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Keinemusik Workparty Four
Release: 20.11.2013

A1: David Mayer - Machinedrum Calypso
A2: &ME - Think
B1: Adam Port - Burana
B2: Rampa - AY

So there we are. Teenage years are over, the wild times are still ahead, though. Keinemusik turns twenty – all hands in the air! In celebration of this biographical moment of glory the whole crew is circling up in brotherly and sisterly embrace. Make an high-angle shot, what does it look like? Like a ring of course. So therefore youʼll find the signet ring on this picture discʼs A-side. 

The flip is tagged with what this symbol of companionship is leaving, once itʼs used properly. So thereʼs a signed and sealed big up to everyone who has supported keinemusik so far. No. 20 prettied itself up a bit and commends itself as a nice little collectorʼs item. Still as a decent spinning item as well, containing these pumping features: 

On A1 (aka the ring side) David Mayer opens up with “Machinedrum Calypso”, a relentless Tech-monster with classy percussive decoration, lurking single notes, malicious synths and a roller coaster ride of breaks and full tilt. Perfect opener! 

Next in line is “Think”, falling out of &MEʼs never failing machines. Initially, the kick tends to hide behind some cryptically cut vocal-scraps, but once itʼs grooving at full level, thereʼll be no dry corner left on the floor. Add some sub-bassy guts massage and some highly effective break-stuffing and you have a picture of this guyʼs current sure shot. 

The seal side contains another surprising new Adam Port-cut. “Burana” starts out as a funked out, crackling Disco-beat-skeleton, incorporates a tongue in cheek bassline and some offset hi-hats and once in a while is raising up to cloud nine of synth-paradise. Devoid of any vocal trace there is a potential secret favourite grooving from second row. 

Rampa is aiming for an unlike feisty spot landing for the grand finale. His “AY” offers microscopic fiddling on his percussive tribal rataplan and some decent feverish shaman dance. As a counterpart, he inserts an übercool bass into the background and if needed, an übercool bass into the foreground as well. One glimpse should show that ʻpeaktimeʼ is written all over this bitch. 

Enjoy!

&ME - Think (Keinemusik KM020)

Beatport

Nic Fanciulli vs &ME - Feel It

DANIEL SANCHEZ & SINC - NEW DAY [SUMMER SAMPLER VOL.2]

DANIEL SANCHEZ ''FREAK' REMIX - SHEA DELANY AND ANIMAL CRACKERS - BANKE [WALDLIEBE FAMILIEN]

DANIEL SANCHEZ & ECONTACT AS BAD BOYS - VOL.1A [BB001]

NICOLETTE - NO GOVERNMENT - GIMIKK AKA DANIEL SANCHEZ & ECONTACT ON THE GROOVE REMIX [GREAT STUFF]

GIMIKK AKA DANIEL SANCHEZ & ECONTACT - MIDNIGHT SHUFFLE [REMOTE AREA]

Catalognumber 23 – what else is to say? While we’re feeling the spirit of William S. Burroughs blessing this very vinyl-enigma, &ME went particularly mysterious ways to transcend the category ‘dance track’ for this one.
The meditation through bass had been the major discipline of some of his latest cuts, but what you’ll find on this A-side, one could certainly call the perfection of somnambulistic peaktime-fever. The way he’s kneading the lower frequencies, how he’s channeling the expansion and decay of bass must inevitably lead to some aroused moaning. Good vocal-selection, for that matter! Then there are those tension building synths and a staccato-frenzy in the break that might be the ultimate ecstasy-trigger of the season.
“Locust” on B comes in with some smoothly looped E-guitar-coolness, adding whispering hi-hats and a comparatively rich percussive architecture. But then again: rolling bass barrels like a signature and a defence breaking build up that’s ensued by liberating pressure compensation in mighty breaks. Two demonstrations of understated and sophisticated peaktime-emphasis, so to say. Or differently put: a flawless double-A-side.

&ME - After Dark (Preview)

Keinemusik Workparty Five / Nov. 17. 2014

A1 - Rampa - Mod
B1 - David Mayer - Smoke
C1 - &ME - Birdland
D1 - Adam Port & Stereo Mc's - Place


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