US17

<3 to @machinedrum for giving me the stems to remix this one

@tanerelle
@theofficialmonopoly

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I'm fine, feelin' blue, nothin' new, all is dark but I still shine
Still shine
But my mind's in a mood 'cause the Moon calls me out in the night time
Still shine
Hold me, wait, I just need some space
To move around and find my place
So, I'ma move out my way
Hold me, wait, I just need some space
To move around and find my place
So, I'ma move out my
If we bend the time
Will it show me why I never let you in?
Will it show me why I never let you...?
Nothin' is left if we say it's right
The dark is a myth, there just isn't light
That's why I gotta shine
Will it show me why I never let you in?
That's why I gotta shine

Free Download

Machinedrum, Tanerélle & Mono/Poly - Star (IMANU Remix)

Arawak:Accadde A Bali

Truest expression of my musical soul, Riddimer combines rich percussions, epic synthesizers and moving wind melodies. 
Early versions of the track were gifted to close friends and the feedback were unanimous : each time the tune got played, someone in the crowd came to ask what it was. Or maybe it only happened a few times and the legend built itself...
I deeply hope this piece of music will give you spiritual comfort.

Riddimer

purple sky

Oh I love People on my side You open my heart Calling for my mind

People on my side

Four

Run-Around

Contrasts

Parabéns

Lihue

Oooh, Baby

An artist as imaginative and unique as Ana Mazzotti doesn’t come around often. Dubbed a “super-musician” by fellow Brazilian virtuoso Hermeto Pascoal, Mazzotti’s short but rich musical career culminated in just two studio albums: Ninguem Vai Me Segurar (1974), and Ana Mazzotti (1977). Outside circles of Brazilian funk aficionados, these two gems of spellbinding samba-jazz, lysergic funk and trippy bossa have remained relatively obscure. This was partly as a result of Mazzotti’s premature death (she lost her battle with cancer in her mid-thirties), but also due to financial restraints and the prejudice she faced as a female songwriter in a fundamentally sexist society.  

Born in Caixas, in Brazil’s Rio Grande do Sul municipality, Mazzotti began to play the accordion aged five, before moving with prodigious ease onto the piano. By the age of twelve she was already conducting her convent school’s choir, and at twenty-one she led her city’s premier chorus, the Coral Bento Goncalves. 	When rock and roll hit South America in the sixties, a young Mazzotti was one of the early adopters, fronting various guitar groups including an all female Beatles cover band, and an eclectic, eight-piece psychedelic group Desenvolvemento. Before moving to Sao Paulo to start her career proper, Mazzotti met drummer, producer and fellow music educator Romido Santos, who she would later marry. Romildo introduced Mazzotti to jazz, and music by the likes of Chick Corea and Hermeto Pascoal who she would later befriend and perform with.

In 1974 Mazzotti recorded her first album Ninguem Vai Me Segurar (1974), enlisting the in-demand arrangement talents of Azymuth’s original keyboard maestro Jose Roberto Bertrami who co-wrote several of the tracks and plays organ, piano and synthesizers on the album. It also features Azymuth’s bassist Alex Malheiros and percussionist Ariovaldo Contestini, with Romildo Santos who produced the album on drums. Recorded in Estudio Haway around the same time Azymuth recorded their debut album there, it’s no wonder the samba jazz-funk pioneer’s distinctive aesthetic is present throughout, and Mazzotti’s sensational compositions are made even more beautiful for it.

Kicking off with the swirling samba-jazz-dance masterpiece ‘Agora Ou Nunca Mais’, the album hosts several groove-heavy Brazilian cult-classics including ‘Roda Mundo’ and ‘Eu Sou Mais Eu’. Deeper moments come in the form of the alluring future soul synth sounds on ‘Bairro Negro’ and ‘Sou’, and Mazzotti’s tender, hallucinatory version of ‘Feel Like Making Love’ (made famous by Roberta Flack) perfectly reflecting the idiosyncratic genius Mazzotti achieved with Bertrami’s visionary arrangements, and Romildo’s impeccable production approach. 

Far Out Recordings is proud to present the official reissue of this cult favourite Brazilian treasure. Remastered and pressed to 180g vinyl, Ninguem Vai Me Segurar (1974) will be available on vinyl LP, CD and digitally from 13th September.

Vinyl / CD / Digi

Feel Like Making Love

Live track "Kyiv" taken from the album "What Kinda Music" which is out now on Beyond The Groove / Blue Note Records.

Song credits:

Recorded Live at DK Korolyova in Kyiv & Engineered at Unwound Studios by Syed Adam Jaffrey
Mixed by Syed Adam Jaffrey 
Guitar by Tom Misch
Drums by Yussef Dayes
Bass by Rocco Palladino
Written by Tom Misch, Rocco Palladino & Yussef Dayes

You can purchase and stream the album here:
http://whatkindamusic.com
https://whatkindamusicuk.lnk.to/whatkindamusicSo

You can listen to "Kyiv" on all platforms here:
https://whatkindamusic.lnk.to/kyiv

Follow Tom Misch:
Website http://smarturl.it/TomMischWebsite
Facebook http://smarturl.it/TomMischFB
Twitter http://smarturl.it/TomMischTwitter
Youtube http://smarturl.it/TomMischYoutube
Instagram http://smarturl.it/TomMischInstagram
Spotify http://smarturl.it/tommischspotify
Apple Music http://smarturl.it/tommischapplemusic

Follow Yussef Dayes:
https://www.instagram.com/yussefdayes/
https://www.facebook.com/yussefdayes
https://www.twitter.com/yussefdayes

What Kinda Music

Watch

Tom Misch & Yussef Dayes - Kyiv

Citizen - Edge Of The World

new remix for @gabriel-garzonmontano with @benesser 
Free Dowload: https://tinyurl.com/gabriel68
master by @andreieremin
artwork by @valentin-hansen

Parabéns

Marcos Valle

Recent comments

uniquee444

Sub Mania

Philip Corrie

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