Continuità di Prospettive, for space-processed voice on spherical technology, arises from considerations regarding the possibility of a new musical theatre, in relation to the voice, the electronic gesture and the interaction between space and acoustic instrument mediated by computer. In the space of a sphere, the voice, recorded with spherical technology in an acoustically treated environment, follows tight bonds of frequency, rhythmic and spatial relationships. In the iterated reproduction process, it is decomposed into its spatial spherical harmonics components and, through a phase filtering process, the fundamental omnidirectional spatial spherical harmonics component is what remains. The voice, which initially has differences in amplitude and phase, enters in relationship with the acoustic space adapting to this, through arcs of circumference that reflect the physical gesture of the singer. The spatial movements, which depend on space, are therefore no longer only an expressive medium, but it becomes the purpose. And the end.

Continuità Di Prospettive (Binaural version)

3 Studi sul problema dello stare
for soprano on tetrahedral support and room-dependent process
Soprano: Giulia Zaniboni

3 Studi sul problema dello stare

Campi Instabili,
for synthetic waves, 2023
Premiere: Roma, Teatro Studio Borgogna, 23/09/24
Sound designer: Giuseppe Silvi

Marco Matteo Markidis

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