Defently one of my absolute favs. - more ...more  MORE... !!!!!!

track of the year. this this so sick, wtf, who made this? fuck u. u are from 8 planet

i want to buy this track.  this is sick. very very sick. i hope  you understand all what a track it is....

Una Pasada.. used in ltj bukem bbc radio Dance Present Drum&Bass Arena . min 13....

Still come back to this one years later, amazing track!

Donato Dozzy - Gol

Boss Fight

Ostati

Sallow Myth

Percolating Acid from Dripping Acid. Dripping Acid is a series of 6 separate 12"s.
Digital is also available on Bandcamp.

Percolating Acid

More info: https://www.youtube.com/watch?v=wovUXXfmVBU

Vril - Untitled [Giegling]

It's been four years since Efdemin last released a full-length, but the Berlin techno mainstay is set to return on April 13 with Naïf, a hybrid album/mix CD. The record features 29 tracks of previously unreleased music from both Efdemin and a bevy of collaborators (e.g. Marco Shuttle, Gunnar Haslam, Steve Bicknell), and ahead of the LP's arrival we debuted the hypnotic melodies of "Love" on Red Bull Radio's First Floor, our weekly look at what's new in electronic music.

@efdemin
@curlerec
http://redbullradio.com/shows/first-floor-shawn-reynaldo
http://redbullmusicacademy.com

Naïf

Efdemin "Love" [First Floor Premiere]

Tresor Records are pleased to present S_W_Z_K, the new project from David Brown aka Swayzak. Whilst the name remains identifiable, S_W_Z_K presents a clear departure from his work with James Taylor who recently left the legendary production duo. Taking cues from the outfit’s heavier live material, Brown — with the sporadic help of long time collaborator and friend Richard Davis — steers S_W_Z_K into deep and spacious techno on this eponymous debut album.

	Before taking different paths in July last year, Taylor and Brown had been producing together since 1997. A union that spawned five studio albums, two high profile DJ comps and stack of genre-spanning EPs, Swayzak became one of the leading figures of !K7 Records, as well as appearing on labels like Force Tracks, M_nus and of course, their own Swayzak Recordings and 240 Volts. But it’s their legacy as a formidable live act that lays the groundwork for Brown’s new direction as S_W_Z_K, turning the pair's chaotic, experimental and textural live aesthetic into a recorded signature that’s energetic, raw and unrestrained.

“The project was to make sonically powerful music that would work in clubs without necessarily making "club music". The tracks are very minimal in the sense that no more than ten sounds were used, giving each track space to breathe.” comments Brown.

	S_W_Z_K is an Intelligent Dance album with Berlin sensibilities. It balances the more pensive, introverted Warp moments like “Elsenstr. 171” and progressive closer “End of the Line Old Boy” with plenty of floor friendly cuts. From the shimmering Basic Channel-hailing opener “31 Techniques” the album plunges into steelier, hydraulic recesses with “Dimanche Noir” before Artificial Intelligence and the Tresor basement collide in “Neukölln Mon Amour”. The remainder of the album continues to reinvent itself, working over a restricted sound pallet and yet culminating in a diverse, rich and intriguing long player. 

S_W_Z_K deftly showcases Brown’s 20 years of electronic craftsmanship, with tracks like the morphing “Marianne F” and multi-tiered “The Last Drop” flaunting a particularly inventive approach to sound design. It’s a stunning juncture in an already prolific and venerable career, and one Tresor Records look forward to fostering in the future.

01. S_W_Z_K - 31 Techniques

01. Madder Modes - Box It Ken - John Osborn Remix - DRED006

Stroboscopic Artefacts returns with another strong addition to its Totem series, a unique set of releases pressed on transparent 10” vinyl, capturing the essence and effusiveness of multidimensionality of club culture. Bridging the gap between the worlds of sound and material objects, Totem is a series that aims to meld the artistic resonance of each forthcoming release into an emblematic representation of the sounds that are to be presented, clearly within the grooves seen and heard on the 10”. Stepping up for the third release in the series is Berlin legend Efdemin — bringing a three-track journey that is unequivocally enduring and flexible for journeys on-and-off the dancefloor.

While each track shares the same title, the textures and traits are different — with the A1, “Circles” setting things up with pertinent percussion and staccato synth lines; as Efdemin sways towards another side with “Left” — a heady, hedonistic thumper with exuberant melodic bursts; followed by a therapeutic sequel with “Right” — closing out the release with a melange of spacious efficacy, something the Berlin-based producer has been known for throughout his near-two-decade career. Between releasing for the likes of Ostgut Ton, Curle, Dial, and his own imprint Naïf; Efdemin takes on the challenge of Totem’s conceptual subjugation and subverts it with his emotionally honest take on a stimulating and subdural sonic experience within three parts. Narratively dense and expertly-paced, the Totem series carries on with another outer-worldly insertion to its catalog. 

All tracks (w)&(p) by Phillip Sollmann
Graphic concept by Ignazio Mortellaro [OA]
℗ & © Stroboscopic Artefacts 2018
Cat. No SATOTEM003 – all rights reserved
www.stroboscopicartefacts.com
info@stroboscopicartefacts.com

Pre-order

A1 - Efdemin - Wrong Movements (Circles) [SATOTEM003]

a 2018 classic fallen through the cracks

https://mutualdreaming.bandcamp.com/track/joey

The Vox Attitude

Marco Shuttle

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