Shahin Entezami, also known by his stage name “@tegh” is a musician and sound artist and practitioner based in Tehran, Iran. In his music, Tegh tries to bring new aural experiences to life by using various audio elements and complex soundscapes. These experiences usually manifest his personal perception of facing new stories, geographies and different situations. The ways he usually tries to express these ideas take root in Noise, Drone and Experimental electronic styles and sometimes manifest themselves in the form of electroacoustic compositions. 

He has also released albums and singles on labels like Opal Tapes (UK), Zabte Sote (IR), Hibernate Recordings (UK), Dronarivm (RU), Inner Ocean Records (CA), Midira Records (GE), Futuresequence (US), Flaming Pines (UK), Bitrot Recordings (IR) and more.

Also, based on his eagerness to discover the world of other artists he has been involved in many collaboration projects like “Artirial”, “Temp-Illusion”, “Umchunga & Tegh” and so forth.
~ 
Tracklist:
KMRU - Klang
Eivind Aarset & Jan Bang - Before the Wedding
Ecker & Meulyzer - Harvest
Rojin Sharafi - Choruk
Chra - Fits of Asthma
Natalia Beylis - The Desire of Huckleberries
Tod Dockstader - First Target
Mentos Gulgendo - Part 3
FRKTL - دفق (Crash Blossoms)
Nazanin Noori - IMAGINE ALL THAT FALL IN A PHOTOLE ON A BEATIFUL DAY (Excerpts)
Rian Treanor - Mirror Instant
Shuttle358 - caudex
Amhain - Lx2
Kassel Jaeger & Jim O'Rourke - #0047AB [bonus track]
LOKE RAHBEK - City of Women
FRKTL - Dread Aversion
Muqata'a - Quboor Mamila قبور مامیلا
Søulless & ODDZ - Somewhere Then

KMS018 Tegh

✯𝖒𝖆𝖓𝖙𝖊𝖌𝖍𝖎✯

True Aether is proud to present the new album 'Mechanical Flirtations' [TRAE007] by the Iranian-Canadian brother duo Saint Abdullah (@saintabdullah). 

All profits for this release will go to support those affected by the Christchurch shootings in New Zealand (Victim Support Manaaki Tāngata).

'Mechanical Flirtations' is out June 13 via True Aether. 

Album art: On The Edge of The Spring by the U.K. based, Iranian born Parham Ghalamdar. 

Mastered by Jesse Munro Johnson in Portland, Oregon

Landscapes Of A Blind Man 'Mechanical Flirtations' [TRAE007]

Stars Have Eyes

Children At War

TARDAST - ROOFOOGAR (PRODBY LEO 019)

SIAVASH AMINI, A Mimesis Of Nothingness, LP

Release date - Aug 28th 2020
Catalogue nr. - HG2006
Format - Vinyl with 8-page booklet/digital

https://hallowground.bandcamp.com

Tracklist:
1) Lustrous Residue (07:59)
2) Perpetually Inwards  (02:58)
3) Moonless Garden  (08:50)
4) Observance (Shadow)  (05:32)
5) A Collective Floundering  (06:48)
6) The Stillborn Baroque  (03:31)

Credits:
All Music Composed by Siavash Amini
Written and Recorded in Tehran 2018-2019
Based on Photographs of Tehran by Nooshin Shafiee
Booklet Photographs by Nooshin Shafiee
Mastered by Lawrence English at Negative Space
Cover Photo Nooshin Shafiee
Cover design Ruth Stofer and Greenpointless

///
Siavash Amini returns to Hallow Ground  with »A Mimesis of Nothingness,« his fourth album for the Swiss label. Following up on »Harmistice« together with fellow Iranian artists 9T Antiope, the six tracks were conceived in close collaboration with another artist and see the prolific composer intensify his interdisciplinary approach. The six tracks enter a dialogue with the photographs of Nooshin Shafiee, an acclaimed artist whose work capturing their hometown Tehran becomes the starting point for one of Amini’s most visceral and haunting records. »A Mimesis of Nothingness« translates the ephemeral situations and melancholic moods of Shafiee’s pictures into suspenseful soundscapes that masterfully navigate between the concrete and the abstract.

