http://www.liquidarchitecture.org.au/program/listeningtotheanthropocene/

Mapping out a range of eco-acoustic practices from field recordings to data and geo-sonifications, the talk explores imaginations of the natural world at a time of accelerating global environmental crisis.

Listening to the Anthropocene: Sound and ecological crisis
14 Dec 2015
Gertrude Contemporary, Melbourne

This talk explores imaginations of the natural world at a time of accelerating global environmental crisis; in an era currently being defined as the Anthropocene, a geophysical term “which recognises that human intrusion on the planet’s surface and into the atmosphere has been so extreme as to qualify our time on earth as a specific geological epoch”. It does so through mediums and methods of sound being used by artists, bio-acousticians and scientists to make sense of, and communicate, earth system changes. Mapping out a range of eco-acoustic practices from field recordings to data and geo-sonifications, the talk investigates how such practices seek to delineate, highlight, and/ or overcome, distinctions between natural and social, urban and rural, exceptional and everyday.
http://transversalgeographies.org/

Anja Kanngieser is Vice Chancellors Fellow at the Australian Centre for Cultural Environmental Research, with a background in geography and communication studies. Her work focuses on the intersections of political economy and ecology, sound and social movements. She is interested in the ways in which people strategise, antagonise and collaborate to create the living and working conditions they desire. Bringing into dialogue political economic theory with audio practices, she is engaged in the experimentation and invention of sound based methods in the social sciences. 
http://anjakanngieser.com/

Liquid Architecture is an Australian organisation for artists working with sound. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.

Anja Kanngieser – Listening To The Anthropocene Sound And Ecological Crisis (Liquid Architecture)

Morning recording by Cais do Sodré peer, Lisbon, January 2020.

Collected during the workshop 'The Sonic Ecology of the Tourist City' co-organized with Ivo Louro, Brandon Labelle, Iñigo Sanchez, Daniel Paiva, on the occasion of the Anthropocene Campus Lisboa: Parallax, organised by the Portuguese research center CIUHCT and taking place at Culturgest. This Campus was part of the Anthropocene Curriculum initiated by the Haus der Kulturen der Welt and the Max Planck Institute for the History of Science.

Pontão no Cais do Sodré

Katrin Hornek’s work engages with the paradoxes and convergences of living in the age of the Anthropocene - an epoch in which capitalist, colonialist and extractivist activities have had an impact so great that terrestrial ecosystems have been profoundly modified. From collections of body stones to the solidification process of CO2, to the use of Earth’s geological stratas as musical scores, Hornek’s works examine the relationship between human beings and their mineral environment. “Her artistic practice asserts an understanding of the entwinement of nature and culture, implicitly arguing for more complex formulations that reflect the ways in which our bodies, cultures, materials, and thoughts are all composed of other presences that make up our world” writes philosopher Heather Davis. As an artist-researcher, Katrin Hornek also takes part in “the Anthropocene Surge”, a project led by the University of Vienna and the University of Applied Arts Vienna that maps the material influence of human activity on the city’s underground. Her artworks are poetic reflections on natural resources that foster more desirable futures.

Katrin Hornek A Landmass To Come ENGLISH

intertidal poet, acoustic ecology researcher and curator of metabolic fictions

Pontão no Cais do Sodré

Margarida Mendes a.k.a. Hale-Bopp

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