Name: Niebla by (Miedo a los lunes) in MUSIC FOR HOME :: ambient • neo-classical • electronic ::
Duration: 3 min 21 s
Description: Un montón de mariqueras que he escrito ultimamente.

POV: Lights on. Door closed. Welcome home お帰りなさい~ A fine selection by mu-nest label on calming Ambient, Neo-Classical and Melodic Electronic that reflect the moods and feelings of our time at home. Delicately hand-picked and updated regularly.

MUSIC FOR HOME :: ambient • neo-classical • electronic ::

[ Also listen in our popular Spotify playlist MUSIC FOR HOME: https://urlgeni.us/spotify/musicforhome ]

“As I sit here
Waiting and wanting
Surrounded by the ambient blur of the city lights
Waiting at a stop sign
Wanting to go beyond.”


It is exactly this longing to go beyond, beyond the solitary musical journey, that brought these two very gifted artists from Kyoto to cross each other’s’ paths. Marihiko Hara and Masumi Muranaka (Polar M), the 2 seasoned musicians from Kyoto, after 10 years of admiring each other works, decided to take on a voyage together, and sailed beyond the charted territories of their music. And thus, the beautiful result from this wonderful voyage - a special collaboration album entitled “Beyond”, was born.

In this album, both artists went beyond their own borders, over their perceived views, across existing ideas and ways of thinking, to allow their emotions to flow freely in the music making process. As a result, Marihiko, with his gorgeous piano touches, and Masumi, with his heart-felt guitars, jointly crafted the 10 delicate, and breath-takingly beautiful music pieces.

Traces of elegant post-classical, sweet-sounding folktronica, dreamy ambient, and even blue-ish jazz, can be found in this sound-rich album, with all elements masterfully blended together to create an exquisite music listening experience. Piano melodies that drifted in like fireflies at night, layers of guitars that painted the backdrop soundscapes, drips of tiny electronics, spaces between the notes…. The exquisiteness in music that created by Marihiko and Masumi’s wonderful talents are simply beyond words.

Mia Cabalfin, the renowned contemporary dancer from Philippines, who befriended the artists when they composed the music for her residency performance in Kyoto in 2012, lent her beautiful voice in spoken words for 3 amazing tracks. The album is mastered by Tokyo’s renowned musician and sound engineer, Chihei Hatakeyama, and features photos by prominent Japanese photographer Marisa Shimamoto, and designs by Itsuka Sato of sonihouse.

http://www.mu-nest.com/release-info.php?f=mnc014

Dream Bird / Marihiko Hara & Polar M

ig: @lalomood

Lyrics:

(I hate u lalo)
Fumando te vi en el cielo
las nubes me dieron la noticia
días de sol pero no escampó, wo! un mensaje de voz
estaba esperándolo desde hace tiempo
realmente siento que a ti no te interesa
es la ventaja de que no pare el tiempo
es la ventana que al destino le pesa
y tu pelo refleja el azul
es normal estar celoso del viento?
pero que más da si ya no estás tu
no caben más pensamientos en mi cabeza
y exprésame si es que tal vez tu me concederás esta pieza
soñé otra vez, volví a perder
y es que los pensamientos y el vino no pegan
un tabaco para olvidarte
2 pilis y ya he entrado en crisis
3 razones para dejarte
la vida la puso difícil...

