Playing around with some ipad apps on the go.

sketch/drawing on the cover :(c)mariaaristotelous 2013 all rights reserved

apps : 
#sqrt by Jan T V Falkenstein 
#ims20  by Korg 
#samplr  by Marcos Alonso 

this sound is not for a commercial use due to the copyrights of the apps i used 

EtudeBeat#1

A small mix on the go using an arturia app (iSEM) and SAMPLR app on the ipad .
Drawing on the cover (c)mariaaristotelous 2013 all rights reserved

Synth101

A small guitar piece that i made plus some synth melody. recorded analogue 
(c)mariaaristotelous 2013 all rights reserved (drawing and music ) 


Out of This Time ...

41/415 IV Maria Aristotelous
AudioVisual installation
41/415 IV is the fourth part of a compositional and/or installation series I started in the middle of 2012. All the four 41/415 are multimedia pieces,in the sense that these consist of many mediums that are all necessary for the multi layers of translational processes that these series are aiming for. The continuum plays an important key role in the series of 41/415 plays, which started as an inner-structure continuum in the first part of 41/415 (in the form of many different timeframes, as rhythms and visual motifs that were present through the 10 minute length of the piece) and transformed into a more mythic and timeless continuum in the second part of the piece by the presence of enigmatic scribbles and drawings in the installation context of it. In the third part of 41/415 I intentionally place the context of the piece in a more mythic and universal timeframe by introducing another timescale, a macro one , that includes the artistic process that evolve outside time and can be understood as the time distance between the creation and performance of all 4 parts of 41/415 and also the possibility of a time continuum that has yet not happened and most possibly include next versions of it, that will differ from the previous by the impact of the same continuum. And that macro time scale dynamically and karmically change the piece in time. Out of that Time comes 41/415 IV as an another event in the Collective time i described above leaving open the possibility for another 41/415 V in some point in time . It is important to note that these pieces are being triggered as events in the macro-time in a more or less Synchronicity way and not in any way randomly .
Maria Aristotelous is an Analytic/Depth Psychology Researcher and Αrtist based in the Netherlands and in Athens GR
www.mariaaristotelous.com

41 415IVstereo

This is a piece i made today out of some of my granular sounds i made in MaxMSP
most of the work was made in max, and i only did a very simple sequencing and editing
in MetaSynth.

Untitled grains1

this is a 10:16 min improvisation i did in duwo house of music in den haag at 6 of june 2012.

solo improvisation at duwo den haag

El2012

This piece is evolving around 2 graphic scores , 5 players and a Drone .The Drone as the continuity of time...
The Collective memory, when and where events may or may not happen.The Events are spontaneously and
individually activated but are also being driven by the impact of the Collective Drone.THIS IS A DREAM... 
Improvisors :

Maria Aristotelous 
Richard Barrett
Kathrin Grenzdorffer
Younes Riad
Ekkehard Windrich

2sonoConcert2012

Me playing around with some sounds i made in MaxMsp and SuperCollider .

note: for one of the sounds i used a maurizio giri patch so he must be credited.

IHaveNoTitleForThis

WFS first experiment. session using many one spot sound sources and 2-3 random or cyrcle paths.This is a stereo field recording in the room with the 2 condenser mics in the middle of the room and static.another experiment will follow with DPA mics and me moving in space while i am recording.This is a set of experiment in order to approach the WFS as a painter , drawing thus sounds in space.at the moment the sound result doesnt differ from a music electronic piece.
IN ORDER TO HEAR ANY SPACIALISATION USE HEADPHONES.


note: for one of the sounds i used a maurizio giri patch so he must be credited.

Maria Aristotelous

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