you at one moment and deeply move you the next.

Read more at https://ra.co/podcast/900

RA podcast

RA.900 Bobby Beethoven (FKA Total Freedom)

For the past few years, RA cover star Jlin has been churning out complex percussion compositions that sit at the intersection of IDM, trap, mutant techno and sound art. Her tracks are tactile and structurally complex, stacked drums interlocking with glistening melodies and heaving basslines on groundbreaking albums like Dark Origami. Her rhythms gracefully crosscut over one another like towering blocks in an architecture sketch for a truly cerebral experience.

Growing up in Gary, Indiana, the former steel factory worker wears many hats. She produces mind-bending club music—usually for Mike Paradinas's label Planet Mu—scores modern dance performances and arranges for instrumental ensembles. Her process of collaboration is deeply symbiotic, as shown on her new EP, Perspective The acoustic version of the record, written for and performed with Chicago's Third Coast Percussion, was nominated for a Pulitzer Prize this year, an unprecedented honour for a dance music artist.

Jlin's style is sometimes described as avant-garde, but modernist is a better word. She originally started out making footwork and despite moving away from the genre in recent years, footwork's jittery energy still flows through her productions, a testament to her ability to experiment across styles. Being a math whiz only adds to the angular, carefully calculated feel of her production.
 
In celebration of Jlin's career, Mike Paradinas serves up a 40 minute mix that shows off her range and most importantly, her passion for this music.

@mikep @jlinnarlei

Read more at https://ra.co/podcast/903

RA.903 Mike Paradinas (ft. Jlin)

For our 905th RA Podcast, we're proud to welcome Goldie, one of the most famous, talented and important electronic music artists of all time. Starting out as a graffiti artist, he eventually made music under the name Rufige Kru, helping push the then-nascent genre of jungle forward with tracks like "Krisp Biscuit (Power)" and "Terminator." The latter was released under the name Metalheads, which would later become the name of his label (with a z instead of an s). Metalheadz—which he cofounded with DJ Storm and the late Kemistry—celebrates its 30th anniversary this year and remains the defining outlet of drum & bass, the genre that grew out of jungle that Goldie helped invent with records like 1995's massive crossover album Timeless (alongside countless other classics). He's a producer, DJ, actor and all-around celebrity, a huge personality in UK electronic music.

Goldie is also RA's guest curator this month, and his tenure starts with this mix. We'll have more to come starting this week—check our editor's letter later today for more information—but for now, here's a survey of drum & bass past and present from a man who helped invent the genre. With plenty of new Metalheadz material plus a healthy dose of older tracks, these two hours lay out the history of Metalheadz, drum & bass and its various subgenres, from twinkling liquid to rumbling techstep. It's the first part of a month celebrating Goldie's legacy, and we can't wait to show you the rest.


@goldie-official

Read more at https://ra.co/podcast/905

RA.905 Goldie

POPCAAN - Everything's Fine Feat. Mavado
TINASHE & JUBILEE- 2 On (JMZ Riddim / Four Color Zack)
MURLO - Next 2 U
QQ vs SO SHIFTY - One Drop x Darkas Riddim
STARFOXXXY - FLEXXING ON STEEL DRUMS WITH MY COUSIN STARFOXXX (KCMO RIDDIM)
CYPHR - Dddiamondsss
KILBOURNE - El Teke Teke (Ynfynyt Scroll dembow remix)
DRIPPIN - STINKIN TOOL
ICEBOI - Bubble Up Ice Edit
YANDEL - Te Suelto El Pelo
DJ NERVOSO - Tarracho Nervoso
J ALVAREZ - Ahi Eh
AALIYAH - Rock The Boat (instrumental)
SHABBA RANKS - Twice My Age
SCHLACHTHOFBRONX - Passa Passa (Schlachthofbronx edit)
SLICK SHOOTA - Murder Tool
ALKALINE - Gyal Bruk Out [RAW]
CHICO - Tight  Pussy Gyal [RAW]

SOFRITO END OF SUMMER SOUNDCLASH

Quest's RA Podcast starts slowly, with a thrum of synths that feels like watching a rocket take off in slow motion. Before you know it, you're in outer space, floating through zero gravity with waves of synths and gentle breakbeats. The Italian DJ is a premiere selector in the world of digging for rare records, but his outré taste shouldn't be confused with willful obscurity. He's a beloved DJ partly because of his approachability. There's a serene, early '90s feel to RA.915 that's reminiscent of some of the earliest and best ambient techno.

When he's not DJing, Quest runs the label La Nota Del Diablo. He's only put out two records, including this year's Red Tears EP from his dear friend (and fellow esteemed DJ) Christian AB, which RA's Henry Ivry described as "a careful balance of late-night tension and early morning twilight." That's not a bad way to describe Quest's RA Podcast—if it's not a soundtrack for an astral journey, then it's perfect for an afterhours, for when the laid-back vibes come to a simmer for one last stretch of dancing.

@questwax

Read more at https://ra.co/podcast/915

RA.915 Quest

Whoever Client_03 is—their official bio says "neither human nor machine"—they certainly love electro. In the interview below, they say making it is "all I do." The stubbornly anonymous project has been making waves across continents and scenes, introducing audiences used to dubstep, drum & bass and trap to the distinctive joys of electro. Through a series of self-releases dating back to 2019, Client_03 has earned a fanbase with simple graphics and wonderfully jargon-y titles—"Prosperity Stream Divider," "Interpersonal Relationship Assessment"—that more than live up to the genre pastiche with genuinely funky electro grooves. Pitched between loose and robotic, their tracks are what we call rollers: stackable, interlockable and reliable.

