Soundtrack for the theaterpiece "My Heart Is Full Of NaNaNa" 
at Schauspielhaus Zürich.
written by Lucien Haug.
directed by Suna Gürler

Punk For Lovers

Triptychon is a unique and colossal piece. The name derives from a painting that consists of three pieces, mostly used in religious context. The trisection of the piece is based not only on its three titles „Offenbarung“ (i.e. revelation), „Mutualismus“ (i.e. mutualism) and „Utopie“ (i.e. utopia), but on the musical side on three completely different modular synthesizers the music was performed with. 
Triptychon is the most personal work so far from sound designer Thomas Burkhardt (aka LIN/LOG). The word „trip“ must be highlighted in order to fully engage with the sound concept. Thomas wrote enigmatic poems and phrases and mixed them up with abstract and very complex patches. To be exact over 150 unique patches were recorded for Triptychon.
The audience enters a world that has been taken over by algorithms. The speaker introduces in short many theoretical events, which are then described in detail only by sound. That is, because the true meanings cannot be communicated by words, but by music. Finally it must be questioned if man is truly willing to accept the future he is facing. Thomas opens a door to a world that is unheard so far, but still feels uncomfortably real – a contemporary gem.

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Offenbarung

"My body is missing my mind” points to the fact that sound synthesis is one of the means through which I manage to alleviate the feeling of disconnection between my mind and body and enhance the feeling of their unity, to be in the present moment, to breathe regularly, to be mindful. The record itsself is a research of sounds that literally resonated with me - both with my mind and my body. The result of this search is captured in the form of a cohesive soundscape. While creating this recording, I intentionally limited myself to using a single musical instrument (Quadrantid Swarm) and a looper (Ditto X4), employing some of the techniques and processes of "classic" electronic music. The most of the sounds are feedback and resonating filters and spring reverb that is inside the synth. The recording is "raw," unpolished, full of unintended noise and crackling, generated by the aforementioned synthesizer and looper. No other external effects were used. I wish you an enjoyable listening experience.

„My body is missing my mind“ poukazuje na skutečnost, že zvuková syntéza je jedním z prostředků, díky kterým se mi daří zmírnit pocit odpojení mé mysli od mého těla a posílit pocit jejich jednoty, být v přítomném okamžiku, pravidelně dýchat, být vnímavý. Nahrávka sama o sobě je záznamem rešerše zvuků, které se mnou doslova rezonovaly - jak s mou myslí, tak tělem. Výsledek tohoto hledání je zachycen v podobě celistvého zvukového pásma. Při tvorbě této nahrávky jsem se záměrně omezil na použití jediného hudebního nástroje a looperu, využívaje některé z technik a postupů „klasické“ elektronické hudby. Většina zvuků je feedback, rezonance filtrů a pružinového reverbu uvnitř syntezátoru. Nahrávka je „syrová“, nevyčištěná, plná nezáměrného šumu a praskání, jejichž zdrojem jsou zmíněný syntezátor a looper. Nebyly použity žádné další externí efekty. Přeji příjemný poslech.

MY BODY IS MISSING MY MIND

Sunday Afternoon Deep Cuts

http://www.instagram.com/keithfullertonwhitman

Keith Fullerton Whitman @ The Lot Radio 07-07-2024

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@agonis-amenthia live set recorded at organik festival 2019, taiwan. i played the last set on friday night, going from drum & bass to ambient as the sun rose.
thanks to the whole smoke machine crew and everyone who took part!
pic by kazuhiko kimishita

agonis (live) at organik festival 2019

hosted by De Player

(excerpt)

video: https://www.youtube.com/watch?v=rMdugAUj1Ik&t=131s

Schwalbe

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