i keep coming back to this. it's incredible how the retuned vox completely recontextualizes the anger in her words. Never thought i'd dig this!

Nobody Owns The Future is the first release on POSTWORLD, an evolving decentralised label concept and a hub for an expanding network of neoteric artists.

This 4-track micro-compilation brings together artists from distinct geographies whose music is linked by exploratory production techniques and a hopeful perspective of the world to come.

Credits
Mastering: Dadub Studio
Artwork: Asdrúbal Gómez
Logo: Master Chu

Support

AFGA06L - Of Failure And Its Essentiality

Since “Narimasu” EP released last year by label USI KUVO (Tokyo), Tokyo based producer DJ/Producer WRACK has been seeking to make Japanese-style club music. As for the first release on the label, WRACK combines genres like GQOM and GORGE with this 4-track EP album ”Hotto Kotto”, which is also keeping his Japanese scale style and iconic sound on club music description.

WRACK had released many bangers by albums/V.A with labels in recent years, such as NAAFI, Eco Futurism Corporation, Club Late Music, Oxyorange, Absurd TRAX, CyberSonicLA, Babel Records. He also organized club party CHEMICAL MONSTERS in Tokyo which invited NAAFI's Imaabs, Lao, Zutzut, Fausto Bahia, Mexican Jihad, STAYCORE's Dinamarca, Mechatok, Intruder Alert's B.YHZZ etc.

Pre-order via: https://overmybody.bandcamp.com/album/hotto-kotto

https://soundcloud.com/overmybodytw
https://soundcloud.com/wrack90

Pre-order

Premiere: WRACK - Gustom [Over My Body]

DAWN016)
100 limited copies
@gargantuang
Produced by Gargantuan Grief
Mastered by @lastrackqlf
Photos by GG and Hajj
Design by @hadji-hajj
Dawn 2022

Gargantuan Grief - Rise Toward The Ubermensch

@zerocrossingpoint
It is time to let go of your fear and doubts. You must learn to embrace the darkness of your soul, for it is a light beacon of hope for humanity. Your soul wants to show itself in its truest form, strength, perseverance, courage and determination of spirit. In this lifetime your soul needs to cleanse and open its feelings for katharsis.

With the double compilation “Infinite Summer: Ekstase & Fantasi”, katharsis celebrates the return of raves and concerts to society after a long period of pandemic shutdown. A magical summer has past filled with a great pallet of emotional material, ready to be expressed. Therefore, we encouraged a collection of artists we adore to channel their imagination of the greatest way to conclude an endless summer night with into a piece of music.

This resulted in a grand assemblage of harmonious manifestations, naturally splitting into two divisions with opposing focuses. In contrast to the first part of the duology “Ekstase”, which focused on euphoric and dancefloor-oriented outputs, this second part “Fantasi” has a more serene and introverted focal point. The majority of the tracks seem to be meant to stop time in deep reflection with a placid sunrise as the backdrop, exemplified by the purgative opener “salomé” by Aestum, but the listener will find occasional rhythmic outpourings like the unhurried clubby vibes on awbluu’s “Rosalyne (Voxen)” or the beautiful melodic “we will get where?” by Beham.

Infinite Summer: Fantasi

Luisa's Flight

premiere: Zero Crossing Point - Luisa's Flight [Infinite Summer: Fantasi]

music by Stélios Lazarou
mixed by Lorenzo Targhetta
mastered by Wim Dehaen
artwork & visuals by Zhecon_

De Ave Phoenice

Bandcamp

STELIOS.EXE - HELIOPOLIS

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

Dis Fig - Doll Parts [digital only]

Alanis

Produced by @traum_a

Post Carbon. The time when the carbon-based energy stops flowing like blood in the veins of society as we know it today. The carbon era is drawing to an unavoidable end with the depletion of easily accessible and high-quality oil and coal deposits, with the depletion of the biosphere's capacity to re-absorb the carbon. Our dependence on carbon-based fuels must end.

Post Carbon compilation has been created as a direct support to the Limity jsme my movement, which joins the global efforts to find fair solutions to climate changes and secure a future free from dirty fossil fuels, especially coal. It seeks to put an end to mining and combustion of coal in the Czech Republic as quickly as possible and ensure a fair transition to renewable energy sources. By purchasing the compilation, you will give support to the movement.

limityjsmemy.cz/en/

The authors involved in the project performed at the SOfT events in 2018 in the production of HaDivadlo.

