Never get bored of it phat tune 🙌🏻 10/10 on point 👌🏻

Thought it was going to sound off, but it all came together nicely

you know I like when I had dj" s back in the day who wanted to battle me and you know when the time came they actually bowed down cause they didn't have the material I had I had imports records they couldn't get their hands on cause I the shit I played and put together had the crowd jumping every record real shit such as what's playing now

VIBE

TALI

TEMS "CRAZY TINGS" (THE MARTINEZ BROTHERS EDIT)

This Energy EP

Bloom

HoneyLuv & Seth Troxler ft. Paul Johnson - Sex & The City EP ft. MK Remixes
BUY: https://fanlink.to/TKG014

Tuskegee Music is proud to present @honeyluvmusic & sethtroxler's Sex & The City EP featuring Paul Johnson and @marckinchen.

Originating with HoneyLuv, made in collaboration with Tuskegee co-founder Seth Troxler, and featuring portions of Paul Johnson’s classic 1998 track ‘So Much’, ’Sex & The City' is HoneyLuv’s homage to one of house music’s greats and an encapsulation of Tuskegee Music’s ethos of honouring the genre’s Black & Hispanic origins. Detroit house legend Marc Kinchen’s interpretations of the track imbues Sex & The City with all the beloved MK touches, from the inimitable drum patterns to the instant-earworm melody.

The release marks the return of the label founded by Seth Troxler & The Martinez Brothers in 2014. In addition to music from its label heads, Tuskegee Music featured artists including Omar-S, Jamal Moss, K' Alexi Shelby, D-Knox and William Djoko before going into hiatus in 2019.  The label’s upcoming schedule will continue to focus on its remit of supporting BIPOC artists, through the elevation of new talent and collaborations with some of house & techno’s most important and influential figures.

HoneyLuv & Seth Troxler ft. Paul Johnson - Sex & The City (MK Remix)

Sem Jacobs, Tagmann - DC Ten Thousand Dreams is OUT NOW!
www.funkiman.com

Cut Tha Beat EP

DC Ten Thousand Dreams

All Night Long [A.T. Edit]

Rockin

Purchase: https://lnk.to/RPM011

Follow Repopulate Mars:
Facebook: www.facebook.com/repopulatemars
Twitter: www.twitter.com/RepopulateMars
Instagram: www.instagram.com/repopulatemars/
Soundcloud: @repopulatemars

Follow POPOF:
Facebook: https://www.facebook.com/popofofficial
Twitter: https://twitter.com/popofofficial
Soundcloud: @popofofficial

Follow James Curd: 
Facebook: https://www.facebook.com/jamescurdmusic/
Twitter: https://twitter.com/jamescurdmusic
Soundcloud: @jamescurd

Follow Mihalis Safras:
Facebook: https://www.facebook.com/mihalissafras
Twitter: https://twitter.com/MihalisSafras
Soundcloud: @mihalissafras

Follow Tennan: 
Facebook: https://www.facebook.com/tennanmusic/
Twitter: https://twitter.com/tennanmusic 
Soundcloud: @tennanmusic

Chez Moon -  Don't Need You Anymore (James Curd Remix)

Down

Down (Franky Rizardo Extended Remix)

HotBed Pre-Summer Mix 2018 By Billy Cocks

Never liked the original, now I do! ;)
Download, share, play and enjoy!!

Susanne Vega "Tom´s Diner" (Jerry Ropero Classic Disco Remix)

Next up on Richy Ahmed's Four Thirty Two imprint, London unites with Jansons and duo Senzala, who have paired up on a two-track EP. Both, previous alumni of Four Thirty Two individually, have channeled the best of their dancefloor moving abilities. The EP's opening track is 'JNZ', a playful and powerful tune that bounces on addicting kicks before introducing shifted vocals from Margaret Grace. The EP releases on 12” vinyl and digital on June 8.

More exclusive music

Premiere: Jansons & Senzala 'JNZ'

Now on BLOOD MUSIC as part of the X-Series of re-releases!

FBLOOD038X

FAKE BLOOD - I Think I Like It

ANOTR - Turn On Me (Original Mix)

Toman - Don't Hesitate is the latest release on No Art.

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of No Art

Toman - Don't Hesitate

Let's Groove

Let's Groove (Melé Mix)

Creating nostalgic time capsules with music...
🌻🌞🍄🍁🌺🌛💫🌈🤠

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Down (Franky Rizardo Extended Remix)

Marian Hill

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