Mulato Tragidy

HALENKIND

Devil$ Pie / One Dollar a Day

My First Time Dying ($hristal, $hristal Eye)

Mulato Proibido

Watch out! Black God I$ in Town

Watch Out! Black God I$ in Town

to forcefully recontextualize experimental and contemporary music // to negate the sonic description of innovation created by global north in the 21st century // to negate the fictional history of development in experimental music // to reconsider counterpoint as a colonial fragment // to reconsider tonal harmony as a colonial fragment // to reconsider the clavichord and baroque music as a colonial fragment // to consider the charango as a virtual extended technique instrument // to rethink the clavichord within a new possiblity for counterpoint // to acknologde the “herofication” of european musical landmarks as a form of ideology // to propose and practice an open multiple form view for new music // to negate a local practice and dialogue as a universal speech // to practice and recenter global south as the matter of the conversation // to ignore their idols // to profit from the gringo’s system // to buy my grandma a house // pela paz do corpo mestiço pardo brasileiro // to ocupy their spaces // pela malandragem // “europe is indefensible” // “demorou, eu quero é mais, eu quero até sua alma” // pelo lixo ocidental // eu nasci pobre mas nao nasci otario // good luck getting me out of your deutsche land

Credits:

Composition: Marcio Zygmunt
Arrangement: Marcio Zygmunt
Performance: Marcio Zygmunt (Electronics, Voice, Guitar, Flute), Ivana Bandalo (Clarinet), Coraima Díaz Torres (Voice)
Engineering: Marcio Zygmunt
Mastering: Marcio Zygmunt
Coverart: Marcio Zygmunt

[jovemdeu$, 2022]

jds$003

$ecretos de Un Ojo Atrapado (A Minha Mãe Me Avisou)

New Potosí Capital ༽༽༽ $€€ Mercosul Visa

A Terra Parda ¨¨¨ Capital Mundial da Mestiçagem

As Negações do Brasil Autóctone (Arquivo Gado do USA) & Beautiful $ound of​ Global North on Mute

$ecretos de Una Boca Atrapada (Secrets of a Chocked Counteroffer)

Victim Award (Para Vocês Eu $ou Só Um ≁≁≁≁≁≁ & Em Respeito Ao Diabo Coxo)

of History Manufacturing §§ Porque Vocês Não Sabem do Lixo Ocidental

Lo$ Traumas Mestizos (feat. Rompiste Mis Flores)

Canto do Galo ꍇ꙰ꍇ꙰ (Arquipélago da Madeira)

Clau$trophozipper

MORRA RICO //ou// MORRA TENTANDO 
07MAY25

MUSIC VIDEO:
https://youtu.be/51nMcxuCBLQ

https://www.instagram.com/itsmarcioz/
https://twitter.com/marciozmusic
https://marcioz.bandcamp.com/

©jovemdeu$, 2025

A PIOR MU$ICA DO MUNDO

MORRA RICO //ou// MORRA TENTANDO
07MAY25

MUSIC VIDEO:
https://www.youtube.com/channel/UCdhUbtQsUr8S-RF0nz1PZTw

www.instagram.com/itsmarcioz/
twitter.com/marciozmusic
marcioz.bandcamp.com/

©jovemdeu$, 2025

PURO AÇÚCAR (AaaWwWwOOOooOoOoooOoo)

MORRA RICO //ou// MORRA TENTANDO

VIDA DE UM JOVEM TREPEIRO (ft. Hans Arsen)

ELLA $E INVOLVE

TRÊS $EGUNDO (TOMA NA XERECA)

QUE DEU$ ABENÇOE O INCEL PARDO (O GRANDE FILHO DA PUTA)

Amor em Contratempo

MULATO TRAGIDY out now! - https://smarturl.it/MULATOTRAGIDY

Watch Out! Black God I$ In Town out now
- http://smarturl.it/marcioz_watchout

Follow Marcioz -
Facebook: bit.ly/marcioz_fb
Twitter: bit.ly/marcioz_tw
Instagram: bit.ly/marcioz_ig
Spotify: https://spoti.fi/2MaderD
Apple Music: bit.ly/marcioz_am

Watch Out! Black God I$ In Town

$tream

'HALENKIND' out now - http://smarturl.it/HALENKIND
'MULATO TRAGIDY out now! - https://smarturl.it/MULATOTRAGIDY

Follow Marcioz - 
Facebook: bit.ly/marcioz_fb
Twitter: bit.ly/marcioz_tw
Instagram: bit.ly/marcioz_ig
Spotify: spoti.fi/2MaderD
Apple Music: bit.ly/marcioz_am

excerpt from my ep 'mulato tragidy'. thought it would be cool to have this one on soundcloud aswell. the rest of the project is avaible on spotify and others

MULATO TRAGIDY

My First Time Dying ($hristal, $hristal Eye...)

https://marcioz.bandcamp.com/track/white-colonial-product-mistura-das-guas

WHITE COLONIAL PRODUCT & MESCLA DAS ÁGUAS

WHITE COLONIAL PRODUCT & MISTURA DAS ÁGUAS

Track 03 of DE/COLONIAL WRITING$

Buy it on bandcamp
https://marcioz.bandcamp.com/album/de-colonial-writing

Spotify:
https://open.spotify.com/album/6ETycekvDjSbFQFyDJErJC

Everywhere:
https://smarturl.it/DECOLONIALWRITINGS

'DE/COLONIAL WRITING$' takes influences from samba, flamenco, trap and industrial music to develop a new possibility for the brazilian music pallete. Growing up in Curitiba, Marcioz was immersed in samba carnival bands since a kid, playing repinique, surdo and other typical instruments present in afrobrazilian music. That same origin makes key difference to define DE/COLONIAL WRITING$ as a sound wishing to imagine electronic music from the colonial period in Brazil. The project doesn't try to solve any of the worlds issues, simply accepting its uncapabilities, it rather wants to cause thought, imagination and creativity from the listener.