@scarypool, @sskylerr x @metabora, @valerywac, @dizzcock, @bilejkluk, @baojiaxiang2, @alleycatss, @aniklang, @traum_a, @isama-zing, @ninjapriest, @bungalovv-ii x Fvneral, @wulffluw94, @tole111

Mastering by Mirvis 
Curated by dlab
Artwork by H5io6i54k

Post Carbon. Doba, ve které energie z uhlíku přestane proudit jako krev v žilách společnosti, jak ji známe dnes. Uhlíková éra odchází nevyhnutelně s vyčerpáváním snadno dostupných a kvalitních ložisek ropy a uhlí, s vyčerpáváním kapacity biosféry uhlík znovu pohlcovat. Naše závislost na uhlíku musí skončit.

Kompilace vzniká jako přímá podpora hnutí Limity jsme my, které se zapojuje do globálního úsilí o spravedlivé řešení změn klimatu a budoucnost bez špinavých fosilních paliv, zejména uhlí. Usiluje o co nejrychlejší ukončení těžby a spalování uhlí v České republice a spravedlivý přechod na obnovitelné zdroje energie. Stažením kompilace finančně podpoříte činnost hnutí.

Zastoupení autoři vystoupili na událostech SOfT v roce 2018 v produkci HaDivadlo.

Trauma - Club Climate

[FL014] FunctionLab CNY greeting release - GG Lobster - 動亂星 Stars of Turmoil EP

"Everything I do comes from romance, if I can't be romantic, then I won't make music anymore. "GG summarized in a post when "Punk Karaoke" was released.

Throughout the entire "動亂星 Stars of Turmoil EP", the Gabber / Hardcore influence cannot be erased, but this is already the result of GG's efforts to suppress this influence to the minimum. The sensory stimuli pursued at the DJ set were not all brought into his personal release. "動亂星 Stars of Turmoil EP" is concerned with what is happening now, not the cyberpunk ideas, the fantasy of the stars and the sea, nor is it a thing of the past.

Each track has a clear expression goal: "榮耀 Glory" uses a lofty melody to tells about GG's love for certain people and things, not only for the ambition he is putting into practice, but also for those who work as hard as he but People who have not yet made a name for themselves; "犬子來拜 Adoration of Sons" expresses his dissatisfaction with the current situation around him and unilateral provocations against some rogues in a restless voice; "動亂星 Stars of Turmoil" uses a lot of rhythmic patterns of traditional Chinese lion dance, and his emotional foundation is built on Encourage the FunctionLab team and the entire Hangzhou music scene; "香港 Sweet Harbour" focuses on the expectation of love between person to person, with the characterization of delicate melody as the lead.

"My temper is still very strong, but now I feel that fighting with music is a more effective and smarter way." GG sees this EP as a successful self-positioning rescue and a safer emotional release. If you want to make a distinction between his musical career, maybe style and technology are not the most important boundaries, and the change of mindset is the real watershed. Although in music, he has reconciled with it, but in his life, the rebellious attitude could not be changed. Don't roar lyrics is only a partial concession, and the music still carries his sharp opinions, those passionate opinions.

"Let those assholes hear the aggressiveness in my heart and the ambition of FunctionLab and I, and let those who are smug and arrogant about their small achievements hear, there must be a winner or loser one day. "In addition, more is unruly and open love. This is the fate of GG Lobster, and it's what he is. Those extravagant lyrics that don't care are now internalized in his heart, leading him and guiding him.

"I hope you can hug your companions after listening, especially those who are still with you while doing things like moth fluttering fire with you." This is the most sincere, the most meaningful suggestions from GG Lobster about this EP. 

released January 20, 2020

Mixing by GG Lobster
Mastering by GUAN
Artwork by GG Lobster
Photo by Limbo Limbs

GG Lobster - 動亂星 Stars Of Turmoil

twst - Girl On Your TV (Mun Sing Remix)
https://soundcloud.com/twstwstwst
it's lit

twst - Girl On Your TV(Mun Sing Remix)

Taken from SBKT038: Various Artist - Cache 02
Release date: 4th December
Artwork by Kim Laughton
Mastered by Raphael Valensi

Alanis

Antwood

Recent comments

misk

Neo Leif

PROFUNDO VAZIO

YUG

Related tracks