Name: Morphosis - Too Far (Marcel Dettmann Definition 1) by marcel dettmann in Techno
Duration: 5 min 48 s
Description: get it here: http://www.beatport.com/track/too-far-marcel-dettmann-definition-1/3129210

Great track! Touched the boundry of digital and analogue

Techno

Angel Remixes

Angel (Jerome Sydenham Vocal Dub)

This is the new digital re-mastered version of "Typerope" on ITISWHATITIS Recordings. Enjoy!

Typerope

Alexander Kowalski - Delicious

release date: 27th of October

It's been a while since we did something on our subdivision Petite. You know, this is where we like to re-release those forgotten pearls, with a new remix on the flip.
This time we chose Kinda Kickin' by DJ Boom, which is in fact a collaboration between Matthew Herbert and Charles Webster. The original vinyl goes for over 110eur on Discogs and is a longtime favourite of ours. We heard Move D play it at a festival this summer, but strangely enough not too many other people seem to know about this house gem.
On remix duties this time someone very close to the label (and our hearts) since the first collaboration in 2007 for ‘Acid Bells’. Efdemin recently delivered what is maybe his best album to date and also this remix for Kinda Kickin’ is absolutely superb. Enjoy.

TRACKLIST
1. DJ Boom - Kinda Kickin'
2. DJ Boom - Kinda Kickin' (Efdemin Remix)

http://www.curle.be
http://www.facebook.com/curlerec
http://www.newsrecords.be/
http://www.facebook.com/NEWSrecords

Kinda Kickin'

DJ Boom - Kinda Kickin' (Efdemin Remix)

Sandwell District - Immolare - Function Version (1)

Former Ostgut Ton label manager, DJ and producer Nick Höppner releases his debut album ‘Folk’ on Ostgut Ton in March 2015. More info: http://ostgut.de/label/record/132

More info

Nick Höppner - Rising Overheads

BRM pres. this PREMIERE: Tim Gläser - Float (Original Mix) on B Studio Records.

Artist: @tim-gl-ser-2
Label: @bstudiorecords

B Studio Records is thrilled to present "Loneliness", an intimate and emotive two-track EP from rising talent Tim Gläser. This release balances introspective moods with dancefloor sensibility — ideal for listeners seeking depth and resonance in electronic music.
"Float" opens the EP with an airy, enveloping atmosphere, drawing the listener into a tranquil yet restless space. From soft pads to subtle rhythmic elements, it builds an emotional tension that primes the stage for the title track. "Loneliness" delves deeper, channeling introspection through moody textures, evolving beats, and poignant sonic layers.

DO YOU WANT TO SUBMIT YOUR UPCOMING TRACK FOR A PREMIERE?
➩ bit.ly/BRM_Premiere

DO YOU WANT TO BE PART OF OUR PODCAST SERIES?
➩ bit.ly/BRMPodcast

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Enjoy!
BRM
www.barburroom.eu

BRM PREMIERE: Tim Gläser - Float (Original Mix) [B Studio Records]

Prime Numbers do a great trade in remixes. Recently the likes of O B Ignitt, Roman Flügel and XDB have come up with repackaged goods for the label; now it's Vril's turn. Relatively speaking, it's less menacing and wanton than some other Vril out – still propulsive and sharp techno, but forming a neat counterpoint with Nick Sinna's original, rather than steamrolling straight through it.

Both "Black Rose"s can be yours when PN30 arrives on August 31st.

Nick Sinna "Black Rose (Vril Mix)" - Boiler Room Debuts

Efdemin - Lohn & Brot (Original Mix)

get it here: http://www.beatport.com/track/too-far-marcel-dettmann-definition-1/3129210

Morphosis - Too Far (Marcel Dettmann Definition 1)

Jam & Spoon - Follow Me (Heiko Laux SloDub)

from 'Negative Fascination' [Hospital Productions]

I do not own this! As always, if you like what you're hearing, please buy the release and support the producer. 

Silent Servant - Invocation Of Lust (Original Mix)

Mathew Jonson - Marionette

With ‘Wordplay for Working Bees’ Lucy creates a blueprint, not just the departure point for the full length format according to Stroboscopic Artefacts, but he also lays down new possibilities for the techno album. Refusing the obvious 4/4 route, Lucy traverses the widest possibilities of electronic music. ‘Wordplay for Working Bees’ encompasses IDM that leans towards drone, puckering, dub-filled techno and ambient in its most oblique forms. The beloved character of Lucy’s DJ sets, the way he layers tracks to find unique timbre and tone, is reflected in his studio approach. Lucy’s debut album results in the most delicate and delicious juxtapositions, as the unexplained and unexpected tangle together in the ear.

The search for hybrid structures begins with ‘Thear’. Through Stockhausen’s words Lucy hints at a manifesto: Whenever we hear sounds we are changed, no longer the same. The record is textured with riddling vocals –be it the slither of a UN summit speech to heard on ‘Eon’ or the wisps of Le Corbusier on ‘Gas’— and none are used with idle intent. Just as on ‘Eis’, where the samples appear to be engaged in discussion but the thread of their argument is lost in the granular synthesis, the tracks are abstracted enough to provoke your own interpretations and critical judgements. The vocals’ inclusion gives rise to questions, and the ambiguity of ‘Wordplay for Working Bees’ creates an architecture that facilitates debate.
It’s not just escapist or hedonistic dance music, but a concerted, dissonant effort to challenge the listener’s preconceptions. David Toop’s Sinister Resonances can certainly be heard.

This mood of provocation with no certain resolutions is a fitting description of ‘Es’. It’s a track with a long half life; it resonates, poised and pertinent. ‘Es’, the German for ‘it’, is an apt title for the indescribable mood where the ecstatic meets the melancholic. It’s hard to know what this ‘it’ is, but ‘Es’ transposes it perfectly.
Amid these ambient, dubby tracks it’s rare and also somehow exotic when the 4/4 techno of ‘Bein’ does emerge. Equally ‘Torul’, which sounds as if it samples the swinging of a meat hook, has the potential to be devastating on a big sound system. To close the record ‘Ter’, with its pattering percussive-line full of hypnotic persistence, is a stunning ending. It seems to be the sound of melting ballerinas.

As a body of work it’s cohesive and impressive, a result of Lucy’s process. With the release of the very first vinyl on Stroboscopic Artefacts he began laying down the inital sounds for the album. Over the label’s first year he worked across all eleven tracks. In a way the record charts the development of his sound and the
strengthening identity of his record label. It’s certainly not a portrait of the artist, it’s a landscape. Composed as it is of field recordings from parks, streets and Lucy’s apartment, it’s difficult not to see this as --at least in part-- a depiction of Berlin. ‘Wordplay for Working Bees’ is certainly influenced by the sounds coming from
Berlin’s clubs, galleries and forgotten pockets. Lucy holds a mirror up to the Hauptstadt, only to distort and redefine its reflection. The abstraction and processing of the album’s subject matter has a painterly quality and it’s evident that in creating ‘Wordplay for Working Bees’ Lucy slaved with technology to master it so brilliantly.

Co-mixed and mastered by Artefacts Mastering, Berlin.

Words: Clare Molloy

bein

(BP030.1) O/V/R - Post Traumatic Son [Blueprint]

Morphosis - Too Far (Marcel Dettmann Definition 1)

marcel dettmann

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