Name: Ochre - Paper Unicorn (Marc Melià Remix) by Marc Melià
Duration: 6 min 6 s
Description: This remix has been made using exclusively a Prophet 08 and the music recorded by Ochre.

aww, loved the digitonal transcription, loving this too ❤️❤️❤️

wow i love this track, is there a download/purchase link you could share with me? <3

07 Precious Dive (Throwing Snow Remix)

Taken from the Winter EP, Storming is the first preview from the Seasons EP series; a 4 part series to be released over the coming months each inspired by a corresponding season.
The Winter EP features contributions from Kane Ikin, Tuff Sherm, Scissor Lock and Panoptique Electrical and will be released on August 19th http://feralmedia.bandcamp.com/album/winter-ep

Kane Ikin - Storming

Title track from Leafcutter John's new album, Resurrection(Pathway009)

A panoramic sound world of drifting vocals over a densely-processed terrain of mud-caked percussion and guitar, Leafcutter John’s new solo album, Resurrection, is a characteristically unique blend of the electronic and the acoustic, the hi-tech, the human and the homemade.
Resurrection is the sixth Leafcutter John album and his first solo release since 2006’s The Forest and The Sea CD/LP(Staubgold). In the intervening nine years, John has toured from Vietnam to Venice, appeared live with Beck Hansen and Imogen Heap, and provided the score for Crow, a major theatre project by Handspring (creators of War Horse). 

During this time, John has also maintained his permanent role as the unpredictable, electronic antagonist in Polar Bear, the twice Mercury Music Prize-nominated, genre-defying jazz band.
This new record marks fifteen years of releases by Leafcutter John. Born John Burton in Wakefield (Yorkshire, England), his highly original musical voice was first spotted by Mike Paradinas, label boss of Planet Mu Records. Over the course of his first three albums (2000-2003), John established and developed his idiosyncratic London-based studio, and his skills as an inventor of unusual instruments and extraordinary music software.
Resurrection begins with the sound of a single bell, in homage to one of John’s major influences, Bernard Parmigiani’s De Natura Sonorum (1976). From there, the album unfolds over five cinematically varied tracks, “like floating above a world in constant flux,” in John’s own words. In fact, aerial photographs of the Japanese tsunami of 2011 were a direct inspiration for the record.
“I would create complete, fully-formed compositions,” says John, “then later, I’d come back to them, playing the part of
the destroyer, scraping and smearing away elements, weathering, piling up and re-ordering them, as if they’d been hit by a natural disaster.”
Not content with the usual tools available to the electronic musician, John has created innovative new systems and techniques for both live performance and production. This includes a light-controlled instrument that allows him manipulate his live sound through gesture, flickering candles, flashing torches and pyrotechnics. For the track “Gulps,” John coded special software to layer huge swathes of sound. Using a recursive system, he created 7.1 billion layers of a recording of the North Sea, one for each human alive on the planet at the time of writing.
Featuring a guest appearance by Shabaka Hutchings (Sons of Kemet), “Gulps” is a poignant demonstration of John’s
approach: Hutchings’ intimate clarinet is gradually engulfed by a (literal) ocean of sound. This is sculptural sound design
where technological innovation is always at the service of the emotional impact of the music: deeply human at its root, and
mind-expanding in its ambition.

Desire Path Recordings
www.desirepathrecordings.com | leafcutterjohn.com

Credits
Written and produced by Leafcutter John, with Varpu
Kronholm playing additional percussion on “I Know You
Can” and Shabaka Hutchings playing Clarinet on “Gulps.”
“Endless Wave” contains elements of “Forest Of Spades” by
Strings Of Consciousness, used with permission.
Mastered by James Plotkin
Photography by Max Baillie
Design by Chris Koelle, Leafcutter John, and Varpu Kronholm

Distributed by Revolver

Leafcutter John - Resurrection

Music from the forthcoming EP by Luke Abbott and Jack Wyllie of Portico. 

Released via Buffalo Temple (BFFT003) on 25th September available on 12" vinyl and digitally.

Xantako

This remix has been made using exclusively a Prophet 08 and the music recorded by Ochre.

Ochre - Paper Unicorn (Marc Melià Remix)

Not even a month after dropping his entrancing In Stereo session, ex-Emeralds member Steve Hauschildt returns with more ambient hypnosis. This time, it's a track off the soon-to-drop remix EP for composer and artist Christina Vantzou's no. 3 album. Steve's undertaking brings seven minutes of sheer serenity, slowly soaring and regressing throughout its duration. True magic from the pro himself.

3.5 is out on March 18th.

Pre-Order

Christina Vantzou "Stereoscope (Steve Hauschildt Remix)" - Boiler Room Debuts

from the album 'monument builders' available 11/11

Monument Builders

loscil 'monument builders'

Mirall

Rauelsson - Sierra

Premiering on the Ransom Note: https://bit.ly/2MyJojX

"An enchanting new album." - The Ransom Note 

Heinali is the alias of self-taught composer and sound-designer Oleg Shpudeiko from Ukraine. Now well established under the name he brings along his latest full length ‘Iridescent’ due for release on October 12th on Injazero Records. 

