Name: Floating by Marco Bresci in Piano & Neoclassical
Duration: 2 min 22 s
Description: You can not use any of this music without permission

I like your sparing and careful use of material.

Very emotional piece, sounds touching. Well donen

Special piece, I like it for the inner feelings expressed !!!  Deeper Thoughts Beyond What Others May Think!

You can not use any of this music without permission

Piano & Neoclassical

--- solaric psychalovic indie rock song for lovers and survivors :)---

Don't miss the music video:
https://www.youtube.com/watch?v=6f5CdoW0qBI

Words And Music By René Methner, 
Recorded and Produced by Para Lia, Mix By Para Lia With Thommy Hein, Mastered By Thommy Hein in the Thommy Hein Tonstudios Berlin. 
Cover Artwork: Georgia Moschogianni (@tzo-moschogianni)

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saw you stumble along on an empty field
jumping over all the black holes of pandemic fears
filled with the collateral damage
no empty gaps
it’s not easy to find a direction
when the world turns mad
when the whole world turns mad

don’t give yourself away
sunchild
don’t surrender to these days
sunchild

the moment you see the horizon it starts to slip away
get your head up into the stars to light your way
saw you stumble along on an empty field
chased by pandemic rabbits
but you were better in hitting the hook
so it seems

don’t give yourself away
sunchild
don’t surrender to these days
sunchild

Sunchild

I received 5 WAV files from my dear senior, xian3.
 "I wanted a vocal track." I also wanted to know how xian3 makes music.
 Mr. xian3 gave me two phrases with vocals and electric bass, and two sound effects with a mysterious bell.
 The supplementary notes read, "Please bend your intuition as you see fit..." "After trial and error, if you feel that this fits your ears, you may be on the path of inquiry." .
 "When it finishes singing, it takes on a life of its own and leaves me..." was written.
 I obsessively bent the vocals, chopped the bass, scratched the sound of the bell, and made it all by trusting my own instincts.
 This is the birth of my first song with vocals. I can't thank xian3 enough. I had a great time creating. thank you.
  I sincerely hope that there are people who like this song

Amekaze with xian3 (Collaboration) (249)

Contraptions

Transparency

Floating

Mid Day Sun (demo) M

Original Track by Phil Dutton & Les Corlett.

Lyrics...

I'll be the last one to know,
When the lights go out,
I've been living in the dark,
With my fear and doubts,
It doesn't really matter,
What offer you propose
Because every day is wasted,
As I slowly decompose.

We rise and we fall,
Then the rubber hits the road,
We drive overnight,
It's never easy so I'm told
And the song that is playing,
Takes me back to my youth,
At journeys end,
I'll stop and face the truth.

Oh somebody hold me,
I think I've lost it all
Won't somebody ask me,
Was it worth it all
Oh somebody take me
I think I've lost my way
Oh somebody kiss me
And make me live again

With all my days numbered
From the first until last
You'd think I'd had a ball
Well you'd think I'd had a blast
I drank all my tequila
My whisky and wine
To drown out all the noise
And passage of time

As my memories dim
In the cold light of day
I'll politely ask you
If I should have stayed
As I feel the earth shifting
Here beneath my feet
The drummers are marching
To the sound of a different beat

Oh somebody hold me
I think I've lost it all
Won't somebody ask me
Was it worth it all
Oh somebody take me
I think I've lost my way
Oh somebody kiss me
And make me live again

When the lights go out
Remember me
When the lights go out
Remember me
When the lights…

Melancholy Blue

When the Lights go Out

When The Lights Go Out

This is the second in the Departure series of experimental soundscapes that are inspired by a set of 13 poems (or 'cantos') written by Jo Richter a.k.a. Sonic Structures and Silent Stretches @sonic-structures. I was honored thatJo invited me to collaborate with him on this project, it has really helped to push me in some new creative directions.

This second track in the series, features field recordings from Zuunzug. He offers them up for download on this page: @zuunzug-field-recording under the Creative Commons license (CC BY 3.0) ... The ones I used are Save Beograd, Novi Sad, and Waves Over Seashells.  I think they add a lot of great atmospheric texture!

The poetry is copyright Jo Richter. I have only extracted a small sample of the original poem, so please read the full text below if you are interested in the original context for the spoken word, also read by Jo Richter.

