Bfaldi - Alarm New Age

Humanity

Sing On

Someday when all will be well
You'll wonder when it all began
Someday when all will be well
You'll wonder how it came to an end

Straying eyes 
They said goodbye 
I saw them but didn't listen 
Felt safe to hide

Feared to fail 
I caved too soon 
Played a fool
Until the day
I dared me to feel unsafe 

Someday when all will be well
You'll wonder when it all began
Someday when all will be well
You'll wonder how it came to an end

Came alive
A sigh and smile
Bittersweet memories 
Better let gone as I 
Start my quest 
An empty slate 
Built to make
Blood and sweat
Play a brand new game

Someday 
Someday, Someday, Someday 

Your laugh 
Ringing today 
Won't be the last laugh 

'Cause someday when all will be well
You'll wonder when it all began
Someday when all will be well
You'll wonder how it came to an end

Single (C) 2018
Music - Nicola Offidani and Sumi (Sreyashi Mukherjee)
Lyrics and Vocals - Sumi (Sreyashi Mukherjee)
Guitar, Arrangement and Production - Nicola Offidani

Someday (with Nicola Offidani)

Music and visual art I made. Lyrics: 

audrey, haunts me, in my dreams
thought you cared, so it seemed
for your touch i still feind
emotional bout everything
i gave you what you wanted n you left me in the dust
this is probly why i have issues with trust
this is probly why i abuse all these drugs
this is just the stupid things we do for love 
this means something if they hate it 
never thought i'd become jaded 
tell me please why did you fake it
was it somethin i was saying
back in highschool
i thought I was cool
i know i'm a fool
to you just a tool
i can't love you cause you don't respect me
regardless of how you so sexy
i can't text you if you don't text me 
but i still do, a lover that's me
why do you treat me 
like a piece of meat
why do you treat me 
like a piece of meat
audrey, haunts me, in my dreams
thought you cared, so it seemed
for your touch i still feind
emotional about everything

(mp4(og))AUDREY HAUNTS ME IN MY DREAMS (PROD. GRIM JONES)

AUDREY HAUNTS ME IN MY DREAMS (PROD. GRIM JONES)

Cover Art by Alexander Krivitskiy (Pixabay)

All Music By Me, "Satellite" co-written by Dani Ford

Very Special Thanks To Dani Ford

Why The Hell Not

In Climbs

Spring Songs
Duration: ca. 20'
Instrumentation: tenor and piano
Performers: American Modern Ensemble - Alok Jumar, tenor; Geoffrey Burleson, piano
Recorded at Opera America's National Opera Center, Marc A. Scorca Hall, New York, NY, USA, June 4, 2019
Publisher: Bill Holab Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
For More Information: https://robertpaterson.com/spring-songs-version-for-tenor-and-piano

I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II.  April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

PROGRAM NOTES
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller and Kathleen Rogers and was premiered at Carnegie Hall’s Weill Recital Hall by the American Modern Ensemble, Alok Kumar, tenor, and Geoffrey Burleson, piano.

Spring Songs (Piano/vocal) - IV. The Widow’s Lament in Springtime (William Carlos Williams)

Original composition.... Alejandro Gonzalez M.

Hodie

Mysterium

Slowly Drifting

Playing around with Logic's Alchemy and my Da Capo library from Sonokinetic.  Thanks in advance for listening!

Chas

Andromeda

Feast your ears on New Zealand based artist and multi instrumentalist Manu Francois. Originally hailing from St Lucia, this artist has an eclectic discography that’ll have you enchanted from haunting pieces like Humanity, Beyond Our Vision (acoustic) & Hurricane to tracks that’ll have you on your feet such as Sing On Experience, Home and FreeBird and a variety of tracks with pop/soul influence and intellectual rap/hip hop fusions such as Proud, Jah Bless & Pure Gold. 
A pleasurable play through from start to finish & a vibe for every mood.

Sing On

ManuFrancois

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