RPR05_75

a live demo recorded on the old tape machine.........peace, cheers for having a listen and seasons greetings.............*Tombstone Jones by The Bluebirds From Montezuma..........one of my many favs that ive found on here........a great group i like to listen to in the morn with me cuppa


somebody told me it's mind over matter
but does it matter to you that mine is in tatters
cos I'm sick of what I'm seeing on my devices
it's breaking my brain

advice never asked for, watch them boiling wooden spoons 
hearing peoples cringy songs with them singing outta tune
and pretending that they listen
to get a good review

or watch them bury their heads in their hands as they weep
cos they lost everything they got nowhere to sleep
and from the comfort of our 24/7 live feed
we can give it our armchair critique

and as always there's talk, endless conclusions
everyone shouting so there aint no solutions
to the problems that lie at our feet
seems they only exist when they're on our screen

branded and tagged like cattle at the station
trying to be our authentic self on rotation
but we can't shut up about it
cos everybody's gotta know

so many conversations we're all trying to be heard
and not paying any mind to the things that deserve 
our attention deficit has never been so bad I've heard
since 1963

and as always there's talk, endless discussions
like a blow to the head can give you concussion
like the problems that lie in our homes
seems they only exist if someone else knows

we protest cos the cows are fartin to much
but if we eat any, the plant lovers hate our guts
cos they rather we live on daises and nuts
so we can squeeze through a crack in the wall

maybe what we need to do is find a quiet space
pull up a chair and stare into space
and for 5 minutes just be alone with our face
and shut the fuck up for a while

stfu (For a While)

The last track for this year 2024 from the G.O.T.E. 
Wishing all the SC community all the best in 2025!

I'm waiting here. 
Spinning around and around and around in a web called life.
I'm hanging in.
Entangled by your love.

Entangled by your love.
What'll it take to bring you back to me?
What'll it take to win your heart.

I'm losing time.
Waiting for you to come back here and eat me alive.
A black widow's treat.
Entangled here for you.

Entangled

This piece is composed for studying orchestration and feeling like Japanese historical drama's theme sound.


Released February 1, 2025
Music composed by MASYAOSHI MATSUNAGA in 2024

戦場は眼前に。 ～ Study for Orchestra No.3 ～

My technician is no longer with me as he traveled on.  This is a song written by Jim Reedy and sung by Brandon Bailey.  One of my VERY favorites of theirs.  Please enjoy!!!!

Cowboy

Can’t always get what you want (cover)

iorakeme_01

Written by James Geer

Words and words ad nausiam
A simple tortured phrase
A fiery sermon free of thought
An Endless verbal maze

Tailored sharply to the beat
Or curtly curtailed
Vague and seldom to the point
Or cogent and detailed

Words to dance around a point
Words to take up space
Some to precisely convey
Others to erase

Iambic pentameter
Free verse free of rhyme
Verses to reveal the truth 
Others to waste time

Verses setting premises 
Others to ignore
Some that make the final cut 
Others on the floor

Finally a closing thought
Wrapping up the song
nothing here for you to see
Time to move along

Words

🌑 The 15th Seal: Revelation in Fractured Frequencies is an invocation, a sonic apocalypse channeled through Ethereal Labyrinth’s labyrinthine machinery. It opens the gate, where silence and sound trade identities, and the world ends not with a bang, but with an infinite, trembling resonance. This is Revelation rendered in reverb a hymn for those who dare to hear what should have remained sealed.

🎧 Musical Interpretation of the Eschatonic Pulse

Opening – The Whisper Before the Rupture
The track begins like a forgotten transmission—a low, sacred hum submerged beneath static, as if decoding a signal from beyond mortality. Sub-bass murmurs crawl beneath crystalline chimes, building unease. You don’t enter the song; the song opens you.

The Unsealing – Resonant Cataclysm
The rhythm doesn’t drop; it erupts. Percussive pulses crack open the sonic crust, each hit tearing through layers of ether. Metallic textures grind like collapsing heavens. The kick feels less like a heartbeat and more like a divine hammer striking the veil between worlds.

Revelation in Decay – The Choir of Fractures
Ghost-voices shimmer behind the main rhythm—fragmented, reversed, half-human. They chant in impossible harmonies, weaving both prayer and curse. Every frequency sounds like a confession bleeding into distortion. The melody ascends, but never resolves. There is no redemption here—only unveiling.

Ritual of the Ninth Frequency – Ascension Through Dissonance
Midway, the track spirals into chaos. Beats fracture; the synths twist around themselves like serpents devouring time. You are pulled into an electronic ascension—an ecstatic disintegration. The floor beneath the sound collapses, and gravity gives up its claim.

The Eye Opens – Harmonic Collapse
The density implodes. Sound stretches thin, frequencies wail and dissolve into drone. This is the eye of the storm, a sacred stasis where you hear nothing and everything. The listener becomes witness to the unmaking—an observer at the center of revelation.

Final Seal – The Thirteenth Frequency Beyond Silence
When the rhythm returns, it’s distorted, divine, and irreversible. The percussion no longer serves tempo—it enacts judgment. Arpeggios slice through the air like scripture in code. The track ends in a burst of unresolved resonance—a door opened, never closed.

Aftermath – Echoes of the Unheard
The fadeout is not an ending but an erasure. Faint tones linger like the memory of prophecy, or the static left when gods stop speaking. The silence afterward feels heavier than sound itself.

🧠 Eschatonic Symbolism & Sonic Character

🔮 The Sound of Revelation:
Ethereal Labyrinth doesn’t compose; they prophesy. The 15th Seal breaks musical form as an act of spiritual entropy—melody used as scripture, distortion as revelation.

🕯️ Ritual Through Frequency:
Every layer feels intentional, like an initiation rite rendered in modulation. This is trance not for the club but for the catacomb—where basslines become commandments.

💀 The Collapse of Dualities:
Noise and harmony coexist until they’re indistinguishable. The 15th Seal teaches that creation and destruction are the same frequency, heard from opposite ends of eternity.

⚡ Judgment as Artform:
The production feels divine and brutal, immaculate in its ruin. This is not rebellion—it’s revelation through annihilation.

🩶 Best Used For:

Ritual scenes of divine confrontation or awakening

Cinematic sequences of apocalypse, transformation, or revelation

Story moments where knowledge is both power and punishment

Dark-ambient raves in sacred ruins or digital cathedrals

🎭 Symbolism & Final Reflection
“The 15th Seal” is Revelation rendered as rhythm. It’s the sound of the universe realizing it has a body—and choosing to tear it open. Ethereal Labyrinth doesn’t ask you to dance; they demand you bear witness.

The seal breaks, and through the crack, the infinite sings.

The 15th Seal

cool stuff

01 - SA - Alev Lenz 3 - Interactive Album - Soul of Runner
02 - OT - TM - Women Choir Sustains Uuh Pitch Slides TM- Harps and Vibes - Pendulum Swells TM
03 - SA - ORBIS - Loops Playable - Balafon ConChaCha - Crunch - Tibetan Bells - Shimmer

戦場は眼前に。～ Study for Orchestra No.3 ～

Der Wurm Blumchen (mappu)

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