And you can follow along with this project here. This playlist so far includes one other song (2 different versions) from me and Stonerjazz, based on Canto VI, but we intend to add more in the coming months:
https://soundcloud.com/sonic-textures/sets/departure-a-long-poem-in?si=670a7a3afd304067a20ddf0801653bd7&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Here is the full text of Departure - Canto II, the inspiration for this track:
(Copyright Jo Richter)

To allow for rest, you need to make sure
that you do not fall asleep right in
harm‘s way. You need to put your trust
in crude projections of the path and thrust
of entities and processes that do not cease
activity when your awareness takes its leave.
There are no guardian spirits to protect
you when consciousness bows out.

When – as a growing child who learns to use
his wits to regulate the forces that en-
compass him – he had to learn to abdicate
his mental skills, his reason and his
social prowess, just to give in to sleep,
he felt the force of dread that did
not hesitate to bring forth monsters from
the cracks that rooms and psyches offer.

Out foraging for all the goods that people,
parks and pastures proffer, he‘d often felt
assailed by sudden drowsiness that swept him
from the inside out into the open street
and very nearly drowned him in the gutter.
The force that urged him cannily to sidestep
reason, did not protect him from approaching cars,
as though it were an arbitrary arbiter of life.

It had been then, in dire need of shelter,
that he had stepped into the cool, comforting
splendour of the spire that reached into
what lays beyond. To master words, he
had been warned, will never do,
if you aspire to tame the threat of
letting go. I‘m here, he‘d said, to enter
a frame of mind, a larger self, a sphere of

actuality that never passes out, even in the
deepest state of slumber, trance or trauma,
even when the archetypes invade
my daily reasoning with brutal presence, as
they do. To master words, his muse replied
with her bemused DaVinci-grin, is quite
amusing, once you find the time to ponder
and to muse about the situation you are in.

Splendor Of The Spire (Departure Mix 2): inspired by Jo Richter's Canto II poem - full text in desc.

La Lumière

Recorded in Modesto, Ca.   Featuring Gibson 335 Electric Guitar solo. Harmonica solo. Slide Guitar solo. Fender Electric Bass. Roland Synthesizer Bass. Fender Rhodes Electric Piano Rhythm. Baritone Guitar Rhythm. Jaw Harp Rhythm. Clavinet Rhythm. Drums Full trap kit. Percussion 22" Zildjen Ride & Crash Cymbal. Cowbell.

Stomping Grounds

Stomp

Lingering Echoes – The City Centre
July 2023
Duration: 2:50
Fascinating sonic places that provoke lingering memories. 
Photo of downtown New York City  
Special thanks to John-Marc Ventimiglia @john-marc-ventimiglia for his highly valued musical input and for creating the “The City Centre ” sound library used to compose this piece.

The city centre, often busy and vibrant,  is the area of a city where commerce, entertainment, shopping, and political power are concentrated. The term is commonly used in many English-speaking countries and has direct equivalents in many other languages. However, noticeably, in the United States, the term "downtown" is commonly used to denote a city centre, and in Canada the terms "city centre" and "downtown" are used interchangeably. The first citation for "down town" or "downtown" dates to 1770, in reference to the center of Boston. Some have posited that the term "downtown" was coined in New York City, where it was in use by the 1830s to refer to the original town at the southern tip of the island of Manhattan. During the late 19th century, the term was gradually adopted by cities across the United States and Canada to refer to the historical core of the city, which was most often the same as the commercial heart of the city.  In many metropolitan areas, the city centre or downtown, is marked by a cluster of tall buildings, cultural institutions and the convergence of rail transit and bus lines. 

For soprano sax, tenor sax, baritone sax. oboe, heckelphone, clarinet, xylophone, marimba, piano, bassoon, contra bassoon, city sound samples and percussion.

Lingering Echoes - The City Centre

You can Not use any of this music without permission

Opposites

Waves

Wahlen

Die Auswahl

Stay

Improvised music produced entirely on the iOS platform using an iPad Pro.

Palestine

Marco Bresci is an Italian musician, composer, multi-instrumentalist, and electronic artist based in, Germany.
He specializes writing music for media. His style is characterized by a continuum between simple, soulful themes and defined electronic sequences with increasing momentum. His compositions draw on neoclassical, orchestral, and electronic music.

All the music here is available for licensing. Contact me if you have any requests.

Floating

Marco Bresci

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