(,,.,,,,,?,,,)

love, love, love, love
me dijeron money over bitch*s
pero contigo no le hice caso
reposaste tu hombro en mi brazo y todo dió vueltas tan místicamente
estadisticamente 5 de 10 se quedarón dementes
y mi mente dice mejor vete
mi corazón se entromete
la última palabra que te dediqué
la plasmé en el libro de papel
en origami y yo lo quemé
estás nubes rojas no me dejan ver
están alojadas dentro de mi ser
estás enojada y yo no sé por qué?
la comunicación te falló otra vez
a la luz de la luna di el salto de fé
y ahora sabes qué?, no vuelvo otra vez
por eso es que te doy la carta formal
hace frío por eso el esquimal
no me fío por eso el ski mask
y perdona si soy imprudente
y que triste que ya empecé a entenderte
empecé entenderme y ya he dejado de atenderte
y ya no le he echado la culpa a la suerte
el quita y pon es cínico
tan fugaz como un cuarto de blunt desapareció
no tenía receta para el tramadol pero lo consiguió
coincidió con el dolor del cora y de ahí se aferró
olor de febrero
tus besos se asemejaban al ferrero
una nota distinta descrita con lapicero
ni la KGB te logra descifrar
ni yo que fui el que llegó de primero
y he quedado como el peor embustero
y cómo te odio si a ti yo te quiero?
y cómo te quiero si a ti no te veo? y tus palabras solo me dan desvelo
una vez me imaginé un tu y yo enfrentando el mar
y una vez que ilucioné con algo que sabía que no iba a pasar
y así he perdido interés
así tu parezcas de pinterest
la peor droga en la que me pude envolver
y tu eres plug ahora me detesto

los monstruos no existen

Los monstruos no existen...

"Boy 1 EP" by Akitsugu Fukushima

- Embrace the ethereal realm of electronic music with "Boy 1 EP," a mesmerizing creation by the Japanese musical prodigy, Akitsugu Fukushima, featuring vocals by an AI songstress.

- From the mind of Akitsugu Fukushima, the maestro behind modern Hong Kong cinema scores, comes the globally accessible "Boy 1 EP," a symphony of dreams in electronic soundscapes.

- Experience the pulsating journey of adolescence as envisioned by Japanese musical virtuoso Akitsugu Fukushima, who melds electronic beats into a cinematic, post-classical narrative.

Heralding a new era of electronic music genius, Akitsugu Fukushima (also known as Aki) hails from Japan. He's composed scores for numerous contemporary Hong Kong films, including the critically acclaimed "Youth," "Madalena," and "Our Eighteen," - which received nominations at the 58th Golden Horse Awards. His compositions have also been featured as official soundtracks for promotional videos at the Taiwan Golden Horse Awards and Golden Horse Film Festival (2020/2021). 

Notably, Aki's musical prowess has earned recognition from renowned Icelandic musician Ólafur Arnalds, who selected him as one of the winners at his music workshop. Aki's delicate yet vivid compositions breathe life into films, resonating within their frames. In Japan, he's also gained prominence for composing and arranging music for J-Pop artists, including Aimer, known for her songs in anime like "Demon Slayer" and "Chainsaw Man".

Within Aki's creative reservoir lies a tale—an enchanting odyssey of a boy's journey into adulthood, meticulously crafted into the forthcoming mini-album, "Boy 1 EP." Laden with rich Japanese Indie Electronic vibes, this album is a testament to Aki's artistry.

"Hero," the lead single preceding the EP, portrays a young boy idolizing television heroes, until one summer day in the garden, he inadvertently assumes the role of his inner champion, embodying a sense of purpose. "Hero" mirrors the innocence of a prince, unaware of his fictional surroundings, yet resilient in the face of harsh realities, his spirit brimming with hope.

Following suit, "Asobi" (Play) boasts minimalist electronic beats that beckon bodies to sway, accompanied by crystalline piano and strings, showcasing Aki's enchanting electronic allure.

The third track, "Kioku" (Memory), is a poignant masterpiece—its intricate Downtempo electronic textures intertwined with the graceful notes of a guitar, whispering tenderly in your ears.

Closing the album is "Suimen" (Water Surface), where a dreamlike female voice, created through cutting-edge AI technology, enchants listeners with its ethereal quality, casting a surreal aura over this captivating mini-album.