'HINO DO CABELO RUIM' tries to gather all the self-hate and trauma imposed over Marcio's hair into one track essay. 'SHOWYOUTHI$* (Cityismine)' wants to take an aggressive angle view over Curitiba's streets and blocks. 'Shut the Fuck Up Please' is a short one instrument ambient piece willing to musically imagine the sound of overlong discourse.

This EP is dedicated to Marcia Regina, who passed away a couple of months ago. Mother of Marcio and Henry

coverart from Osório Belém - Mãe Maria (1945)

instagram:
https://www.instagram.com/itsmarcioz/

twitter:
https://twitter.com/marciozmusic

DE/COLONIAL WRITTING$

shut the fuck up please

Track 01 of DE/COLONIAL WRITING$

Buy it on bandcamp
https://marcioz.bandcamp.com/album/de-colonial-writing

Spotify:
https://open.spotify.com/album/6ETycekvDjSbFQFyDJErJC

Everywhere:
https://smarturl.it/DECOLONIALWRITINGS

'DE/COLONIAL WRITING$' takes influences from samba, flamenco, trap and industrial music to develop a new possibility for the brazilian music pallete. Growing up in Curitiba, Marcioz was immersed in samba carnival bands since a kid, playing repinique, surdo and other typical instruments present in afrobrazilian music. That same origin makes key difference to define DE/COLONIAL WRITING$ as a sound wishing to imagine electronic music from the colonial period in Brazil. The project doesn't try to solve any of the worlds issues, simply accepting its uncapabilities, it rather wants to cause thought, imagination and creativity from the listener.

'HINO DO CABELO RUIM' tries to gather all the self-hate and trauma imposed over Marcio's hair into one track essay. 'SHOWYOUTHI$* (Cityismine)' wants to take an aggressive angle view over Curitiba's streets and blocks. 'Shut the Fuck Up Please' is a short one instrument ambient piece willing to musically imagine the sound of overlong discourse.

This EP is dedicated to Marcia Regina, who passed away a couple of months ago. Mother of Marcio and Henry

coverart from Osório Belém - Mãe Maria (1945)

instagram:
https://www.instagram.com/itsmarcioz/

twitter:
https://twitter.com/marciozmusic

DE/COLONIAL WRITING$

HINO DO CABELO RUIM

Track 02 of DE/COLONIAL WRITING$

Buy it on bandcamp
https://marcioz.bandcamp.com/album/de-colonial-writing

Spotify:
https://open.spotify.com/album/6ETycekvDjSbFQFyDJErJC

Everywhere:
https://smarturl.it/DECOLONIALWRITINGS

'DE/COLONIAL WRITING$' takes influences from samba, flamenco, trap and industrial music to develop a new possibility for the brazilian music pallete. Growing up in Curitiba, Marcioz was immersed in samba carnival bands since a kid, playing repinique, surdo and other typical instruments present in afrobrazilian music. That same origin makes key difference to define DE/COLONIAL WRITING$ as a sound wishing to imagine electronic music from the colonial period in Brazil. The project doesn't try to solve any of the worlds issues, simply accepting its uncapabilities, it rather wants to cause thought, imagination and creativity from the listener.

'HINO DO CABELO RUIM' tries to gather all the self-hate and trauma imposed over Marcio's hair into one track essay. 'SHOWYOUTHI$* (Cityismine)' wants to take an aggressive angle view over Curitiba's streets and blocks. 'Shut the Fuck Up Please' is a short one instrument ambient piece willing to musically imagine the sound of overlong discourse.

This EP is dedicated to Marcia Regina, who passed away a couple of months ago. Mother of Marcio and Henry

coverart from Osório Belém - Mãe Maria (1945)

instagram:
https://www.instagram.com/itsmarcioz/

twitter:
https://twitter.com/marciozmusic

SHOWYOUTHI$* (Cityismine)

Art from Lygia Pape - Untitled (series Tecelares) (1957)

Gesellscharft - TheButcherBoyOldLadyAndTheDevil [2020]
Benard Parmegiani - De Natura Sonorum Induites [1978]
Hugh Le Caine - Dripsody [1955]
Beatriz Ferreyra - Echos [1978]
Robert Ashley - The Airline Ticket Counter (Sc. 5) [1985]
Ryoji Ikeda - Data.Hypercomplex [2005]
Anthony Braxton - N-WH-70 (Opus 38A) [1974]
Ursula Bogner - Metazoon [2018 Remaster]
SUGAI_KEN_meets_G禁禁禁禁_煮凝りヶ沼_Nikogoriganuma_煮凝りヶ沼_Nikogoriganuma [2020]
Caetano Veloso - De Palavra Em Palavra [1973]
Beatriz Ferreyra - L'autre ... Ou Le Chant Des Marecages [1978]
Zap do EAE COQUINHA [?]
 Rosinha de Valença - Consolação [Ao vivo 1966]
Lucrecia Dalt - No era sólida [2020]
Zap do Todo mundo é noia [?]
Victor Gama - O Pescador De Sonhos [2000]
Vessel - Torno-me eles e nau-e (For Remedios) [2019]
Max Roach - The Drum Also Waltzes  [1966]
Asko Ensemble - Les espaces acoustiques_ III. Partiels [1974]
Jocy de Oliveira - Solaris [1988]
Risaie - Zalla [1971]
Simon Diaz - Turpialito [1978]

MARCIOZ

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