Name: MARBLE STONES RADIO Episodio 3 ABSSYS by MARBLE STONES RADIO
Duration: 26 min 43 s
Description: Abssys es un dj/producer de Toluca que hace electrónica post-club, explorando géneros como gabber, tribal, trance y perreo. Ha publicado música en sellos como Ashida Park, Salviatek, Tormenta y AGVA, además de mixes en NTS radio y Dublab.

cual es el primer track m flips comp empieza (y el resto del mix🔥🔥🔥🔥)

Me estoy muriendo ❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥💔💔💔

Tearjerker

Abssys es un dj/producer de Toluca que hace electrónica post-club, explorando géneros como gabber, tribal, trance y perreo. Ha publicado música en sellos como Ashida Park, Salviatek, Tormenta y AGVA, además de mixes en NTS radio y Dublab.

MARBLE STONES RADIO Episodio 3 ABSSYS

@palta-mango
@syntrovert

"BirdNET" es el primer release del proyecto musical de Antonia Mosso aka paltamango. Un relato de seis tracks y un interludio componen esta producción realizada desde el puerto. En su producción nos comparte armonías nostálgicas y samples de aves marinas que grabó durante el verano en una caleta cercana. Junto a la sonoridad de sus sintes predilectos, paltamango nos presenta un larga duración lleno de texturas y pasajes inspirados en el mar vivo y una ciudad oxidada por sal y humedad.

Un suave pasaje por géneros como el minimal, el electro y a veces un poco de dembow, BirdNET es la conclusión de un largo camino de exploración por diferentes sonoridades en la música electrónica y alude también a una fascinación personal inexplicable por las aves. Ambientes sobre el subir escaleras eternas, el olor a mar y los barcos que llegan a puerto. Recolección de cochayuyos y arena en los zapatos. Oda al misterio en la costa y las gaviotas.

El álbum finaliza con un remix realizado por syntrovert, desde el interior de la quinta región. Esta versión más clubera de 557 just in time, acelera los bpm originales recapitulando la esencia lúgubre de BirdNET. Un break beat final para este viaje en el tiempo.

El arte fue realizado por mariapepinos. En una técnica mixta de puntillismo y pixeles se recrean algunos de nuestrxs amigxs marinxs favoritos y el castillo abandonado que inspiró gran parte del disco.

Birdnet

557 just in time (syntrovert Remix)

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paltamango - 557 just in time (syntrovert Remix)

UK-born, Mexico city-based producer other islands announces a powerful hybrid jungle EP.

Read more on CxC 🔗 couvrexchefs.com/en/other-islands-empty-room-with-u-in-mind

Article

PREMIERE: other islands - with u in mind

Taken from SBKT052: Rilla - Yukou / 遊光 EP
Mastered by Raphael Valensi
Artwork by Tianyi

Release date: 26th October 2022

‘Yukou / 遊光’ is Kyoto-based DJ and producer Rilla’s second EP for SVBKVLT. 5 tracks, plus remixes from Nahash, Tra Tra Trax’ Bitter Babe and Gorong Gorong’s Kadapat.

Yukou / 遊光 is a combination of the words 遊 (play) and 光 (light). It can be directly translated as ‘wandering light’, but also can mean ‘God of fire’ or ‘Demon fire’. which is often used in Japanese to refer to the fire that accompanies a ghost.

Yukou / 遊光  EP

Yukou / 遊光 EP

Preorder

Rilla - Magatama

Moro la Flor - Crueles Despedidas

The enigmatic artist offers us a utopian project for a newborn communist country pictured in Isotopia, a mysterious sound manifesto blending Afro-Caribbean traditional sounds with contemporary electronics, to be released on Paris via Brussels imprint Promesses.

Read more on CxC 🔗 couvrexchefs.com/en/negro-dinero-promesses-paternalismo-cultural

PREMIERE: Negro Dinero - Paternalismo cultural (Promesses)

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

v1984 & City - Parallel Phrases [digital only]

Ver Tu Vuelo me da Calma is a dedication of love to Hope. Among the landslides and meltdowns that attack the ice, there is still an illusory thread that allows movement.

Track featured in "Albatros EP" by paltamango that is going to be released on March 29th.

@palta-mango

Albatros EP

paltamango - Ver Tu Vuelo me da Calma

Bandera Falsa

Extraído del EP '1973', Sueuga Kamau presenta en exclusiva 'Disturbios' en DJ Mag España. Un track disruptivo, potente y oscuro que muestra claramente el ambiente de revolución que se respira en el hemisferio sur. 'Disturbios', mediante voces prestadas, ritmos olvidados e identidades borradas, teje un relato que conecta a esa América Latina que resiste y un pueblo afroamericano enardecido. Un auténtico rompepistas hecho para remover conciencias.

Se publica en HIEDRAH Club de Baile, sello argentino y colectivo activista por los derechos de las personas LGTBQ y minorías raciales.

Podéis seguir a HIEDRAH Club de Baile en sus redes sociales:
IG: https://www.instagram.com/hiedrah/
BC: https://hiedrah.bandcamp.com/
Spotify: https://open.spotify.com/album/13JiZy2pEcupsiqpP26qsR

MARBLE STONES RADIO Episodio 3 ABSSYS

MARBLE STONES RADIO

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Pilary

non dyfer

Alɔne so

MEGABABE

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