alison’s iPod Selection

Brian Eno - Just Another Day

smudgey low-end and euphoric ambient by @olegbuyanov

tracklist: 

bizz circuits - fade out (acieed)
OL - Merge (feat. NEXCYIA)
nimu -  Picture In Picture
Delarosa And Asora - Swipe Width
rec - sol
vtgnike - домофон benzodub
hazbaragaz - frajer
JFC - Strange New World (2nd Picture)
Slipperhero - The Liscard Girls
Macaroniman - エンゼル百貨店＜閉店後Mix＞
virgo intacta - сяду на... 
hoavi - PHASE 5 
d. fire - ken, finkelstein - d.m.n.c, ran slavin - sex talk
hazbaragaz - poddavki
nimu - Room of Mirrors
Flaty - Goblin Sograda
Pat Metheny, Lyle Mays - As Falls Wichita, So Falls Wichita Falls
Skylab - Next
Serwed - Bloomin 
Boards of Canada - Telecom Italia Ad
Biosphere - Poa Alpina (Allternative Version)

₀₁₇ 𝗢𝗟

Outside

An experimental indietronica track with melancholy. Produced entirely in Reason 11 during the COVID-19 lockdown.

Delta Waves - Single Edit

🎬 Epic, emotional film score with cinematic pads, deep basses, and dramatic orchestral elements!
This is a demo from Episode #352 of our Live Electronic Music Tutorials, showcasing dramatic film score composition inspired by legendary composer Hans Zimmer. Perfect for composers wanting to create powerful, emotional soundtracks for film and media.
🎓 FREE TUTORIAL AVAILABLE:
Watch the complete step-by-step tutorial showing the real-time creative process—from chord progressions to layered orchestration! Professional templates available for Logic Pro X, Ableton Live, and FL Studio, plus sample pack included.
👉 WATCH FREE TUTORIAL & GET TEMPLATES:
https://www.wemakedancemusic.com/en/dramatic-film-score-template-for-logic-ableton-fl-studio-lemt352
🔑 What You'll Learn (Free Tutorial):
✅ Using free chord progressions as your foundation
✅ Layering cinematic pads into the mix
✅ Adding deep bass layers for impact
✅ Incorporating bell-like arpeggiators
✅ Recording deep piano leads
✅ Adding keys with dramatic music box feel
✅ Mixing cinematic elements together
✅ Creating dramatic growling brass sounds
✅ Adding background beats for rhythm
✅ Exploring new orchestral elements
✅ Building compelling film score introductions
✅ Hans Zimmer-inspired composition techniques
🎹 Templates Available For:
Logic Pro X | Ableton Live | FL Studio
📦 Package Includes:

100% production templates for all DAWs
Free chord progression included
Cinematic pad layers
Deep bass & piano elements
Bell-like arpeggiators
Dramatic brass sounds
Background beat programming
Complete film score arrangement
Samples + MIDI Pack
Professional mastering chain
Free YouTube tutorial included

#Tags:
#FilmScore #HansZimmer #CinematicMusic #Soundtrack #DramaticScore #LogicProX #AbletonLive #FLStudio #FilmComposer #OrchestralMusic #CinematicProduction #MovieScore #EpicMusic #MusicProducer #ScoreComposition

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Dramatic Film Score Demo – Hans Zimmer Style | Cinematic Orchestration | Templates for Logic, Ableton & FL Studio

Here is another collaboration derived from   My Nocturnal Twin's Retrieve Your Nails.

Recorded remixed @ Broken Glass Ranch, Colorado

Re-Retrieve Your Nails w/ My Nocturnal Twin

Armchair Apocrypha

Heretics

Imitosis

Plasticities

Fiery Crash

Armchairs

Experimental cinema sonics, electroacoustic research practice and shadowy wind instruments come together to form this unique interpretation of the mythical city of gold. Utilising rare, half forgotten Soviet era synthesisers Vladimir Karpov creates immersive soundscapes under the name XYR. The Formanta mini keytar and the Alisa 1377 lend Karpov’s music strange, seldom heard atmospheres which the St. Petersburg native then combines with field recordings, toy percussion and wood flute to further build upon his utopian narratives.

