one of my favs of all time!!!! Thanx.   DL???? lol

Good Edit  but source the  special mix wrongly credited to Larry. It's Danny Krivit.

Hamilton Bohannon-Keep On Dancin' (1972) to (2017)   45 years already  Great (ReReReReRe Edit)  Sir .

Mac Tommy Set 4

Here is my edit of Kan Sano’s version of Roy Ayers ‘Everybody Loves The Sunshine’ for the Razor-N-Tape label out of NYC.
I have always been a massive fan of Roy Ayers so was excited to work on this.
Kan is a pianist and instrumentalist from Japan and this release also features versions from Grey Area, Luvless and Left Side Wobble.
The digital Beatport buy link is attached to the track but if you would prefer to use Juno please see link below.
http://www.junodownload.com/products/kan-sano-everybody-loves-the-sunshine/2284923-02/ 
Thanks as always for your support and I hope you enjoy my version and it brings you some sunshine.
LNTG.

'Everybody Loves The Sunshine' Kan Sano - [LNTG Re-Edit]

Classics-All-Stars (Enterprise

...Buy the stunning new Jocelyn Brown "Unreleased" album here! http://itunes.apple.com/gb/album/unreleased/id419142225 Also out on Amazon MP3 store.

Somebody Else's Guy

SIDE EFFECT ~ ALWAYS THERE ~ KON RMX

Get Down * Gene Chandler - 12' Version

Heavy Vibes

Raw Silk 'Do It To The Music' (greg wilson edit)

114bpm

Never previously shared

I know there are quite a few edits of ‘Do It To The Music’ knocking about, a couple of which I’ve played out myself (Frico & Kid Color), but here’s the one I put together back in 2006 that’s popped up in a couple of my mixes, just a ruff from the vinyl incorporating both the main vocal mix and the dub, with no added elements. I only ever intended it to be for my own personal use, rather than something I considered pressing up (otherwise I’d have tried to get hold of a slightly cleaner copy to work from). The reason I’d discounted it for inclusion on a limited run 12” was because I’d thought about the track as a potential candidate for the first Credit To The Edit album the previous year, but I’d already used the acappella from the beginning of the dub over DMX Krew’s ‘Who Got The Funk’, the combination becoming Raw DMX ‘Do It To The Funk’ – the first track I played on my DJ comeback at Music Is Better (see: http://www.gregwilson.co.uk/2011/09/music-is-better-re-edited-highlights), and subsequently a key C2theE track. I figured an additional Raw Silk edit would be overkill, so the idea was shelved. But now we’re at a different point in time and I’m sharing edits here on SoundCloud, so here it is.

Mixed by Nick Martinelli & David Todd and released in the US on Mel Cheren’s West End label, ‘Do It To The Music’ was picked up on import by specialist DJ's in the UK, but following its release here on KR it’d crossover to the more mainstream clubs, and eventually enter the Top 20 of the charts here. West End was the source for so many classic underground cuts during my time at Legend and Wigan Pier (Peech Boys, Brenda Taylor, Stone, Shirley Lites, Barbara Mason, Forrrce, DJ Divine etc), and it was right up there with the likes of Prelude and Tommy Boy and as one of the most essential labels of the era as far as the black scene here in the UK was concerned.

So, without further adieu; no time for criticising, music's hypnotising, everybody's temperature's rising, so get down.

Greg Wilson – October 2011

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Raw Silk 'Do It To The Music' (greg wilson edit)

Crystal Grass ‘Crystal World’ (greg wilson edit)

122 bpm

Previously limited vinyl only 2010.

I’ve just blogged about the ‘Time Capsule’ series I did for Samurai FM during 06/07 – where I re-visited the records I was playing exactly 30 years earlier, month by month. This was born of ‘First Impressions’ a selection of 25 singles I played when I first started out as a club DJ back in December 1975. Full lowdown here:
http://www.gregwilson.co.uk/2011/11/time-capsule/  

‘First Impressions’ includes the enigmatic French Disco Funk nugget, ‘Crystal World’ by Crystal Grass, a track that really blew my mind when I first heard it, and continues to be a big personal favourite from that mid-70’s period. There were many great records around at the time, but this had a different edge about it – right from the get go, with that addictive driving bassline, there was something pretty trippy taking place within these Gallic grooves. 

I suppose it was always primed for an edit from me, just to extend it out a bit. This ended up being pressed on vinyl back to back with an edit of another essential early European club cut, ‘Jungle Fever’ by Chakachas (from 1972). The coupling appeared on GW Ruff Edits #4 as ‘French Crystal’ / ‘Belgian Jungle’.

It’s European origin certainly comes into it, but the unusual, somewhat uncanny atmosphere of ‘Crystal World’ is what will always set it apart as a unique recording (the closest to this vibe during the same era, to my ears, was Strutt’s ‘Time Moves On’, from ‘76, with its distinctively eerie undertones – a track that I’ve also subsequently edited, this time for Cosmic Boogie). When I played at the Soul Casino during the Vintage Festival on London’s Southbank last summer, both the Crystal Grass and Strutt edits featured, alongside other selections from the 7 year period ’69-‘76 . You can check it out here:
http://soundcloud.com/gregwilson/soul-casino-vintage-southbank/ 

Greg Wilson – November 2011

Check out my label's music at: https://superweirdsubstance.bandcamp.com

Crystal Grass 'Crystal World' (greg wilson edit)

JeAn CaRn - WaS ThAt AlL It WaS - 6am EdIt

Anthony And The Camp -- What I Like (Extended Dance Mix)

Start To Dance (Manuel Kim Edit)

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M-People - Don't Look Any Further (Satin Jackets & Chris Jylkke  Haircut  Remake)

Reconstructing Ron Hardy's original edit of Isaac Hayes' "I Can't Turn Around". 

I'm a software dev IRL. If you spend a lot of time on Discogs check out my free and open-source Chrome extension: https://discogs-enhancer.com/

Isaac Hayes - I Can't Turn Around (Ron Hardy's Edit Reconstructed)

Tracy Weber - Sure Shot 1 (Larry Levan mix)

This is my take on one of my favorite songs by Candi Staton.  I flexed it with Logic to keep it nice and steady and extended the intro to 32 bars.  I kept most of the original verses and choruses together, but moved more quickly from the all-the-way-to-drums breakdown to the keyboard outro.

One thing that made this one tough to mix in and out of my sets was the fact that the riff moves in 6s (rather than 4s like many other disco tunes.)  I 'solved' that little dilemma by reworking the keyboard solo at the end to move in 4-bar groups.  Finally, I faded the instrumentation into the drum and bongo intro for a nice outro (from the beginning of the keyboard solo there are 48 bars left in the track.)  I hope you enjoy it playing it as much as I enjoyed making it!

Start To Dance (Manuel Kim Edit)

Manuel Kim

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