"The nature of void offers some interesting food for thought. Visitors to the area would surely feel overwhelmed by the isolation, with its extreme distances between galaxies and blacker-than-black view of distant space.

And as blogger Michael Anissimov has noted, the Boötes void is probably the most perfect vacuum in space, the implications of which are worth considering. Not only would objects like rocks and dust be exceptionally rare, but so too would particles. It might take eons, or possibly never, for particles to interact. 

The need for an explanation has given rise to a new theory, one which suggests that supervoids are caused by the intermingling of smaller ones. Aldring has noticed that galaxies inside of voids take the curious shape of a tubular structure — likely an important clue. In turn he suspects that the Boötes void is the result of smaller voids coming together, much like how soap bubbles coalesce to form a single large one. As for the tube of galaxies, that's likely the remnant of the boundary between the smaller voids. Those galaxies, speculates Aldring, are now stranded inside the supervoid.

There is another, albeit more radical possibility — and one that has likely not been considered in the scientific literature. The Boötes void could be the result of an expanding Kardashev III scale civilization. As the colonization bubble expands outward from its home system, the civilization dims each star (and subsequently each galaxy) it encounters by blanketing it in a Dyson shell. This might also explain why the void has such a nice, spherical shape. Given that the void is about 700 million light-years from Earth, and that intelligent life could have emerged in the Universe about 4 billion years ago, this ancient civilization may have had enough time to perform this astonishing feat of cosmological engineering. Now, this is pure speculation, but it's worth throwing it out there as a possibility given the strangeness of the phenomenon."

The Boötes Void (Nihilo Ex Nihil Album Version)

Words and Music © Nic Evennett, 2022 

Feat. Jules Bangs - Bass

Flow:

And so it was, change of the season,
Curled under a blanket waiting for sound.
Caught a little landscape – must have your reason...
Unheard, unguarded, where you are bound.
Let water flow (let water flow)
Held it in her hand just to let go.
Dripping poetry, dripping poetry...
Tied up with some turmoil for your arrival.
Fought the little battle all on her own.
Plucked her soul's soul for her own survival,
Handing it over, finding its home.
Still water flows (water flows)
Hold on to her hand, never let go.
Be her poetry, be her poetry.
(Someone watch over them, watch over them...)

~~~
          

Mixed by Adam Ellis

Released: 25.01.23
NSM477 
Available for use at: https://www.nosheetmusic.tv/albums/nsm477

Flow (Continuation)

„Engel Suite für zwei Flügel”  (14.11.2023 )
  oder
„Engel Suite für zwei Konzertflügel“

Eine leicht beschwingte Klavier-Suite für die nie gesehenen Engel in all den kleinen und großen, heiligen Hallen der Andacht.

Da dachte ich mir Engel haben zwei Flügel. 
So entstand die Idee eine Suite für zwei Konzertflügel zu schreiben.

Musikalisch habe ich versucht diese heiligen Wesen etwas sichtbarer beziehungsweise hörbarer zu machen. 

Eine kleine meditative Pianoimprovisation für zwei Flügel ?

Vielen Dank für Eure geschätzte Aufmerksamkeit.
SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Musik :  Björn Cloppenburg  Alle Rechte vorbehalten
Foto	: Björn Cloppenburg
Es wurden für dieses Projekt virtuelle Instrumente der folgenden Firmen verwendet:
https://www.xperimentaproject.com Grand Piano PF Piano FZ


“Angel Suite for two wings” (11/14/2023)
or
“Angel Suite for two concert grand pianos”

A light, lively piano suite for the never-seen angels in all the small and large holy halls of worship.

I thought to myself that angels have two wings.
This is how the idea came about to write a suite for two concert grand pianos.

Musically, I tried to make these holy beings a little more visible or audible.

A little meditative piano improvisation for two grand pianos?

Thank you for your valued attention.
SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Music: Björn Cloppenburg All rights reserved
Photo: Björn Cloppenburg
Virtual instruments from the following companies were used for this project:
https://www.xperimentaproject.com Grand Piano PF Piano FZ

Angel Suite For Two Pianos

｢対決 ~ NON EXPLICIT ELECTRONIC MUSIC」

Concept music for a graphic novel.

Music written, produced, mixed and mastered by Thomas O'Higgins Horna.

Cover art: "Violet, Black, Orange, Yellow on White and Red"(1949) by Mark Rothko. Edited by me.

CONFRONT

ＣＯＮＦＲＯＮＴ

Animale – Original emotional Piano

These days I've been practicing piano, trying to regain some confidence in my playing. Althought, I learned with Czerny's speed exercises, lately, I've been drawn to play slower pieces. But then, my dark side likes to takes over and uppens the tempo into something bizarre. Anyway...
Like many people from my country and my generation, I grew up watching dubbed shonen anime like Dragon Ball Z. Despite having moved on with my life, that anime always found a way to come back to me. Nowadays, that feeling of nostalgia has been monetized, but back then, it was like catching up with old friends. But now that its creator is gone, I guess it's finally over. Only his art remains, the love he put in it, and the joy it brought us.

†ॐ

"Prologue & Subtitle 1"
Music composed by Shunsuke Kikuchi.
Improvised arrangement and performance by Thomas O'Higgins Horna.
Produced at Kolima Forest Studios.
Cover art by Akira Toriyama, from "TRUNKS THE STORY" (1992)

To Akira Toriyama. Thank you.

Prologue & Subtitle 1

Electric Soul

Music I wrote for an action scene in a film I'm working on. Slightly cheesier than I'd normally go, but it works in context

Riverside fight scene

Model Attribute

Sampled from a sattellite live feed orbiting earth

The Boötes Void (Nihilo Ex Nihil Album Version)

Marc Dauncey

Recent comments

Zemertz

Clipo Quarks

Pier WILL

LightCone

Related tracks