Amini met Shafiee while setting up the sound art space SEDA Projects at the Emkan gallery in Tehran where the photographer’s second solo exhibition was shown. Following the suggestion of curator Behzad Nejadghanbar, the two started a fruitful collaboration that would eventually lead to »A Mimesis of Nothingness,« which was written and recorded between the years 2018 and 2019 and which includes a booklet with a selection of Shafiee’s work. The two share an interest in exploring the sensual experience and the metaphysical dimensions of space. »I was fascinated by Nooshin’s approach,« explains Amini who, ever since releasing the album »TAR« through Hallow Ground in 2017, has focused on how our experience of places is shaped by the individual and collective subconscious. »It wasn’t the Tehran that everyone projected into their work, it was Tehran showing itself through tiny and giant overlooked places or objects.«

Amini’s music accordingly does not seek out a specific sonic picture of the city, but rather lets it come alive on its own terms. »A Mimesis of Nothingness« is a disquieting record precisely because it is a quiet one. Working with field recordings, Amini sculpts dynamic portraits that create an atmosphere of tangible suspense that is never fully released. Even when string-like sounds enter the picture as they do on the third track »Moonless Garden« or when the abstract and glacial noise on »Observance (Shadow)« demand the listener’s attention, the six pieces take hold of the subconscious rather than trying to be direct and confrontational. It is sound conceived not as a description, but a circumscription of spatial relations and the eeriness embedded in them. 

»We both saw something decadent or violent about all of these captured places and objects,« says the composer about Shafiee’s pictures. »There is no resolution, just excess. It seems they are eternal remnants of a violent scene, no matter how new or old they were. Never finished, never begotten, a stillborn.« Throughout »A Mimesis of Nothingness,« its ghost roams freely.

SIAVASH AMINI - Moonless Garden (HG2006)

TARDAST - CHESHME DEL 
Produced & mastered by Ling, Leo

Chesmo Del

CHESHME DEL

سرودن سرود
عموما تو بوق !
اینا میخونن با عشق ها
ولی میکنن سوقوط
جیباست پرتر اینا پیاز خوردن بوی‌گنده شعار 
بازیگرن توی نقش شغال
بعد میشن مار 
افعیَ ن  همه ،منو زنبورا زده زیره پوستم پاد زهر جمع شده اگه میگی:
حالا چیشده مگه؟ 
چرا هرسی میشی؟ 
 قوم‌و خویشی یاکه اجنبیشی؟
تفکیکه فکرش، هنوز بینا نیست چشمش
عمقی نیست ذهنش، عرفیه دیدش
عذابم میده با چارچوبه فکرش 
،
میگه زیاده مثلش
ولی خالی ا حرفه ، حاجی وییراژه اسمش 
آژان تا کلان از بسیج تا سپاهش از مردمَ ن  همه؟
بگو چی دیگه کمه؟
میخوای چی بگم الان ها؟ همه مردمن همه! 
دهنم کج
 زبونم لال نیس گویا ترم، پویا ترم از سیماش صدارو بستن رو حق
 ما دوروغ شنیدیم، تو روت دروده گروه سرود؟ سوکوت ! 
پرٌره هوچیه کوچه توی جمعیت 
میگن مث همّیشن 
چن قدم میرن اونورتر حاجی نفله نمیشن؟ 





بحث شفّاف تو تاکسی خطّی 
بایستی بپّای یا بایستی رد شی, پی‌ شر میگردی؟
راهتو بکش با قلم 
یه خطّ صاف هدف
ا خط بیرون نزن؟ دروغه همش! 
هنجارو بشکن بزن شکوفه سروده تازه ا مردم بخون
 اگه صدات شونوده” 
همش رکوده این سیستمِ غلط 
ازت چه دور میشه رفاه و شرف
میتیغن جیبتو حماس و نجف؟ 
تو رد میدی بهت میگن خلاصِ محل
نیرو میره سوریه تو تلاطمِ روسیه؟ 
جوکِ بَدَن همشون و تضادِ حروفیه
بهارا به آزادی، ریالو به روپیه
تو کساتیه بازار تبدیل خوبیه 
جییبا پٌر پولٌ چرکِ دستها
من نقشم آبی به رنگِ دریام
 