Having garnered rapturous responses to his earlier output and last year’s ‘Anthem’ Oleg continues to push the boundaries and experiment with altering mood and atmospheres of any space - with abstract yet deeply personal transmissions of ambient synthesiser work and subaqueous, minimal techno contortions. 

‘Iridescent’ consists of fragments of studio improvisation sessions recorded in 2016 and 2017, some of them recorded in one unedited take on a modular system and some layered and later morphed into compositions. As the title suggests Heinali crafts shimmering, incandescent portraits, rich in his unique characteristics and compositional liberty. 

Apart from the “musical sculptures,” that represent the bulk of this LP, Oleg was interested in the exploration of polyphonic capabilities of the modular system. ‘Rainbow Folding’, a loose homage to Terry Riley’s 'A Rainbow In Curved Air,' features an interplay of several independent, but distinct voices and their processed shadows — ‘ghost voices’. In 'Shadow Invention’ eerie atmospherics steal the spotlight and dominate the composition, ending in a cacophony of the ‘ghost voices’. 

Oleg says of the album, “it’s a kind of studio dairy. A reflection on the development of my relations with the hardware instruments and exploration of them as channelling vessels for my experiences and ideas.” 

“One can think of Iridescent’ as ‘musical sculpture’ analogy — when the body of music stays the same, but its surface is flickering with various colours over time — sometimes in a subtle manner, sometimes loud and clear. Or it can be understood in the context of various colours of polyphony, or as a liminal condition of the colour as if it’s being ‘stuck’ in the mist of twilight zone between neighbouring colour-states, so it can’t become a particular colour and is in a flickering kaleidoscopic state.” 

‘Iridescent’ bares Oleg’s style of sonic storytelling and austere, otherworldly textural embellishments that bring to mind Ben Frost, Akira Yamaoka, and Oneohtrix Point Never but also plants the seed for much more club ready electro. ‘Starling Reprise I’ is a scorching piece of ambient techno that conjures Four Tet, LTO and Susumu Yokota’s blissful, kaleidoscopic synth work whilst ‘Starling Reprise II’ retains the frosty, steely ambience that has become Heinali’s calling card. 

Cover artwork by Olga Gaidash.
Mastered by Taylor Deupree at 12k Mastering.

Pre-order

Heinali - Rainbow Folding

'Fear Of Floating' is the second single from Australian-born, Liverpool-based composer, saxophonist and founder of Immix Ensemble, Daniel Thorne. The track, taken from Daniel's solo debut 'Lines of Sight', is a grand, transposing soundscape that places Daniel’s saxophone front-and-centre, allowing the abstract beauty of his meandering and contorting melody to breathe, amongst the chaotic backdrop of spiralling undulating effects. 'Fear Of Floating' perfectly encapsulates the atmosphere of the record; equal parts magnificent, unnerving, mind-bending and deeply satisfying.     
 
"Although the album wasn't written to follow a specific narrative, I felt it should have the feeling of a journey, leaving a place of chaos and noise and arriving somewhere both serene and unfamiliar. As the final track on the album, I wanted 'Fear of Floating' to be to be the opposite of the album’s beginning ('From Inside, Looking Out') by being much sparser, eschewing large dense textures and instead focusing on a single melodic 'voice' that gets bashed about by its surroundings, before finally washing up somewhere peaceful and alone." — Daniel Thorne
 
Praise for Lines Of Sight, out March 15th on Erased Tapes:
 
“Dizzying compositions that thrive on chaos and control.” Self-titled  

“Analogue and digital, improvisatory and programmed, tactile and gaseous, this ripples between worlds.” DJ Mag
 
Deeply moving, full of otherworldly beauty and rapture, the album is alive, throbbing like a circulatory system, colourful and glowing. It literally dazzles – effectively capturing what the birth (or death) of a planet might sound like.

Every strand is fresh, vital and purposeful. The description ‘seamless’ might suggest a smooth, bland fusion, but here elements overlap in intermittent, undulating layers of mesh. Avant-garde, noise, electronics, ecclesiastical, classical and a touch of jazz come together, each occupying their own space while acquiescing with the whole.

Pre-order 'Lines of Sight' on LP/CD/DL: https://idol.lnk.to/LinesOfSight

Lines of Sight

Fear Of Floating

Daniel Thorne - Fear Of Floating

Track taken from the new album 'Rites', released via Subtext Recordings.

Read it:

www.fluid-radio.co.uk/2013/04/paul-jebanasam-rites/

Buy it:

www.subtext.bigcartel.com/product/paul-jebanasam-rites

Paul Jebanasam - Rites III

Contact:
marcmeliasobrevias@gmail.com
Booking:
amaury.muraillesmusic@gmail.com 
Booking Belgium:
rutger@nadabooking.be

Ochre - Paper Unicorn (Marc Melià Remix)

Marc Melià

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