Deep House ▷ Tech House ▷ Minimal Techno ▷ House ▷ Techno ▷ Future House ▷ Tropical House ▷ Deephouse - Part 1

taken from the album: H.O.S.H. - Connecting the Dots released on Diynamic Music

H.O.S.H. - Crackhead

Tracklist:
Pleasurekraft - Carny (Original)
Pleasurekraft - Carny (Jay Lumen Fraying Shoes ReProduction)
Pleasurekraft - Carny (Heartik & Rainer Weichhold Theatre Remix)
Pleasurekraft - Carny (Radio Edit)

Pleasurekraft - Carny [Original]

Aril Brikha-forever frost

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www.facebook.com/pokerflat.rec
www.twitter.com/poker_flat
www.youtube.com/PokerFlatRecordings
www.pokerflat-recordings.com

www.facebook.com/johntejadaofficial
www.facebook.com/djsebok
www.facebook.com/DanielDexterakaDEX
www.facebook.com/pages/Tom-Taylor-official/39196773984
www.facebook.com/garethwhiteheaddj
www.facebook.com/JoshWinkOfficial
www.facebook.com/anaxandersounds

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Poker Flat Recordings has been dealing out underground house music with a unique twist since 1999; from the defining debut 'Loverboy' through the Bugnology series, acclaimed albums and worldwide club hits, Steve Bug's essential imprint has unearthed new talent, developed rising stars and welcomed veterans into the fold. Steve Bug's reputation as an exceptionally gifted DJ, producer and music connoisseur is about to carry the beloved imprint to its 15th anniversary, which will be celebrated with its finest collection of raw talent yet, as seen on this second instalment of the anniversary EP series called 4 Jacks. 

John Tejada's 'Sweat (On The Walls)' is a stone cold minimal house classic, and it's in expert hands here with the low-down groove of Sebo K; his refix keeps it deep and sparse, but adds a nice layer of shimmy and shake that reveals a new melodic accessibility. 

Daniel Dexter's 'No House For Old Men' was a beautifully melodic single that lit up playlists and dancfloors in 2011, and a new remix by Tom Taylor & Gareth Whitehead adds a rich palette of melodic color and harmony paired with a rolling, propulsive beat. 

The other half of the EP showcases new original productions: longtime Poker Flat friend Josh Wink delivers 'Groove', which bounces with tongue-in-cheek energy and Josh's signature deconstructed acid style, while rising talent Anaxander reveals the quirky, classic deep house inclinations that has endeared him to labels like Quintessentials and Local Talk, with the lovely 'A Place To Go'.

Fifteen years deep, and Poker Flat Recordings is still at the top of its game.

Four Jacks, Pt. 2 - 15 Years of Poker Flat

John Tejada - Sweat (On The Walls) (Sebo K Remix)

Kölsch - Loreley - Original Mix

The Hemmann lasagna is ready! With a healthy dose of ground beef and sun-ripened tomatoes between the sauce and layers of pasta with a peppy salad.
    Once again Marek has two tracks with which he arms the planet richly, but also where the cooking spoon just explodes in the kitchen. The writer has quite a steam building upÖbut this music is just so filling, that the stomach just knows that there was a hole there.
    To prepare for this first album from the Hemmann kitchen, two long sides strike a tone with a powerful punch, breathless grooves with a long puff and an empire of sounds for the endorphin thrust within and without the headphones. This isnít a construction, but rather a composition.
    Exquisitely vibrating grooves with a hopping deepness, percussive elements together with a melodic party radiating in a finely sensed positivity. Itís as if you could together with Inessa and Gemini mutate into a bouncing ball. When his tracks begin to spin, that which happens to the listeners is the stuff dreams are made of.

Gemini EP

Gemini

Marek Hemmann - Gemini

Temporarity

Crockett's Theme (Extended Mix)

Der Vagabund und die Liebe

Die Liebe

Prod @freefallhearts
Additional production by Johnny Hellhound
Mastered by @divenchy3

Flight Into The Future EP Out Now

FullMoon (prod. Heartfall)

Snippet from upcoming Eavesdropper EP on Power Plant Records.

Release date: April 12, 2012. 

Eavesdropper

"One Too Many Times" OUT NOW on Hiiigher Records!

Stream/Buy: https://hiiigher-records.lnk.to/MindtrixOTMT

FOLLOW MiNDTRiX:
@trixyourmind
facebook.com/trixyourmind
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FOLLOW RiCKiE NOLLS:
@rickienolls
facebook.com/rickienolls
instagram.com/rickienolls
twitter.com/rickienolls

FOLLOW DANÉL:
@danelxmusic
facebook.com/DanelxMusic
twitter.com/DanelxMusic
instagram.com/danelxmusic

FOLLOW HiiiGHER RECORDS:
@HiiigherRecords:
demos@hiiigherrecords.com
license@hiiigherrecords.com

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One Too Many Times

FREE DOWNLOAD

MiNDTRiX x RiCKiE NOLLS - ONE TOO MANY TiMES (FEAT. DANÉL)

If you like the track, support the artist and buy it here http://www.beatport.com/track/cowboys-extended-mix/5125077

Dusty Kid - Cowboys

Within You (Lulu Rouge Remix)

taken off the upcoming artist album 'Noir' by Steve Bug - out Oct. 01

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FOLLOW: http://www.facebook.com/pages/steve-bug/8517364710

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Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.