از تبارِ خشمِ قبیله من
نمیشه که بری مسیرو کج
نباشه خدا که نمیرسی؟ میشی تو دوباره شبیه من 
همه خرافه گو شدن شبیه هم، میگم قبوله تو میگی قبوله حق؟ 
جریده تر هر پایانی واسم شروعه نه؟ شروع میشم
یه نبضه توم میزنه زندم هنوز
 وول میخورم لای مردم غروب 
زوم میکنم روی چشماشون تاکه لو بدن چقدره تشنست هنوز این سوی چشما
 بو داره حرفم بو بکش هآ 
داره بوی دود میده ریه هام سیاه ولی اندیشه هام هنو بوی خوب میده
به سمت نور میره، ط‌ٌلومه نصفِ شبْ، بیداری مثلِ قبل 
 شاید نه نتونه بشه با کسی لج
 نباشه دعا ام میرسه تش و تو شولوغیا میره تو دوتا نقش
زرد میشه گاهی روبه بنفش 
ما چی؟ میمونیم پای هدف
توی راهیم همیشه پٌره طلب 
چه کاریه برم حاجی مطّب
 اگه درمون ام هنو قلممه
 منو کم نمیبینه دورو ورش
دستگیره گاهی مث خدا  
درگیره بازی با کلمات 
حاجی تٌف توشون اگه باشه شعار 

سرودن سرود 
عموماٌ تو بوق 
میخونن با عشق ها 
ولی میکنن سقوط

05 Mardom

Katana

CR005: Tardast - Marwa
Out - 06/11/20

Buy: http://circadian-rhythms.com/cr005

Producer: Leo

“Marwa (Omen) is a query between times... research from the past, to today, from the true stories, an Iranian Kid born in 90’s Tehran. A kid who’s been victimised by the wrong educational system and financial deprivation, just like thousands of youths who live under the regime of oppression and world sanctions.” - Tardast

Marwa

Azoon

Tracklist: 
1. Tegh - Can’t live apart
2. Tegh - Heat
3. Tegh - Smelled Like Rotting Flesh
4. Tegh - I Think I’m Dead, I’d like to Ask Your Opinion
5. Tegh - Fall
6. Tegh - Melted Organs, Remained Skins
7. Tegh - Can’t live together (with Adel Poursamadi)
8. Tegh - Now She’s Alive, But She Was Dead at That Time

Soundcloud: https://soundcloud.com/tegh
Bandcamp: https://tegh.bandcamp.com

Club Matryoshka and CTM came together for CTM's 22nd festival edition to revisit the Alpha Lebbeus world, 40 years after we first explored the expansive planet together. With this follow-up collaboration, Club Matryoshka expanded on this unique Minecraft world, together with a story-based gameplay narrative co-developed with artist collective Children of Cyberspace. The six-hour journey was soundtracked by live and DJ sets created by a diverse group of emerging artists from around the globe, curated in a collaborative spirit by Club Matryoshka and CTM.

Founded in 2019, Club Matryoshka is an international virtual venue, home and safe haven to underground and unorthodox music mutants. Based in the Philippines and built in Minecraft, Club Matryoshka was founded and developed by a community of gamers, artists, and musicians. similarobjects, dot.jaime, cavill, ahju$$i, JohnPope, and Maengo69 felt a lack of freedom and acceptance in club scenes, both in Manila and abroad, and sought alternative avenues for sharing their work and finding community. The club opened in July 2019, barely a year before COVID-19 would bring in-person events and nightlife to a halt.

CTM 2021: Tegh at Club Matryoshka x CTM

Manteq: A Global Creative Collaboration

Founded in 2016 by MCs Tardast and Farhood, Manteq is a dynamic collaboration of creatives from the UK, Iran, and beyond. Pioneering Persian Grime alongside Liverpool-based producers Kepla and Ling, Manteq has grown into a vibrant collective. Over the years, numerous talented artists have joined the Manteq family, contributing to a diverse array of groundbreaking projects.

CHESHME DEL

Manteq

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