Oh king joey , all my Skin and the below muscles shall obey my thoughts to that Kind of Sounds...

In the year 1991 when the techno development was becoming a monster wave there was one record on R&S Records which became a game changer in my life.

I´m writing about "Energy flash" by a young producer from Brooklyn called Joey Beltram! I still get goose bumps when I even think about the night when I heard the track for the first time ever at Mayday in Berlin Weissensee.

Everybody was there, from Sven Väth to Frank de Wulf, from Speedy J to The Hypnotist (god bless you, Caspar). So you can imagine how happy I am now that Joey remixed "The overture" and yesss, again he made a monster tune. Thanx to Christian Smith for realizing this project...


Get it here!

Marc Romboy - The overture (Joey Beltram Remix) (SC Edit)

Over the course of the last three plus decades, the German born DJ, musician and composer Marc Romboy has become synonymous with a soulful electronic music sound that has taken him all over the world. As well as releasing on only the most influential labels, from Innervisions to Cocoon and Kompakt to Senso Sounds, he is also the sole mastermind behind the influential Systematic Recordings label and has been since 2004.

Nowadays an album specialist, 2006 saw him release his debut album, the captivating „Gemini" whilst in 2017 Marc released his first listening long player called „Voyage de la planète“, a pure electronica album with classical music influence and later, in summer 2017 the live recording of his collaboration with the Dortmund Philharmonic Orchestra called „Reconstructing Debussy“, in cooperation with Boiler Room hit the stores.

Despite being a key player for so long, Marc is still as relevant as ever and remains right at the sharp end of electronic music. Proof of that comes in the form of his DJ schedule, which takes him from Fabric to Womb and Berghain to Rex, as well as to not one but three separate Boiler Room shows. All three proved Marc to be a dexterous performer who never relies on obviousness or gimmicks, instead telling truly musical stories that place dancers right at the heart of the action.

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