Part concept album, part nod to Popol Vuh, his attempt to channel the thematics of the ancient tale of the Muisca people through his modest home studio left a lasting impression on us here at 12th Isle and we’re proud to present a selection of the tracks on vinyl for the very first time. Originally confined to just 25 cassette tapes, for this edition we have assembled some of the most inspiring tracks from the sessions as well as the bonus closing piece ‘Aguirre Song’. Immediately engaging, sincerely heartfelt and strikingly original, these are recordings we have returned to time and time again.

Limited edition LP comes housed in screenprinted sleeve. ‘El Dorado’ recorded April – August 2014, originally released via Illuminated Paths (March 2015).

https://12thisle.bandcamp.com/album/x-y-r-el-dorado

ISLE003

XYR - El Dorado LP (ISLE003)

Artist: Jan Jelinek & Computer Soup
Album: Improvisations And Edits, Tokyo 26.09.2001
Label#: Faitback10
Release date: May 4th 2018

Faitiche is happy to be releasing the album Improvisations And Edits, Tokyo 26.09.2001 on vinyl for the first time. For the original 2002 CD on Soup-Disk and Sub Rosa (Audiosphere), Jan Jelinek and the Japanese trio Computer Soup (Satoru Hori – trumpet, Osamu Okubo - toys & electronics, Kei Ikeda - toys & electronics) presented eight tracks all recorded one afternoon in the trio’s living room in Tokyo. They are excerpts from a joint group improvisation that subsequently underwent rudimentary editing, on which Jelinek and Computer Soup worked separately.

Jelinek met the three musicians at his first concert in Japan in 2001, at Tokyo’s Yellow club, where Computer Soup performed as the support act. Delighted by their free improvisation on pocket-sized electronic toys, trumpet and oscillators, he arranged to meet Hori, Okubo and Ikeda a few days later for a session at their apartment. The resulting three-hour recording, made on their living room floor, formed the basis for Improvisations and Edits. A few days later, Jelinek returned to Berlin. Over the following months, they separately chose passages from the recording that were then edited and assembled into an album.

Formed in Tokyo in 1996 as a quintet (including Shusaku Hariya and Daisuke Oishi), Computer Soup began by performing with acoustic instruments on the streets of Shibuya. Ikeda und Okubo soon switched instruments, and from then on the group’s minimalistic but densely woven sound was defined by electronic toys, oscillators and Satoru Hori’s trumpet. Their first album was released in 1997 on the Japanese label Soup Disk. Eight further releases followed.
 

From the reviews of Improvisations and Edits, Tokyo 26.09.2001 in 2003:

The mind-blowing first track "Straight Life" is perhaps the best example of what the album has to offer. Jelinek's trademark smears and washes occupy the midrange, like ghosted images of Joe Zawinul's electric piano floating quietly in the wind. DSP jazz modes are set against a walking bassline (possibly computer generated) and a gently tooted trumpet complete with Harmon mute, a dead ringer for Miles Davis' Prestige-era ballads. The effect is something like a three-dimensional film, with different realities on each layer; images of what jazz was manage to interact with a real-time demonstration of all it could be.
pitchfork.com
“Improvisations and Edits” is a warm and mellow Ambient release with beautiful glitch fragments, static noise bursts and real trumpet intersections. However, there are times where it is the exact opposite, mainly effect-laden, overdriven and bouncy with a lack of melodies and focus, so be aware of these specific tracks.
ambientexotica.com
Often deliciously dreamy and hazy, “Improvisations and Edits” is like listening to an exceptional instrumental jazz performance while half-conscious or under some sort of chemical influence. Computerised blips and bleeps, loops and treatments and murky sonic skips curl up around desolate horn notes and scattered instrumental noises that culminate in elegant music.
exclaim.ca

Jan Jelinek & Computer Soup: Straight Life

The sound on this release has been examined and produced throughout March and April 2019 in Frankfurt am Main during a music-residency initiated and hosted by "Künstlerhaus Mousonturm" and MMODEMM.

Written and Produced by Asuna Arashi

Asuna - Cloud River Seen From The Window

All 5 tracks on ​12" Matas Flores y Algo Más ​were jammed and recorded between late 2018 and early 2019, with Juno 106, Yamaha DX7, Korg Wavedrum and Pearl SC40. 
A1. Self Similar Melodies
https://tulips-de.bandcamp.com/

Sound enthusiast and percussionist Tulips, plays with NASSSAU, as P.VEE with TRJJ (Stroom), and MONTEL PALMER.

Brian Eno - Just Another Day

Maria Vittoria Zinoni

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