Name: Jake Meginsky - Waqas by Mantile Records in ELECTRONICA EXPERIMENTALE
Duration: 3 min 28 s
Description: Taken From Jake Meginsky's 'Kasper Struabe Stencil Cycles' Mantile#029 available from http://www.mantile.co.uk

ELECTRONICA EXPERIMENTALE

You Are Prone

In making Three Sweep Between, their new commission for Radiophrenia 2020, Roy Claire Potter and Kieron Piercy had meltdowns; it’s not an easy time to make work. They used a terraced house layout to build and inform their interrelated recording and writing process, which brings synthesised and manipulated sounds together with visual descriptions to reimagine a total shithole’s lost potential. 

Roy Claire Potter is an interdisciplinary artist mainly making written texts and performances. Kieron Piercy makes audio composition, improvisation and installation. Between them they have audio released by SubRosa, Chocolate Monk, FortEvilFruit, Harbinger Sound and Porta.
They are tired.

Roy Claire Potter And Kieron Piercy - Three Sweep Between

This track is a direct recording from a computer generated music stream. As part of "La Mécanique des Beats", it impersonate the computer role in a trio with a dancer and a musician where the two human character struggle to fit in harmony with the automatic digital production.

Mouvement 5, La Mécanique des B(ea/i)ts

Mouvement 1, La Mécanique des B(ea/i)ts

Taken From Jake Meginsky's 'Kasper Struabe Stencil Cycles' Mantile#029 available from http://www.mantile.co.uk 

Jake Meginsky - Waqas

A special piece by @yearning-kru for Gin&Platonic 🍸
http://yearningkru.tumblr.com/
http://quantumnatives.com/

tracklist:
+ plucking the ferment
+ Mole-Rat
+ gnarlings
+ the green sluice
+ tables for cleaning vertebrae
+ view from the overhang
+ theme from Chemical Cowboy
+ the maunder

cover by Yearning Kru himself

ginandplatonic.net/

Yearning Kru - Glass Burrows

CIRO CITTERIO : my Summer mix // from https://soundcloud.com/call-dibs , https://soundcloud.com/berlincommunityradio July 2018.

1. VODKA REDBULL
2. VIAGRA
3. FINGERED ON LOVE ISLAND
4. RAGING BULL
5. UNTITLED BY NINA (PROD. BROOD MA)
6. IM A FULLY GROWN GERM
7. A HOMUNCULI OF THE HOME COUNTIES
8. SOURCE OF SOUND
9. YOUR NOWHERE NEAR RARDE
10. CIRO CITTERIO
11. WIPING WET CLAY OVER A WIRE FIGURE AND THEN PLUGGING THAT INTO THE WALL
12. BUMS OUT THE WINDOW
13. FOUR DAYS TRAPPED IN THE WINE CELLAR AT CAFE DEL MAR
14. CHOKING ON A FOAM PLUME
15. THIS SHIRT IS SUPPOSED TO LOOK SCREWED UP
16. COUGH CANDY HIGH

All tracks by Brood Ma except track 5 which is by Nina w/ Prod. by Brood Ma.

First aired on Call Dibs show on Berlin Community Radio, July 2018.

Sequenced live using custom games engine software.

CIRO CITTERIO : Summer mix featured on Call Dibs, BCR July 2018.

Host Rob Goyanes leads the second episode of a three part oral history of Yellow Tears. 
Thanks to Montez Press and Mathew Gallery.

PL IN CONVERSATION WITH YELLOW TEARS EPISODE 2/3

https://www.nts.live/shows/guests/episodes/uiq-rkss-deforrest-brown-jr-31st-august-2018

rkss In Conversation With DeForrest Brown, Jr. - NTS (31st August 2018)

Artist: 33EMYBW
Title: Golem
Label: SVBKVLT
Cat No: SBKT022
Release Date: October 19th 2018
Artwork: Zhongjia Sun
Mastering: Raphael Valensi
Format: Digital
Distribution: Cargo UK

A Golem is mythical, humanlike figure made from clay and magically able to move on its own. In the Bible, Golem is an unfinished human being, without a soul. Through the process of its own evolution and its makers' experiments, a Golem can contain or generate its own soul. It can appear in different interconnected forms and reproduce itself at will. A golem with a soul, in order to speed up its own evolution, will sometimes supersede or devour the original form of life. The album Golem is inspired from this source. Release includes remixes from MIIIN, Endgame and Zutzut

Shanghai native 33EMYBW (Wu Shanmin) has been an active member in the Chinese music scene for over a decade. A core member of Shanghai’s most well known experimental rock/electronic band ‘Duck Fight Goose’, over the years 33 has been a member of numerous bands including 33 Island, Boojii and Muscle Snog. In 2015, 33EMYBW released her first solo single "EMSYGYDL" on SVBKVLT’s ‘Downpour’ compilation and in 2017 released her debut album ‘Medusa’ on Beijing’s DForce Records. As well as regularly playing throughout China, she has performed at CTM Festival and Sinotronics Festival in Germany, China Drifting Festival in Switzerland and SXSW.

https://soundcloud.com/wushanmin

Golem

33EMYBW - Golem

"In a time when techno and abstract music is sounding repetitive, Metasplice continue to utilize unconventional sounds and arrangements. "Decant", being the more floor oriented track, combines groovy bits that turn into splashing immense noises and harmonies. "Churn" opens with a barrage of beautifully crafted harmonic sequences, then relentlessly descends into a sublime world. Both tracks are spectacular floating grooves that immerse the listener in the group's unique and intense headspace."