The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Origi- nally it was planned that way, but in the end Steve found the concept too rigid.

"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "

The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."

‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-re- leased single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.

‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has in- jected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a techni- cal difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track. Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre- scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'.

The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.

Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose mu- sic always seemed so rich, was done with the help of others, I have al- ways been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own.

From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric al- bum that throws a long and impressive shadow over most contemporary dance albums.

Noir

Steve Bug - Tell Me Why

Joris Delacroix-Maeva

Buy Lindstrøms album Smalhans from iTunes here: http://tinyurl.com/d2fz2h2

https://www.facebook.com/hplindstrom *********** http://twitter.com/hplindstrom ********** http://www.hplindstrom.com

LINDSTRØM 
“Smalhans” 
Releasedate: 5th November 2012 
Smalltown Supersound / Feedelity

By Rob Young

‘Norwegian cuisine is very characteristic. Traditionally a Norwegian dish does not contain much spices, so the taste of the food is very much straight from nature. Some Norwegian food could be considered a bit hardcore for some, but also enviromentally friendly, as it is built on old traditions of using the resources in your immediate surroundings…’

That’s Hans-Peter Lindstrøm, Norway’s finest disher-up of cosmic techno, who’s whipped up a pumping new album with tracks titled like a tasting menu of his homeland’s underrated cuisine, from soup to nuts. Well, not quite: it’s more like ‘Raakost’ (raw vegetables) to ‘Vafler’ (waffles) – with lashings of ‘Lammelaar’ (dried salted lamb meat), ‘Vossakorv’ (‘a sheep-sausage made in Voss’), and ‘Eggedosis’ (‘what you get when you mix eggs and sugar with a blender. Kids love it… At least, I did when I was younger!’). Yum!

Smalhans was recorded immediately after Lindstrøm’s last, more experimental album Six Cups Of Rebel in July 2011, and its unashamedly 4/4 techno rhythms and bubbling, nutritious analogue synth sounds – mixed by friend and collaborator Todd Terje – are set to inject a vitamin kick to dancefloors everywhere. Lindstrøm’s gorgeous arpeggiations and chord changes can sound mathematical at times (check the clockwork mechanism of ‘Faarikal’), but it’s all born of his intuitive approach to his gear.

‘The process is definitely intuitive. I try all sorts of combination of chords and changes, and just know when something interesting happens. I find myself getting lost in the details. Weighing the ingredients, trying to find the right balance. A little more of this, a little less of that. Making the same dish over and over again, hoping it gets even better. Trying out new recipes and ingredients. Eating it up, and starting again the next day. Just like spending time in the studio…’

Lindstrøm spends a lot of time in that studio, preferring a normal working day and quiet nights at home with his family. In the distant past he has been a folk/country keyboardist, but bought his first sampler around 1999 after moving from his birthplace, Stavanger, to Oslo. With that real-instrument background, he still considers himself an outsider in the hi-tech world of contemporary dance music, but that perspective allows him greater freedom. He has collaborated with Prins Thomas and Christabelle, and remixed LCD Soundsystem, Roxy Music, Franz Ferdinand, Glasser, Best Coast and many more. As a solo artist Lindstrøm has released three albums, It´s A Feedelity Affair in 2006, Where You Go I Go Too in 2008 and Six Cups Of Rebel in 2012, and he’s a several-times winner of the Norwegian Grammy awards.

If today’s minimal dance music is leaving you feeling a bit starved, Smalhans’s full-fat analogue sound will fill you up and keep you glowing. ‘Electronic music is moving in so many directions,’ says Lindstrøm, ‘it’s hard to keep track of all the various twists and turns. Trends come and disappear, new subgenres of subgenres erupt and fade away faster then ever. But the beat lives on, it just comes in new colours and shapes.’

… And flavours. Yes chef!

Lindstrøm Online: 
http://hplindstrom.com/ 
http://www.facebook.com/hplindstrom 
http://www.twitter.com/hplindstrom 
http://www.twitter.com/feedelity 
http://www.smalltownsupersound.com/ 
http://en.wikipedia.org/wiki/Hans-Peter_Lindstr%C3%B8m

Deep House ▷ Tech House ▷ Minimal Techno ▷ House ▷ Techno ▷ Future House ▷ Tropical House ▷ Deephouse - Part 1

Marcus Giudici