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Ernest Stuart - "September In The Rain"

Prélude à Go Round

Cortex - L'enfant Samba

05 Plight Of A Dreamer (epilogue) [The Sylvers X Waking Life]

An album crafted with AI‑generated sound support, but featuring lyrics entirely written by a human author. La Stanza delle Onde pays homage to the golden era of Italian progressive rock in the 1970s — including its fondness for long, lavish band names (like Premiata Forneria Marconi or Banco del Mutuo Soccorso) — and the band name celebrates that tradition with a wink.
Harnessing classic sounds like Hammond organs, modular synths, flutes, odd time signatures, and intricate arrangements, the tracks explore identity, solitude, the passage of time, media distortion, and forsaken ideals.
This isn’t just nostalgia. It’s a new creation that looks back to better understand the now.

Collage 3.0

Louvação

Mancada

A Seat at the Table

Borderline (An Ode to Self Care) [feat. Q-Tip]

Chocolate City Groovin'

88 Ways to Love

Marcos Valle

Naturalmente

Samba de Verão

Fogo do Sol

When The Expansions self released their first single in 2013, the laid-back jazz funk of Lavender, it quickly gained strong support from soul and rare-groove aficionados including Kenny Dope, Dom Servini, Patrick Forge and Andy Smith. A run of shows followed and before long, when someone was asking if there was a soul-jazz band around to play with, “The Expansions” was the answer. 

Although this popularity meant a hiatus in releasing music, the band have been constantly busy, playing around Europe with legendary British-Ghanaian soul singer, Andrew Ashong and the exceptional, upcoming talent Connie Constance. 

There has also been a breakout project from drummer Jonny Drop - the album Sub Plot gained massive support and love from BBC Radio 6 Music’s Lauren Laverne. While keys-man Dave Koor has been busy playing shows with Gilles Peterson favourite Hector Plimmer, Shaun Escoffery, and Ego Ella May, improvising with Yussef Dayes (Yussef Kamaal) and Nubya Garcia, releasing music as Deoke and collaborating with label-mate Scrimshire on their Modified Man exploration. 

But always, The Expansions has remained a central focus and the true home of these four jazz and soul lovers, with occasional trips out to the country to form ideas and practice new music for the eventual album. 

Murmuration, recorded over three days at Big Noise in Southend, is constructed of single takes, with minimal overdubs, as the band attempt to capture the feeling and energy they create live. 

Debut single Breakthrough introduced the insanely catchy but deeply soulful blend of synths and groove, but here on the album that is explored to the fullest with longer breakdowns and more expansive, experimental solos. Pocket 5 displays the, possibly unexpected, influences of broken beat and almost combative rhythm playing – particularly in the complex guitar and keys breakdown where Koor and O’Keefe layer conflicting time signatures and battle to ride it out to the heavy drum return. 

Cannonball brings warm mellowness that delicately evolves through beats, touching on bossas alongside their fundamental hip-hop sensibilities. But even here there is a raucous zenith before the band sublimely recede into the silence of the a-side ending. 

Colossal album highlight Ivory Mountain is truly an epic. Evoking moments of 4Hero, there is a lightness of groove in the first half of this soulful exploration. But at the halfway point, all restraint is let go as a live string section joins the four quarters of the band for three glorious minutes of soulful disco. Evoking sounds of Quincy Jones, George Benson and Johnny Hammond, all the way through to a beautifully cacophonous finale. 

Dragonfly undoubtedly reflects on the work of Herbie Hancock and is the most direct throwback to the band’s earlier work, which is a welcome marker of how far they have come. A quintessential jazz funker. 

The album closes with the thoughtful and introverted shuffle of Miles Away. In the final eight minutes of Murmuration, The Expansions allow space and time to take precedence, with once-more-restrained peaks and developments. It becomes clear though, that the band cannot resist one last explosive finale, as they rise with screeching synths, strings and dubs for a perfect race to the finish line. 

You can hear the influences of Idris Muhammad, Grover Washington, even parallels with South London peers Yussef Kamaal and Ruby Rushton. But The Expansions have tirelessly worked to create a sound of their own and are very proud, along with label Albert’s Favourites, to finally share it.

Murmuration

Cannonball

Stridulum (The Visitor)

Franco Micalizzi - Sadness Theme

Ryo Fukui - Early Summer

Cortex - Poxa (Funky Franka Edit)

🇧🇷O cantor e compositor brasileiro Toco, residente em Florença, é um dos mais notáveis ​​artistas do Schema. Samba, Bossa, Nu-Brazilian… Esses são apenas alguns rótulos para descrever o rico mundo musical do talentoso Tomaz di Cunto.

🇺🇸Brazilian singer-songwriter Toco, residing in Florence, is one of the most notable artists of Schema.  Samba, Bossa, Nu-Brazilian… These are just a few labels to describe the rich musical world of the talented Tomaz di Cunto.

https://toco.bandcamp.com/community

Toco - Bom Motivo feat. Rosalia De Souza

Samba de Verão

Marcos Valle

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For The Son of Man.

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