Name: Morphosis - Too Far (Marcel Dettmann Definition 1) by marcel dettmann in Techno
Duration: 5 min 48 s
Description: get it here: http://www.beatport.com/track/too-far-marcel-dettmann-definition-1/3129210

Great track! Touched the boundry of digital and analogue

Techno

Shlomi Aber & Guy Gerber -  Sea Of Sand (Cocoon)

Cobblestone Jazz - India In Me

Heiko Laux & Teo Schulte - Polyrhythm

Sandwell District - Immolare - Function Version (1)

Available online:
http://www.beatport.com/track/hale-bopp-der-dritte-raum-ison-adaption/4791440

Der Dritte Raum - Hale Bopp (Der Dritte Raum Ison Adaption)

progessive deep house dancehall drops mood for you

progressive deep house drop with dancehall groove 43

Buy Vinyl & Digital: bit.ly/uv033bc

Release Date:
Bandcamp: 26.10.2015 (Vinyl & digital)
All other stores: Vinyl 06.11.2015 & Digital 09.11.2015

After opening up his heart with his wonderful solo debut album last spring, it was about time that Joel Alter’s “Heart” gets a proper remix treatment. None other than fellow Swedish countryman Jesper Dahlbäck adds some spice to the intimate affair that is “22 Hours” under his “The Persuader” moniker. His take is a spooky yet compelling peak time bomb. Dorisburg transforms “Everlasting” into a funky and Acid-driven ride that is hard to resist. On top, you’ll get the Original mix of “Mecca” spread over a whole 12” side and a Discoid version as a digital bonus.
The wonderful artwork was created by Joakim Heidvall.

Buy Vinyl & Digital

Joel Alter - Everlasting (Dorisburg Remix)

The ancient haruspex used to read chicken liver in a bid to predict the future and foresee natural disasters. Taking influence from this technic, Fango embarked on a long insular trip, reflecting down till the depths of his own soul. The outcome of this arcane ritual is "Viscera", a series of 3 EP's focused on the pure essence of Fango’s artistic delirium.
 
Here is the first of the series, Viscera 1/3
 
TRACKLISTING:
A1 - Vena Cava
B1 - Valvae
B2 - Rectum

Order now on Deejay.de

Fango - Valvae

After his "Spazieren“ EP Abstraxion just released his second album named "She Thought She Would Last Forever“, which will be accompanied by a huge remix package on November, 14th. Alongside remixes from the likes of Tuff City Kids, Clarion, Vessels, Eduardo De La Calle and Cleveland, it will contain a treatment of Danish DJ/Producer Kasper Bjørke. Kasper, primarily known for his deeper sounds shows his tougher side.

Head to review: http://bit.ly/2da1jMr

Nach seiner „Spazieren“ EP hat Abstraxion gerade erst sein zweites Album „She Thought She Would Last Forever“ veröffentlicht und legt am 14. November mit einem umfassenden Remix-Paket direkt nach. Darauf enthalten sind Arbeiten von Tuff City Kids, Clarion, Vessels, Eduardo De La Calle, Cleveland und Kasper Bjørke. Letzt genannten Remix hört ihr hier als Premiere.

Zum Review: http://bit.ly/2da1jMr

Abstraxion - An Error Occured (Kasper Bjørke Remix)

Obscure Shape - Mind

get it here: http://www.beatport.com/track/too-far-marcel-dettmann-definition-1/3129210

Morphosis - Too Far (Marcel Dettmann Definition 1)

from 'Negative Fascination' [Hospital Productions]

I do not own this! As always, if you like what you're hearing, please buy the release and support the producer. 

Silent Servant - Invocation Of Lust (Original Mix)

With ‘Wordplay for Working Bees’ Lucy creates a blueprint, not just the departure point for the full length format according to Stroboscopic Artefacts, but he also lays down new possibilities for the techno album. Refusing the obvious 4/4 route, Lucy traverses the widest possibilities of electronic music. ‘Wordplay for Working Bees’ encompasses IDM that leans towards drone, puckering, dub-filled techno and ambient in its most oblique forms. The beloved character of Lucy’s DJ sets, the way he layers tracks to find unique timbre and tone, is reflected in his studio approach. Lucy’s debut album results in the most delicate and delicious juxtapositions, as the unexplained and unexpected tangle together in the ear.

The search for hybrid structures begins with ‘Thear’. Through Stockhausen’s words Lucy hints at a manifesto: Whenever we hear sounds we are changed, no longer the same. The record is textured with riddling vocals –be it the slither of a UN summit speech to heard on ‘Eon’ or the wisps of Le Corbusier on ‘Gas’— and none are used with idle intent. Just as on ‘Eis’, where the samples appear to be engaged in discussion but the thread of their argument is lost in the granular synthesis, the tracks are abstracted enough to provoke your own interpretations and critical judgements. The vocals’ inclusion gives rise to questions, and the ambiguity of ‘Wordplay for Working Bees’ creates an architecture that facilitates debate.
It’s not just escapist or hedonistic dance music, but a concerted, dissonant effort to challenge the listener’s preconceptions. David Toop’s Sinister Resonances can certainly be heard.

This mood of provocation with no certain resolutions is a fitting description of ‘Es’. It’s a track with a long half life; it resonates, poised and pertinent. ‘Es’, the German for ‘it’, is an apt title for the indescribable mood where the ecstatic meets the melancholic. It’s hard to know what this ‘it’ is, but ‘Es’ transposes it perfectly.
Amid these ambient, dubby tracks it’s rare and also somehow exotic when the 4/4 techno of ‘Bein’ does emerge. Equally ‘Torul’, which sounds as if it samples the swinging of a meat hook, has the potential to be devastating on a big sound system. To close the record ‘Ter’, with its pattering percussive-line full of hypnotic persistence, is a stunning ending. It seems to be the sound of melting ballerinas.

As a body of work it’s cohesive and impressive, a result of Lucy’s process. With the release of the very first vinyl on Stroboscopic Artefacts he began laying down the inital sounds for the album. Over the label’s first year he worked across all eleven tracks. In a way the record charts the development of his sound and the
strengthening identity of his record label. It’s certainly not a portrait of the artist, it’s a landscape. Composed as it is of field recordings from parks, streets and Lucy’s apartment, it’s difficult not to see this as --at least in part-- a depiction of Berlin. ‘Wordplay for Working Bees’ is certainly influenced by the sounds coming from
Berlin’s clubs, galleries and forgotten pockets. Lucy holds a mirror up to the Hauptstadt, only to distort and redefine its reflection. The abstraction and processing of the album’s subject matter has a painterly quality and it’s evident that in creating ‘Wordplay for Working Bees’ Lucy slaved with technology to master it so brilliantly.

Co-mixed and mastered by Artefacts Mastering, Berlin.

Words: Clare Molloy

bein

Mathew Jonson ‎-- Walking On The Hands That Follow Me
Label: Wagon Repair ‎-- WAG 050
Format: Vinyl, 12" 
Country: Canada
Released: Jun 2009
Tracklist:
A. Walking On The Hands That Follow Me 
B. When Love Feels Like Crying

When Love Feels Like Crying

(BP030.1) O/V/R - Post Traumatic Son [Blueprint]

Morphosis - Too Far (Marcel Dettmann Definition 1)

marcel dettmann

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