Love this song always keeps my head nodding!!!

Johannes Heil - Consciousness - (ARAS 02) 2012

A ‘pan-pot’ is a simple, functional dial that governs the left and right axis of the stereo field, useful but unremarkable; mobilee’s Pan-Pot is an entirely different proposition, a duo whose mastery of audio principles allows them to turn conventions on their heads, casting functionality aside as they plumb the deep, uncharted depths of pitch-black techno.

Since their inception in 2005, Pan-Pot have become a dominant presence in modern techno, an ascent mirrored in the rise of their home label mobilee records to the top tier of electronic music. Tagging themselves as “the dark side of the force,” Pan-Pot have melted minds, warped perceptions and reinvigorated the dancefloor with their heady, unorthodox sound; within their work, subtle pitch manipulations square off with wall-of-sound distortion, the dark stomp of 4/4 is tamed by intricate sound design, and minimalistic frameworks duel with throbbing bass lines, epic builds, and murky, off-kilter melodies.

Tassilo Ippenberger and Thomas Benedix met at Berlin’s SAE, and their studies in the production and manipulation of sound aided them in identifying Pan-Pot’s overarching sound aesthetic. The duo booked Anja Schneider for an ill-fated party in 2005, but the unfortunate circumstances helped forge a fortuitous connection with Schneider and her then-fledgling mobilee imprint. Within weeks, mobilee’s second ever release was Pan-Pot’s official debut, „Copy and Paste“. The steady stream of original tracks and remixes that followed on mobilee and Einmaleins, charted the duo’s unwavering commitment to precise, undulating and kinetic grooves.

The defining moment of Pan-Pot’s career came in 2007 with the release of their debut artist album, Pan-O-Rama. The aptly named long-player offered a 360-degree view of techno at its most twisted, balancing somber atmospherics with a lightness of touch, and spawning the overground hit “Charly”. More recently “Confronted” and “Captain My Captain” have demonstrated their classic, strong and timely production style, presenting them as the most consistent purveyors of techno around.

Pan-Pot are ceaselessly working and endlessly inventive. When not in the studio writing original material or remixing tracks by a myriad of artists, they can be found on the road, touring. Their DJ sets reveal a keen understanding of the dancefloor’s needs, and they are unconstrained by boundaries, traversing techno, house and everything in between.

Pan-Pot may have taken their name from an unexceptional element of studio equipment, but as with their music, they have rewritten notions of form and function through their own idiosyncratic language; once you’ve experienced Pan-Pot’s colossal, haunting soundscapes you will never forget them. Their vision, passion, and love of music continues to drive Pan-Pot — and the extended mobilee team —in all that they continue to do, and all that will come.

Pan-Pot - Charly (Original) - mobilee030

240425 (Sketch Version)

Joris Voorn - The Secret - Cocoon Recordings (112 kbps Low Quality Preview)

The Soulful Techno king Gabriel Ananda makes his Truesoul debut with a re-master of his 2006 classic ‘Doppelwhipper’. The package also comes with two brand new remixes from Drumcode favourite Marco Faraone and the hotly tipped Layton Giordani. 

The EP opens with Marco Faraone’s remix, which samples Kings of Tomorrow’s ‘KOT Anthem (Soul Vision Remix)’. This takes ‘Doppelwhipper’ to dizzy new heights, keeping the obscure roots of the track and adding a rolling bass line that will bring any dancefloor to sheer hysteria. Next up is a re-master of Ananda’s seminal ‘Doppelwhipper’, a track which has well and truly stood the test of time. A connoisseur of the uncommon, his curious sounds float through almost 10 minutes of pure hedonism. Closing out the package is Layton Giordani’s interpretation of the track that is set to be a firm club favourite. Pounding through the gears, this one will do some real damage.

Gabriel Ananda - Doppelwhipper (Original Mix) - Truesoul - TRUE1290

Radio Slave readies a double A-side to mark the 100th release on Rekids this February.

Having recently celebrated ten years, the consistency of music on Matt Edwards’ Rekids is indisputable with releases from Nina Kraviz, Mr. G, David Morales, Peggy Gou and DJ Deep to name a few. Aside
from his A&R abilities Edwards’ extensive understanding of electronic music is evident in his various pseudonyms. Amongst these Radio Slave is easily his most illustrious and most fitting for the seminal label’s milestone 100th release.

“I had to make these tracks. It’s what we do and it’s the perfect release for Rekids 100” – Matt Edwards

Containing all the hallmarks of a Radio Slave production, ‘Another Club’ merges looped vocals with thudding kicks as echoing stabs and infectious hats work their magic. On the flip, ‘Feel The Same’ is a
funky slice of Detroit inspired house.