doser015 - Metasplice - a - Decant

Live on the Dexter Bentley Hello Goodbye show 19/1/2020
https://hellogoodbyeshow.com/2020/01/18/podnplay-18-01-20-ft-design-a-wave-keshco/

Live on Resonance FM 19 January 2020

Available end of September, 2013. Early pre-orders for those on the mailing list:

www.fac-ture.co.uk/Mailing-List

The audio process…

Light Folds by The Seaman and The Tattered Sail is a collaboration between Craig Tattersall (The Boats, The Remote Viewer, The Humble Bee, Cotton goods, Theodore and Hamblin, The Famous Boyfriend, etc.etc. and artist/designer) and Bill Seaman (SEA, Attsea, Otic.Info.Set, sp.op.cit, Spilly and the Drops, etc. and media artist exploring linear and interactive works). The work took place via the internet, sending differing files back and forth using Drop Box, wetransfer.com, and vast quantities of email. After about 2 years Tattersall and Seaman met face to face!

It started with a simple back and forth set of responses to a few audio files, building up loops and tracks. Over time it built up to over seven hours of music. We initially made a double CD of works but we kept abstracting and remixing and colliding things. Tattersall brought his distinct form of “dusting” which explored unique forms of noise, tape ambience, tape degradation, etc. Seaman often explored abstraction using Ableton Live, especially in terms of time / pitch manipulation, and exploring the combination of a multitude of Ableton plug-ins. Huge amounts of data were sent back and forth! Occasionally we went a bit mad with naming and keeping track of things… Usually a number of mixes for each initial work emerged out of the process. Sometimes the abstractions went quite far away from the original tracks. The double album on Vinyl came late in the game where a series of shorter versions and new abstractions were defined.

Tattersall played Guitar, piano, dusted loops, analogue loops, digital loops, drum machine, analogue synth, synth bass, field recordings, abstractions, fragment constructions and reconstructions, abstractions of Seaman (etc.), analogue spatial recordings, artificial wind, crackles (record surface noise).

Seaman was working primarily with Ableton Live and contributed Piano, vocal, text, fragment constructions and reconstructions, time abstractions, quartet samples, trumpet samples, clarinet samples, drum machine abstractions, drum machine constructions (samples), digital distortions, bit reductions, synth abstractions, abstractions of Tattersall (etc.), digital loops, radical pitch shifts, noise enhancements, historical samples, crackles – record surface noise (from Tattersall), artificial crackles.

We worked with some excellent musicians in the construction of the samples…

Trumpet (sample recordings) – Robert Ellis-Geiger; Ciompi Quartet (sample recordings) – Eric Pritchard (violin), Hsiao-mei Ku (violin), Jonathan Bagg (violin and viola), Fred Raimi (cello); Clarinet drones (sample recordings) — David Beaudry; in Ableton Live (construction space), and Seaman used a Roland Edirol R-09HR Ver.3.0 for instrument and voice recordings.

The musical influences run the gamut from ambient, industrial, glitch, dance, pop, jazz, classical, experimental, noise art, etc. Seaman has called this alt.genre in the past… although it really defies a single musical label.

The working process was quite exciting to hear what each had done with the tracks as an ongoing process… The project is incredibly rich in its subtle exploration of psychoacoustic spaces and layerings, and it is vast… The works form a series of plateau-like spaces where time is explored and erased, and an atmosphere for reflection and association is presented. Duration was not worried about and many of the works are quite long. The entire project has been incredibly exciting and rewarding in that we each seemed to pull the best out of the other!

It is also worth noting that as an aside to creating within this album, there was a huge element of learning within the album.

Working with a new creative partner always begins with finding a commonality in working practices, then from this you can bring your individual approaches to working practices, it is in the dialogue whilst working through these passages that you learn from each other.

The artwork process…

Like most work undertaken there is a underlying aesthetic language that has been built up over years of arts practice, whether this be audio or visual production.

An aesthetic language seems to span audio and visual works that is to say that you use a language and approach to creation in the same way whether it be audio or visual work, so it seems obvious that visual artwork that is in creation at any given time will in some ways mirror audio creation at the same time.

So as we where in the thick of creating the audio I had started making some experimental pin hole lumen prints (a photographic technique where you work with photographic paper within direct sunlight).

These were simple images of dots created with holes in little metal boxes. They were interested in capturing light and time rather than a conventional image. So the images were created using one (pin) hole exposed for one hour, two (pin) holes for two hours and so on up to 12 holes/12 hours.

I was sharing these with Bill and as well as Bill liking the work/process it became apparent that they seemed to share an aesthetic with the audio we were working, looking at light, time, space.

So in conversation with Bill I started to take the photographs into digital forms, exploring how the ‘dust’ of the analogue process could be extrapolated through digital forms, and then of course taken back into the darkroom and analogue processes, exactly how we were working in the audio work.

From there, and through extensive email conversations the artwork developed into the body of work that comes with the release.

Like the artwork the titles also reflect the abstraction process. Needless to say – “Light Folds” can be understood from many different perspectives. – Craig Tattersall

The Seaman & The Tattered Sail - Light Folds (Preview)

This track was originally intended for a compilation put together by Sonic Acts in Amsterdam which was sadly cancelled.

The Figures Box

Mint Caustic Haze

Arts chorégraphiques post-brutes / Anatomie pour la danse / Fascia et pédagogie perceptive

Jake Meginsky - Waqas

Mantile Records

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