꿈_Just a dream

credit
songwriting_duffy
lyric making_Godiva, duffy
guitar_ Oing
bass_ 이해성
drum_심재광
keybord_Godiva

I LIKE THAT!_Team Duffy

얇고길게_LOVE IS

Modéré: Mystérieux, concentré

According to Scriabin's biographer, Faubion Bowers, “The Sixth Sonata is a netherstar. Its dark and evil aspect embraces horror, terror, and the omnipresent Unknown. ‘Only my music expresses the inexpressible,’ Scriabin boasted, and called the Sixth’s sweet and harsh harmonies, “nightmarish… fuliginous… murky… dark and hidden… unclean… mischievous.’ When he played excerpts for friends, he would stare off in the distance away from the piano, as if watching effluvium rise from the floor and walls around him. He seemed frightened and sometimes shuddered.”

It is one of a few pieces Scriabin never played in public, because he felt it was "nightmarish, murky, unclean and mischievous". He often started shuddering after playing a few measures for other people.

Alexander Skrjabin -  Sonata No.6

This work is a modest offering in response to the death of a great musical and spiritual presence. Messiaen was a protospectralist, that is to say, he was fascinated by the colours of the harmonic series and its distortions, and found therein a prismatic play of light. The tape part of my work is composed of piano sounds entirely tuned to harmonic series - twelve of them, one for each class of pitch. The ‘tempered’ live piano joins and distorts these series, never entirely belonging, never entirely separate. Tombeau de Messiaen was written for Philip Mead (who commissioned it with funds provided in part by Eastern Arts) and dedicated to him and to Jake Harvey Tavener who was born ten hours before Tombeau was finished. Sound projection by the composer (https://www.fabermusic.com/music/tombeau-de-messiaen-2276)

Jonathan Harvey - Le Tombeau De Messiaen

Macarena Rosmanich (*1981): A Sky Of Thousand Windows for ensemble (2021)

«Mimma’amaqim» (Out of the depths)

Premiere: Stadtcasino Basel – Musiksaal, January 25, 2024
10th Mizmorim Chamber Music Festival Basel
Lucerne Festival Contemporary Orchestra (LFCO)
Basler Madrigalisten
Tito Ceccherini, conductor
Recorded by SRF (Schweizer Radio und Fernsehen)

This Psalm is a cry, a call out for help, for being heard by God.
It is often described as a canticle of gradual ascent (Shir Hama’a lot). This ascent could be understood as a rise from the abyss to redemption.
I believe this Psalm could resonate with many, even non-believers, as it shows a universal and tragic part of human life and human nature. That is the experience of grief, depression, abuse, solitude or simply being in a place so dark that leads to despair.
But it also sends a message of light, optimism, and hope, through the conviction that one will be heard.
Even inf it comes from the Hebrew tradition it shows universal values that can be embraced by many cultures and promote tolerance and acceptance. In fact, this psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies.
In this sense, during the piece the text follows a chronological use and adaptation throughout the Judaism and the different versions of Christianism: Latin: 530, Rule of Saint Benedict; German: Martin Luther Hymns, 1524, al and eventually the English: King James Version from 1610

Miamma'amaqim

we stayed up all night then watched the sunrise from her window

tracklist:

ur touch (affelaye rmx) - robokid
contempt - aywy x ekali
girl - cleindl 
must be - cat magic
roses are dead - josh pan
promise - chiara x skye chai
vulenerable (sango rmx) - tinashe
body gold(delusion rmx) - oh wonder
solitude (condukta remx) - drew hill
unfold - alina baraz x galimatias 
stay on my cool - stwo x jay prince
breathe in (hanami rmx) - japanese wallpaper x wafia
tunnels and planes - nick leng
traffic lights - pools
i've never felt so good - mura masa

Jonathan Harvey - Le Tombeau De Messiaen

Marco Ramaglia

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