A. Radio Slave - Another Club

Acid Pauli - Gwar is not the answer

Boris Werner - Set It Off (Makam Orchestra Drama Mix)

* Ask for DOWNLOAD HQ Link! *

Genre: Techno
Site: southsound.com.ar/



Green Velvet - Destination Unknown (C2 Detroit-Chicago Unity Dub)

Download LP here: www.beatport.com/release/bay-of-figs/31307

Release date: 21/09/2006

Over the course of the past two years, Marc Houle's music has quickly elevated his studio prose into desired analogsoaked treasures of the dancefloor. Developing fans from vinyl to the club, the new double pack outing titled BAY OF FIGS showcases new developments in his already minimal pop genius that have been tested on the road over the past few months. From the manic title track onward his sound continues to develop from a rich bed of electro pop and minimal techno, with gems that stay in the groove or contort themselves by design.

The arctic storm that is "Bay of Figs" sends a simple yet effective message through it's haunting and menacing drone. On the bouncing and loose "Thirds In Trees", Marc drops in live claps and bass guitar in the melodic and hooky mood reminiscent of the Kingsley classic "Popcorn". A clear fan of euro & industrial attitudes from decades past, "Black Jack 13" claps and bends with electro fever, rattling around erratic effects and synth lines all under four minutes time. One of the more intense tracks in Houle's live sets is the square-wave melody of "Edamame". But its "Items and Things" that highlights Houle's musicianship for synth pop while also revealing his obvious contribution another side project, Run Stop Restore (the trio with Magda and Troy Pierce). Houle's arrangements, melodies and choice effects create easy instrumentals that hold their own beauty without vocal attachments.

In the past year he has remixed Slam's "Kill The Pain" single (featuring Dot Allison) and "Turbo Dreams" by Ellen Allien & Apparat. Between DJs championing his work in clubs and after-parties or making it an essential addition on mix albums from producers like Slam or Loco Dice, Houle is working his way to the top. His live performances from Europe to the US have doubled the impact, on tour in the US during May for the min2MAX bus tour.

Press contact: press@marchoule.net

Connect with Marc Houle:
www.marchoule.net/
www.facebook.com/marchoule.official 
www.mixcloud.com/marchoule
www.youtube.com/user/MarcRHoule
www.twitter.com/MarcRHoule
www.residentadvisor.net/dj/marchoule 
www.dj.beatport.com/marchoule 
www.juno.co.uk/artists/Marc+Houle/
www.discogs.com/artist/Marc+Houle 
www.itemsandthings.com

Marc Houle - Bay Of Figs | Minus | 2006

Anfisa Letyago - Gravity (Original Mix)[N:S:DA Records]

marin@blakksheep.com (Worldwide)
Giacomo Conti: giacomo@liaisonartists.com (USA & LATAM)
Renaud Doye : renaud@no-hour.com (France)
James What: j@arai.agency (Asia & Australia)

Marc Houle has been wowing audiences for over a decade with a live performance that is constantly evolving night after night, in city after city, at clubs and festivals worldwide. The skill and effort that goes into creating these truly 'live' sets is the result of an entire lifetime dedicated to electronic music and a deep love of the machines that make it.
Raised adjacent to Detroit in Windsor, Ontario, in the same fertile music community that spawned Richie Hawtin, Houle’s obsession with electronic sounds goes back to the noise of ’80s video games and vintage synthesizers. And while too many electronic artists use their machines as merely tools of convenience, Houle regards his with a dedication found in few producers.
The results have been extraordinary. A decade-long career of seminal records on Hawtin’s Minus label, as well as his own Items & Things imprint, that not only helped define the beloved minimal sound of the mid-‘00s (“On It”), but had a laugh at its expense (“Techno Vocals”), before transcending the limits of the sub-genre completely by incorporating industrial, disco and new wave influences
(“Undercover”).
A committed live performer, he arrives at each gig equipped six superb albums worth of material, whilst the inception of his new project alongside Octopus Recordings founder Sian sees this number multiply extensively, as the duo weave together hypnotic, warping soundscapes as they deliver Marsian (Live), with their 2018 debut tour which began in Detroit and navigated throughout the Americas setting the tone and vision from the off.
And then there is the steady stream of new music - whether it's material on the likes of Innervisions, where Houle has contributed to the label’s renowned 'Secret Weapons' series as well as delivering his stand out 'Silver Siding' EP, or remixes of classic cuts (like those found on the 10-year anniversary remix of his Restore album by Joris Voorn, Popof, Julian Jeweil and Danny Daze), plus a string of Items & Things remix packages that have welcomed artists such as Chloe and Tobi Neumann to the imprint to date. Not strictly bound to electronic music in the traditional sense, Houle’s work has also led to explorations into film, producing a score of Kurutta Ippeiji’s 1926 original silent film 'A Page of Madness' to critical acclaim.
Add the equation a deeply rooted connection and affinity with the city of Detroit, widely regarding as the birthplace of Techno, and equally as close ties to Houle’s current adopted home of Berlin, exemplified through his creation and development of 2018’s 'Sound of Berlin' documentary soundtrack, and it’s no wonder Houle’s records have found their way into the crates of DJs far-flung from his typical list of peers.

Marc Houle - Bay Of Figs | Minus | 2006

Marc Houle

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