minimal/francky rizardo

Jamie Roy - Organ Belta

 Available here - https://lnk.to/TRICK036

Making use of a pounding bassline, rattling percussion, and energetic organ and piano samples, ‘Organ Belta’ sees the UK talent pull together a raucous affair set for pure dancefloor decimation.

Organ Belta

Jamie Roy - Organ Belta

Mama Used to Say

BUY/SAVE

Born out of a lockdown night when their usual Saturday night plans were off limits, Defected regular Darius Syrossian and South Records boss George Smeddles decided to cook something up for the anticipated return to the club. With just a vocal to work with, they decided to produce something with the 90s, uplifting vibe dancefloors would be needing. Demonstrating the same addictive, dancefloor-ready grooves seen on their previous collabs like ‘Get Toast’ and ‘Blood Orange’, this latest joint venture once again delivers the heat. With its deep organ bassline, playful keys and irresistible 4/4 swing, this record oozes club appeal in a way you can only expect from producers rooted firmly in the scene. It sure feels good to be Back In The Dance.

Darius Syrossian & George Smeddles 'Back In The Dance (Extended Mix)' - Out 04.03

Buy on Beatport

A LITTLE BIT FUNKIER

Solid Grooves co-founder PAWSA returns with a huge summer anthem in 'Room Service'. 

With each year that passes, PAWSA continues to level up while staying true to his path as an artist, not dictated by trends or hype but solely by his ever-evolving creative vision. The past twelve months, however, have potentially yielded the most fruitful moments of his career, with the DJ, producer and label boss gaining his well-deserved plaudits as a leading name within the scene while featuring as one of DJ Mag's illustrious cover stars. With summer in full swing, the Solid Grooves co-founder now drops a cut making serious noise amongst his sets of late with the playful yet powerful 'Room Service'.  

A nod to 2022's DC10 residency concept of the Solid Grooves Motel, 'Room Service (24 Hour Mix)' is a showcase of the Londoner at his best as he fuses signature basslines and slick drums alongside striking top lines and resonant funk-fuelled synths to offer up yet more inventive, floor-focused ammunition.

SGR072 PAWSA - Room Service (24 Hour Mix)

Chicago

iTunes: http://defct.de/frithsit | Beatport: http://defct.de/frithsbp | Traxsource: http://defct.de/frithsts | Spotify: http://defct.de/frithssp | Apple Music: http://defct.de/frithsam | Deezer: http://defct.de/frithsdz | Google Play: http://defct.de/frithsgp

Ahead of his hotly anticipated In The House compilation, Franky delivers this sampler featuring two brand new productions and a remix, giving a sneak peek into what he’s been working on for the album. After his first single from the album, ‘Same Man’, reached #1 in the Beatport Tech House chart, it was clear that Franky’s productions are reaching the next level and these three tracks are further proof.

First off, ‘Work It To The Bone’ gives hints of New York garage with a contemporary edge, the strutting drum breakdown and vocal sample giving way to a surging, bumping bassline. Continuing with the bumping basslines, the next track is Franky’s own version of the killer track ‘Lights Down’ from The New Sins, a track released on Defected in 2015 and given new life in this slick remix. Finally it’s ‘Crazy Day’, an irresistibly pacey house record, peppered with surprising grooves, featuring the gorgeous RnB-style vocals of Mike City.

Download

The New Sins 'Lights Down' (Franky Rizardo Remix)

Down

Down (Franky Rizardo Remix)

The young artist Franky Rizardo continues to prove himself as one of Holland’s finest exports in dance music, demonstrating a solid production career with releases spanning a collection of top labels, including a long term relationship with Defected Records and now with his debut on Nick Curly and Gorge's infamous 8bit Records.

Franky Rizardo - Mercury

Franky Rizardo - Deep Space

Substrate Music is really happy to introduce you "Various Artist Vol.2" 
Special selection for spring 2018 
This volume includes 22 Original Mix 
Genre Tech House / Minimal DeepTech 
Demos : Substratelabel@gmail.com 
https://www.facebook.com/Substratemusic/
http://classic.beatport.com/release/v-a-substrate-music-vol-2/2239701

Blackchild (ITA) - A Bit Housy (Original Mix)

Released 01.03.18

Download: smarturl.it/MattSassariBP

Marseille born DJ and producer Matt Sassari returns to the Cr2 fold with his latest club rave ‘Waitin' For My Baby's Car’.

Matt Sassari Facebook: www.facebook.com/Matt.Sassari/
Matt Sassari Twitter: twitter.com/MattSassari
Matt Sassari Instagram: www.instagram.com/mattsassari
@matt-sassari

Follow Cr2 Records on:
Cr2 Facebook: bit.ly/Cr2Facebook
Cr2 Twitter: bit.ly/Cr2Twitter
Cr2 Instagram: bit.ly/Cr2Instagram
Cr2 SoundCloud: bit.ly/Cr2SoundCloud
Cr2 YouTube: bit.ly/Cr2YouTube

Matt Sassari - Waitin' For My Baby's Car

It's a huge pleasure for Nick Curly and Gorge to welcome Oliver Schories on their label with his debut release for 8bit. Oliver is well known for his great output on his very own imprint SOSO and gained much respect with his Nubreed album on Global Underground end of 2017. Thanks to Jansons for such a fabulous remix he added to the release.

beatport/spotify/vinyl

Oliver Schories - Maia

Make A Move

Make A Move (Extended Mix)

BUY ON BEATPORT

GOING TO THE PARK

MAKE MY DAY

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Down (Franky Rizardo Remix)

Marian Hill

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