Calm classical music. Updates every Wednesday with popular tracks in East and South East Asia.

Classicalm

Soundtrack to The Man who Painted his House (2025)
score by Richard Uttley
(Richard Uttley, piano; Rosalind Ventris, viola)

Layers: Time & Pattern [2025]

An album to indulge thoughts about how you can grow to become your best you.

Count To Ten

Piano Therapy" offers 48 original compositions designed to enhance focus, reduce anxiety, and support ADHD management. Each track combines minimalist piano structures with therapeutic frequencies (60-75 BPM) to create an optimal environment for studying, working, or relaxing

Relief in D Major Part One

Henry Purcell - Triosonate met blokfluit, discant gamba & continuo in d, Z.806, 809 & 796

Sometimes a melody appears out of nowhere, as if someone were guiding their fingers by drawing a line that ends up being beautiful, without having put in any intention, any previous idea, any structure and, obviously, no architecture. It flows and emerges. It happens to me often and I don't know how to explain it. It is an easy air. It lets go and fills the environment. If sound is vibration in the air, I can find no other explanation than feeling that the air facilitates the vibration having its echo. The air accompanies this composition-improvisation. And the air structures it. And the air amplifies it. And that's how it is and that's how it flows.
A voltes una melodia apareix del no res, com si algú guiés els dits dibuixant una línia que acaba sent bonica, sense que hagi posat cap intenció, cap idea prèvia, cap estructura i, evidentment, cap arquitectura.  Flueix i sorgeix. Em passa sovint i no sé explicar-ho. És un aire fàcil. Es deixa anar i omple l'ambient. Si el so és vibració en l'aire no trobo més explicació que el sentir que l'aire facilita que la vibració tingui el seu eco. L'aire acompanya aquesta composició-improvisació. I l'aire l'estructura. I l'aire l'amplifica. I així és i així flueix.
A veces una melodía aparece de la nada, como si alguien guiara los dedos dibujando una línea que acaba siendo bonita, sin que haya puesto ninguna intención, ninguna idea previa, ninguna estructura y, evidentemente, ninguna arquitectura. Fluye y surge. Me pasa a menudo y no sé explicarlo. Es un aire fácil.  Se deja ir y llena el ambiente. Si el sonido es vibración en el aire no encuentro ninguna explicación más que el sentir que el aire facilita que esa vibración tenga su eco. El aire acompaña esta composición-improvisación. Y el aire la estructura. El aire la amplifica. Y así es y así fluye.

Les airs faciles

This is a track we help promote because we find it pleasant! https://open.spotify.com/playlist/0J7EFptNh6K6Qebrsrcx8d?si=ae32df247fdd4a1d


Idlewild

Bouquet of Notes

Sonatine pour piano, II. Mouvement de Menuet

62425

ALIEN STAGE /  ALNST

WIEGE (FULL SONG): 
https://youtu.be/DDea4MGjGk0?si=NAAF_1FGVkvbeNID

WIEGE (WITH MV):
https://youtu.be/rrngM9DmDfk?si=mjPhtqGrDUlxqJWL

WIEGE (STRING SPECIAL SOUNDTRACK): 
https://youtu.be/yh8RI4QeGJE?si=PBuDtNrvD2t1G1pg

VIVINOS:
www.youtube.com/@VIVINOS

QMENG:
www.youtube.com/@QMENG

STUDIO LICO:
www.youtube.com/@STUDIOLICO

Wiege | ALIEN STAGE (String Special Soundtrack)

My original soundtrack for Al-Jazeera's Documentary about the life of the legendary Egyptian composer Ali Ismail
Full Documentary - https://youtu.be/VnDwSpf_nzw?si=010jD-gecZRBmGMA

02 Ali Ismail (Main Theme)

"Intermezzo," 1969, by Jeraldine Saunders Herbison, b. 1941, USA, Piece No. 13 from Music by Black Composers, Flute Volume 1.

Created in partnership with the National Flute Association. (https://www.nfaonline.org/)

Music by Black Composers is a project of the Rachel Barton Pine Foundation. For more information, please visit www.musicbyblackcomposers.org/ and www.rbpfoundation.org/.

Dr. Paula Gudmundson, flute
Dr. Diana Shapiro, piano

Donald Schraugnagel, post-session producer and engineer

MBC Flute 1-13, Herbison - "Intermezzo" (FLUTE AND PIANO)

reminiscence

NOVELETA - simulación virtual para referencia solamente

Undiscovered Debussy

Debussy Violin Sonata No 2 - Movt 3

A playful, lilting melody that serves as the "joke" of the concerto. This movement alternates between a pleasant, hummable theme and rapid, technical piano passages that challenge the performer. It captures the joy and humor inherent in a friendship that has lasted half a century. Read more about the story behind this music in my memoir, "The Keeper," at michaeljcriss.com.

NOVELETA - simulación virtual para referencia solamente

manuelmatarrita

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