Mastering audio by considering music material of Vito Arpino, a self taught composer with twenty years of experience - an artist with the influence of the emerging Techno scene of Detroit and its European derivates. The genre of the tracks is  'left-field electronic' and the tracks are part of "Accidentally Asked Questions', the  first solo/concept album of the artist.

Vito Arpino / Stalker Valzer (Wunderkammer Recordings)- MB Mastering

Mastering audio by considering music material of Vito Arpino, a self taught composer with twenty years of experience - an artist with the influence of the emerging Techno scene of Detroit and its European derivates. The genre of the tracks is 'left-field electronic' and the tracks are part of "Accidentally Asked Questions', the first solo/concept album of the artist.

Vito Arpino / Like I Am (Wunderkammer Recordings) MB Mastering

Pre-Masters of audio material produced by Antonio Colantuoni aka Tboy. Three songs characterised by a raw refreshing commercial sound that lies in the melodies of bands like Eurhythmics and Nirvana through to early drum n'bass and UK garage.

Tboy / Sentimental - Part of me - Move (Suruba029) MB Pre-Masters

Tom Gillieron - Lost In Prague (Nightphunk Rec.)MB Mastering

Proper Kiss / Marco Baldassarre Ft Iana, Little P (cK family Records)

Something4 / Splashfunk (Godiva Records) MB Mastering

On The Water / the Lysergics (Clostridium Records) MB Mastering / Vinyl cut

Head In My Hands / The Lysergics / MB Mastering

My Dark Blue Warehouse_ OCT_ 2018

I am passionate about working in the music industry.  I have been working in the industry for the last 10 years.  In 2004 I started djing, starting with doing club promotions and gigs and ending up doing my sound engineering job.
I have graduated from London College of Music with First-Class Honours in the year 2013. Through my degree course, I have been able to develop my interest in audio mastering. I find it especially interesting how the hearing acuity brings great value to a project and how issues related to mix down are best resolved. Also because mastering is then the last-chance saloon for getting everything right before the general public hears the latest magnum opus. 

I have knowledge in operating, configuring and setting-up a diverse range of complex professional sound reinforcement equipment, including standard industry workstations (Avid Pro tools, Logic Pro and Ableton Live), DSP and line arrays, with the ability to rapidly adapt when faced with unknown hardware. 
I have an extensive background in various areas of audio, which includes freelance mixing and mastering engineering, engineering and mixing work in a recording studio (Unit 8 Studios, London), live sound and sound recording and post production for short movies. 
I was employed as service member at Stage Miracles Company as a crew , where I was responsible for providing a complete range of services of live entertainment and corporate presentations industries; experiences with back line, PA, staging up to 60 team members.

When embarking on a new project, I like to understand the intent of the client, how to read people, and how to communicate with them. I always strive to provide the best result and through continued communication with every client I ensure that they receive the result they desire. I work hard and remain effective under pressure; I have consistently achieved all deadlines set and take care to ensure that I plan ahead and prioritise my workload.


MarcoBaldassarre SoundEng