This RA Podcast was recorded live at last year's Bass Coast Festival, where the masked producer's set was among the most anticipated. They—or it—didn't disappoint, and here we've got 60 minutes-plus of smooth and occasionally raucous electro that eventually mutates into dubstep, jungle and beyond. There are several spinbacks, tons of Client_03 material new and old and a few select tracks from artists like Sam Binga, Nikki Nair and Fixate. It's the sound of a certain kind of future, as refracted through its past.

@Client_03

Read more at https://ra.co/podcast/920

RA.920 Client_03

In the music video for her new single with Manni Dee, Manuka Honey embarks on a money heist, robbing a venue with a comically tiny Louis Vuitton bag. Wearing a barely-there outfit, her cutesy goth girl demeanour and memeworthy one-liners capture many facets of modern-day pop culture. Whether through her music, fashion or astrology practice, the artist, born Marissa Malik, speaks to a large demographic of fans. Her sound is a composite of club genres from across the globe—everything from baile funk to gqom to pop edits. She he describes herself as an "unhinged, hostile girl" and is known for unfettered self-expression. "When you come to my sets, often, my tit will accidentally fall out or I'll step on the decks," she once told RA.

Malik brings a sort of sensual chaos to the dance floor. Her DJ sets and productions are rooted in hot and humid rhythms that often distort into acrobatic shapes or blend into one another in a maximalist approach. Last year's Machete / 777 for Club Romantico combined elements of reggaeton with ballroom, while one Boiler Room show last year went from Waka Flocka's "No Hands" to new-school guaracha banger "Calentura Vaginal" (which translates to "vaginal heat"). She's dedicated to supporting the worldwide Latin diaspora through her music, which heavily skews towards regional styles like guaracha and raptor house, as well as with her collective and party SUZIO.

Malik's many influences shine on her RA Podcast. Moving from dancehall to Afro house to bassy dembow, the hour-long high-intensity workout captures her core sound palette. It's energetic, steamy and a little disorienting—just how she likes it.

@manuka_honey

Read more at https://ra.co/podcast/921

RA.921 Manuka Honey

FAUZIA is an artist of many moods. The UK talent moves from IDM to soul on her NTS Radio residency, while her club DJ sets reveal her love for '90s-style breaks, electro and bass-heavy sounds. In the studio, she explores her softer side through self-released homespun dub and ambient jungle.

In recent years, she's gravitated towards live performances. Her gossamer vocals, one of her strongest suits, cuts through live instrumentation like a hummingbird in agile flight. In 2020, the London-based talent told Mixmag that she was done being categorised as a "dance music" artist—and so far, she's succeeded. While she incorporates clubby touchstones into her work, there's a deep level of cross-genre knowledge and blending at play.

FAUZIA's RA podcast makes that clear. Free of any four-to-the-floor music, it moves from experimental jazz to orchestral melodies to R&B ballads for a thoughtful and introspective journey full of her own unreleased music that points towards her newer interest in composition. This is music to be felt, so let your guard down and let it wash over you.

@FAUZIA

Read more at https://ra.co/podcast/926

RA.926 FAUZIA

Rinse FM Podcast

dBridge presents Exit Records (The Aptitude Show) with Fixate - 07 March 2024

A live recording from October's subglow, a captivating performance from Baptist Goth @dylan-kerr-6 opening Ohm.

Tracklist:
Joan La Barbara - Cyclone
Graham Lambkin - Poem (For Voice & Tape) Part I
Aaron Dilloway - Geese Feeding Outside Bhoot Ghar
Johann Sebastian Bach -   The Art of the Fugue BWV 1080 - Various
Yellow Swans - At All Ends
Charmaine Lee - Monstas’ Marriage 
Weston Olencki - Tone Study No. 3 
Elias Merino - SUA2
Richie Culver - Goth Night At The Community Center
Victor Moragues - let it happen to you
George Crumb - Madrigals, Book IV: I (Jan DeGaetani)
Daniel Lentz - O-Ke-wa
Slikback - RAINFALL
Aaron Dilloway - Bhoot Ghar: Entrance Soundtrack
Guy Birkin - kick5
HULUBALANG - Bucur
Steve Reich - The Desert Music: II. Moderate (Alarm Will Sound & Ossia)
Emptyset - ember
Catherine Christer Hennix - Music of Auspicious Clouds
The Lord & Petra Haden - The End of Absence
George Crumb - Come Lovely and Soothing Death (Jan DeGaetani & Gilbert Kalish)
Screloma - Suicide Weapon
Iannis Xenakis - Rebonds A (Vic Firth)
Ernstalbrecht Stiebler - Mitteltöne
Denis Smalley - Portal
Sam Dunscombe - Second Study in Mass Plasma Synthesis
Guy Birkin - sub32768
SUNN O))) - Big Church
Keith Jarrett - Spheres, 7th Movement 
Henry Cowell - The Banshee
Hecker - bsf°tyk 5
Daniel Lentz - Postludium
Alf Brooks & Dylan Kerr - Where’er U walk
World Listener - お や す み リ リ ー ち ゃ ん - Good Night Little Lily
Sinéad O’Connor - Trouble Of The World
Kali Malone - Living Torch II

SOFRITO END OF SUMMER SOUNDCLASH

MANTECA

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