Unreleased Live

manchester trk6

"You cannot put your foot in the same river twice. Once ᴇʀᴏꜱɪᴏɴ ᴛʀᴀᴄᴇ begins, the listener is quick to draw comparison to previous Glyn Maier releases, as in ɪɴᴅᴇꜰɪɴɪᴛᴇ ʟᴀᴛᴛɪᴄᴇꜱ or the B-Side from the Jungle Gym release ʜʟɪɴᴄ. Instead, what happens is the truest descriptor of a “departure” in style and pacing.

Going back into the deeper catalog of Maier’s work you would likely cross influences of dub techno in the clicking and delaying bass tones, with sharp field recording rustling and chirps that create a fecund listening ecosphere.

This new album instead changes the pace to a glacial presentation, starting with a dark and sleek motif, generously pouring into rhythm and more subdued field recordings of the Appalachian wilderness. It almost seems like an album showcasing Maier’s ability to listen as much as it is his ability to produce. The finishing work with synth and string sections is a sublime reminder of his deft and capable craft in sound. We may not stand in the same water as before, but the river has the same name."

- David Coccagna

An Industrial Coast production

Recorded by Glyn Maier in White Mountain + Pisgah National Forests 2019-2022 - B2 contains source material from Joe Hisashi "Kikujiro"

Audio finalized by Glyn Maier

Artwork by Laura Arteaga Charlton (www.lauraarteagacharlton.com)

Erosion Trace

Emerald Pool

No Turning Back

GREENViLLE S.C. pt. iii

music: @blower5 @damifortune
mastering: @blower5
artwork: goutty
special thanks: @b_knox

BLOWER + DAMIFORTUNE BRING YOU --> EXPERT MOD WHITTLERS
Eleven tracks of the most peculiar sizes - all fitting on a single double density floppy disk, with room to spare! Written over the course of two years for various Battle of the Bits events, these songs have finally been collected together and mastered in HIGH FIDELITY for YOUR enjoyment!

Expert Mod Whittlers

└─ atmosphere.__ultimax ▒░

Nonsensicalism (w/ Defkon)

Time does not wait

AQUARIUS

Gleam

As a small token of my massive appreciation for everyone who listened to, bought or otherwise supported my music in 2017 and in honour of all the kind accolades granted to the records by the @bleep_bot crew, here is a free download of a track I made especially for the mix I did for the Bleep store (PS I made it because I really wanted to include that Lanark Artefax track and it was literally impossible to mix it with anything else).

You can listen to that mix here, if you missed it:
https://soundcloud.com/bleep_bot/bleep-mix-brainwaltzera

Happy 2018!

duȸious d^v^y [only4bleep_mix]

This is one of 3 tracks that were made solely by using the analogue synthesizer EMS Synthi 100. For each track, there was a single patch and the material was recorded live in one go. Rhythmical synchronization of the material was done by using the Synthi's sequencer. Simple live manipulations included putting a pin or two in and out and switching on and off the mixer channels. Additional panning of each individual channel was done on a computer. These tracks demonstrate the effect of extremely simplified musical material produced by using the not-so-simple sound tool (for the reference, try figuring out and programming a Synthi 100 sequencer:)). Tracks are named by the number of sequencer steps used in that piece. Recorded live at Electronic Studio - Radio Belgrade.

2019

From the album STEPS: https://svetlanamaras.bandcamp.com/album/steps

Svetlana Maraš©All rights reserved
©SOKOJ

Time does not wait

Mechika

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