Oumumua was excting, and Avi Loeb came up with questions because he could not explain this phenomen within standard premises as he shall being a scientist. Not being a astrophysicist I do not have the theoretical background, but I have the imagination to dream it was something artificial made stuff - an alien spacecraft. We will never know I guess, but what a moment! Nice track!

I am a cosmic 💫🌹💫 scientist and think we recently communicate with other species through our dreams ! I worked as an assistant in neurophysiology , detecting very complex brainwave patterns in Delta sleep phases 💫

Make sure to read the song description, real mind-blowing stuff to prepare you for the future!

This is the release version of the album I've been working on for the last three months of my life. Thank you to all my listeners for your support and I hope you enjoy this version, which has been professionally mastered.

The bandcamp version comes with a 20 page colour digital booklet featuring many of the cosmological structures the album focuses on:
https://marcdauncey.bandcamp.com/album/cosmos

"The album is a darkly satirical look at humanity’s relationship with the cosmos. Looking into the near future where human beings mine asteroids for precious metals with all the attendant exploitation present in terra-based industries today. We start from the sun and move outwards. 

Heavy Metal Rain On Venus is stark warning on the consequences of climate change on earth, presenting a literal hellscape of molten metal raining on the scorched plains. 

Next we view Earth through alien eyes recieving the scrambled &  babbling radio signals we’ve been emitting for over a century, before moving on through the solar system taking in comets, asteroids and moons of Saturn and Jupiter. 

The album then leaves the solar system with Voyager 2, takes us to the deepest darkest interstellar voids before leaving us standing on the shore of an alien planet buzzing with life.

I wanted to base each piece on my emotional reaction to the location in question, which turns out to be a mixture of awe and even fear. These are after all, huge natural forces the scope of which is so much larger that our tiny lives. So when I think about places like the bootes void, millions of light years of nothing, I try to imagine what it would be like to be in the middle of that, just for a split second. A place so alien, dark and cold that it defies any human experience. It is that strangeness and mystery that I wanted to capture in my music. We are made of the same stuff as all of these structures. The universe exists within and without us.

I'm influenced by so many great musicians who've addressed this subject matter in the past. Eno & Tangerine Dream spring instantly to mind. But also nineties ambient like the sadly missed Pete Namlook, Monolake, modern classical composers like Max RIchter, Philip Glass and even drone rockers like Sun o:))). I was watching Star Trek alongside producing these and that is also a huge influence. I hope you enjoy listening to these songs."

Buy On Bandcamp

Marc Dauncey - Cosmos LP (release version)

Hello ! That's is my last track. Speaking about a end of a trip. Hope you like it !

https://www.youtube.com/watch?v=lpD1IK2Vetc

Run Aground

Heavy Metal Rain On Venus (Atomic Weight Breakbeat Mix)

Earth

Heavy Metal Rain On Venus (Ansound Rework)

Avi Loeb is no stranger to controversy. The prolific Harvard University astrophysicist has produced pioneering and provocative research on black holes, gamma-ray bursts, the early universe and other standard topics of his field. But for more than a decade he has also courted a more contentious subject—namely, space aliens, including how to find them. Until relatively recently, Loeb’s most high-profile work in that regard was his involvement with Breakthrough Starshot, a project funded by Silicon Valley billionaire Yuri Milner to send laser-boosted, gossamer-thin mirrorlike spacecraft called “light sails” on high-speed voyages to nearby stars. All that began to change in late 2017, however, when astronomers around the world scrambled to study an enigmatic interstellar visitor—the first ever seen—that briefly came within range of their telescopes.

The object’s discoverers dubbed it ‘Oumuamua—a Hawaiian term that roughly translates to “scout.” The unavoidably cursory examinations of this celestial passerby showed it had several properties that defied easy natural explanation. ‘Oumuamua’s apparent shape—which was like a 100-meter-long cigar or pancake—did not closely resemble any known asteroid or comet. Neither did its brightness, which revealed ‘Oumuamua was at least 10 times more reflective than one of our solar system’s typical space rocks—shiny enough to suggest the gleam of burnished metal. Most strangely, as it zoomed off after swooping by the sun, the object sped up faster than could be explained by our star’s waning gravitational grip alone. Run-of-the-mill comets can exhibit similar accelerations because of the rocketlike effect of evaporating gases jetting from their sunlight-warmed icy surfaces. But no signs of such jets were seen around ‘Oumuamua.

To Loeb, the most plausible explanation was as obvious as it was sensational: taken together with its possibly pancakelike shape and high reflectivity, ‘Oumuamua’s anomalous acceleration made perfect sense if the object was in fact a light sail—perhaps a derelict from some long-expired galactic culture. Primed by years spent pondering how we might someday find evidence of cosmic civilizations in the sky’s depths, he became increasingly convinced that, with ‘Oumuamua, the evidence had instead found us. In late 2018 Loeb and his co-author Shmuel Bialy, a Harvard postdoctoral fellow, published a paper in the Astrophysical Journal Letters arguing that ‘Oumuamua had been nothing less than humanity’s first contact with an artifact of extraterrestrial intelligence.

The paper has been a smash hit with journalists but has fallen flat with most of Loeb’s astrobiology-focused peers, who insist that, while strange, ‘Oumuamua’s properties still place it well within the realm of natural phenomena. To claim otherwise, Loeb’s critics say, is cavalier at best and destructive at worst for the long struggle to remove the stigma of credulous UFO and alien-abduction reports from what should unquestionably be a legitimate field of scientific inquiry.

The observations suggest this unusual object had been wandering through the Milky Way, unattached to any star system, for hundreds of millions of years before its chance encounter with our star system.

“For decades we’ve theorized that such interstellar objects are out there, and now―for the first time―we have direct evidence they exist,” said Thomas Zurbuchen, associate administrator for NASA’s Science Mission Directorate in Washington, in November 2017.

Immediately after its discovery, telescopes around the world, including ESO’s Very Large Telescope in Chile, were called into action to measure the object’s orbit, brightness and color. Urgency for viewing from ground-based telescopes was vital to get the best data.

Oumuamua (First Contact Album Version)

Mining The Asteriod Belt (Breaking Rocks Album Version)

GONE

Composer : NoRinTon
CoverArt : Rabbitech0

It's Just a Dream

Orkethic [part 2]

Played with my dads Communications receiver, cello, synthesizer and effects...

Radio And Tonal Frequenzies IV

Track with footage from Pexels.com here: https://youtu.be/HcZShsqiQXM?si=CmEmIHxLtDLUCUYC

The Choir

Montage et photographies :
@ 2024, Chartrand Saint-Louis
Lien vers la vidéo : https://youtu.be/YtOpv0vo2fY 

Musique :
@ 2024, pièce de piano, titre : "Éveil printanier", par Albert, 2:28 min.

Mixage, révision et sonorisation par Albert

Éveil printanier

"Éveil printanier", par Albert; Mixage, révision et sonorisation par Albert [lien vidéo]

This track in Spotify/AppleMusic: https://band.link/DvF0f

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Thanks to everyone for support and love to my music!

All Ashot Danielyan Albums: https://ashotdanielyan.bandcamp.com/

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Composer: DANIELYAN ASHOT MAKICHEVICH (IPI NAME 00855552512), UNITED STATES BMI.

Above The Waves

Spotify/AppleMusic

Ashot Danielyan - Above The Waves

Note sensibili ai momenti di nostalgia per il tempo passato e le esperienze affettive sperimentate.

Oumuamua (First Contact Album Version)

Marc Dauncey

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