@ladyofire thought you might like this one

This is an old track I made a couple of years ago. I don't normally repost older music I made because my skills have progressed in the meantime, but this one still stands out to me.  It's a song about the pagan deity, the goddess. A trinity of three individuals, including the Babh and the Morrigan, each of which represent different faces of femininity. Celtic societies were matriachal in nature.

I've developed more complex layering of sounds in my later work and this track doesn't really do that much, but it's a nice vibe. It's got a combination of peace and beauty versus the suggestion of awesome omniscient power. The power of raw creation as well as destruction. That power is not expressed in a masculine way but it is there none the less. It must be remembered that female celtic leaders in roman britain such as Boddica terrified the roman rulers. She sacked London or Londinium as it was then, and burnt it to the ground in response to her daughter being raped by the romans to humiliate her. They paid for that with their blood until she was finally defeated, at great cost to the roman occupiers. I wanted to achieve that off key, leftfield tone that is present in celtic mythology.

Y Dduwiesn (the Goddess)

｢対決 ~ NON EXPLICIT ELECTRONIC MUSIC」

Concept music for a graphic novel.

Music written, produced, mixed and mastered by Thomas O'Higgins Horna.

Cover art: "Violet, Black, Orange, Yellow on White and Red"(1949) by Mark Rothko. Edited by me.

CONFRONT

ＣＯＮＦＲＯＮＴ

Slow Departure

Long distance, on the other side_02

These days I've been practicing piano, trying to regain some confidence in my playing. Althought, I learned with Czerny's speed exercises, lately, I've been drawn to play slower pieces. But then, my dark side likes to takes over and uppens the tempo into something bizarre. Anyway...
Like many people from my country and my generation, I grew up watching dubbed shonen anime like Dragon Ball Z. Despite having moved on with my life, that anime always found a way to come back to me. Nowadays, that feeling of nostalgia has been monetized, but back then, it was like catching up with old friends. But now that its creator is gone, I guess it's finally over. Only his art remains, the love he put in it, and the joy it brought us.

†ॐ

"Prologue & Subtitle 1"
Music composed by Shunsuke Kikuchi.
Improvised arrangement and performance by Thomas O'Higgins Horna.
Produced at Kolima Forest Studios.
Cover art by Akira Toriyama, from "TRUNKS THE STORY" (1992)

To Akira Toriyama. Thank you.

Prologue & Subtitle 1

KURT COBAIN'S AUTOPSY REPORT:
https://cobaincase.com/Cobain%20Autopsy.pdf
I KILLED KURT VIDEO:
https://rumble.com/v28mwzi-dcomposeur-i-killed-kurt-dcomposed.html

DCR - I KILLED KURT - DCOMPOSED

Dancing On The Ceiling.

Marco Lucchi : organ, piano and synthesizer
*idematoa* : synthesizers

Marco Lucchi & *idematoa* - Omnia florent

Empty

Music I wrote for an action scene in a film I'm working on. Slightly cheesier than I'd normally go, but it works in context

Y Dduwiesn (the Goddess)

Marc Dauncey

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