The mastering of "Boy 1 EP" journeyed to Japan, under the expert hands of renowned musician Kashiwa Daisuke, known for his contributions to Shinkai Makoto's film scores and his role as a judge at the Taiwan Golden Melody Awards. With Daisuke's expertise, the album not only elevates in sound quality but also flows seamlessly from start to finish. Adorning the album cover is a serene portrait of a boy, delicately illustrated by Macau-based artist Xiao Yu, infusing the release with spiritual grace.

"Boy 1 EP" marks a new chapter in Aki's musical journey, now available globally on all major music streaming platforms. Immerse yourself in the enchanting world of his dreamlike musical allure.

Kioku / Akitsugu Fukushima 褔島章嗣

prodby. Moshimosh!˘͈ᵕ˘͈
mix n master. me˘ᗜ˘

Lyricꕤ

Que fue tu mente la que todo lo jodió
Por es- por es- por eso ya no confío en el amor
Una tras otra, tras otra idealización
Y yo que traigo mi mente al borde de la disociación
Siento que ya no combino en esta civilización
Si quieres irte conmigo activa la imaginación

Que yo muero por ti
Dime si lo harías por mi
Caminando en este infierno no se donde voy a ir
Tu sabes que eres pa’ mi
No sé que tanto diferís
El referí me dio la razón de lo que a vos te referís
Baby u listen me?
Ya no quiero estar aquí
Y se nos acaba el tiempo, ya no te puedo conseguir
Y..
Quiero dejarlo así 
Y…
Tu qué pensabas de mi?
Toy matando los demonios que tengo dentro de mi

Pe- pero te vi, por ahí 
En las calles de Madrid
Y pensé será que lo intento o mejor lo dejo así?
No hay tiempo para los lamentos ahora me siento Finn
Es hora de aventurarme a ver que es lo que siento por ti
Y estoy quemando a las once
Todas las onzas
Y me desconozco
Quizás así me conozcas
Y créeme que a mi no me importa estar con otra
En tus ojos lo noto
Que eso a ti si te importa

Pero fue tu mente la que todo lo jodió
Por es- por es- por eso ya no confío en el amor
Una tras otra idealización
Y siento que no soy parte de esta civilización
Si quieres nos vamos los dos
Necesito escuchar tu voz
Estoy cansado de pa’ escucharla usar la imaginación
Al punto de disociación
Estoy armando un final boss
Y será este nuestro final o solo una nueva estación?.

idealization

No hay traducción

NORIA観覧車

Un montón de mariqueras que he escrito ultimamente.

Niebla

In the Wind

The Mercy of the Wind

Two years have been passed since Dae Kim’s debut effort, "Solace", was released. In need of diversion, he drew attention to circumstances that was unusual to his forte, ranging from producing for singer-songwriters to several yet to be released projects. The exploration, in which allowed him to diversify and improve his compositional ability and musicianship that obeys electro-acoustic driven solo efforts, ended with Dae’s latest single, Clemency (Memoir Music label). To embellish his carefully curated discography, he returns with the latest EP entitled, “Redemption”.

To quote Dae, “Three months of grieve and isolation has gifted me with three beautiful songs. They were two years more mature and wiser than my debut album. A work that held its obedience to the writer’s instinct holds honesty, that is incomparable. I proudly present the EP with full ride and confidence, and that there are nothing more to change and polish. I won’t touch even a single note”.

This EP was mastered by Tokyo renowned mastering engineer / recording artist Chihei Hatakeyama.

Redemption

Save the EP >HERE<

Reductive Ruins / Dae Kim

mü-nest, where our daily music nests.
[ mü-nest（ミューネスト）が丁寧に作り上げたストレス解消プレイリスト。「聴く」をクリックして自宅で快適な音楽空間を作ろう。Check out our popular Spotify playlist 𝗠𝗨𝗦𝗜𝗖 𝗙𝗢𝗥 𝗛𝗢𝗠𝗘: https://urlgeni.us/spotify/musicforhome ]

Niebla

(Miedo a los lunes)

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