Jamie Roy - Organ Belta

 Available here - https://lnk.to/TRICK036

Making use of a pounding bassline, rattling percussion, and energetic organ and piano samples, ‘Organ Belta’ sees the UK talent pull together a raucous affair set for pure dancefloor decimation.

Organ Belta

Jamie Roy - Organ Belta

Vertigo together with Abel Balder, is the first single of the long waited album of ANOTR

Vertigo

ANOTR, Abel Balder - Vertigo

Mr.Tomo - GYL

The producer and vocalist team of Sam Divine and Josh Barry return to Defected once more with ‘Saved By The Record’. The collaboration follows 2023’s ‘Take My Hand’ which saw the pair quickly establish a rewarding working relationship and friendship, resulting in a dancefloor-ready track with striking vocals that dominated the summer and saw major radio play across BBC Radio 1, KISS FM, and Sirius XM in the US. Kicking off 2024 with a bang, Sam Divine has collaborated with Hannah Wants and Jem Cooke on Defected’s Together series, released a compilation aligning with their inclusive Miami Music Week 2024 takeover, and is now celebrating 9 years of her own imprint DVINE Sounds as she prepares for a busy 2024 touring schedule that includes Ushuaïa Ibiza, a headline Australian / New Zealand tour, and Glastonbury Festival. Now the acclaimed DJ and Defected radio host returns with the second of five singles on Defected planned for 2024, ‘Saved By The Record’, alongside the talented vocalist Josh Barry, an artist who has previously appeared on records by Nile Rodgers and Gorgon City. The song’s lyrics take inspiration from some of the most famous house and electronic records; Josh’s powerful vocals deftly weave over Sam’s precise and bassy production style, creating a personal and infectious house record to prepare us for the summer season.

Saved By The Record (Extended Mix)

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Sam Divine & Josh Barry - 'Saved By The Record' (Extended Mix)

We are thrilled to welcome back Zstimmer to feature on the Remix pack for Gina Lunata's revisit to the label. He first appeared back in 2024 alongside Wru with their powerful rework of Circulation’s Raindeers & Beer — a true beast of an Electronica/Breaks track. This time, he steps out solo, unveiling his distinctive sound through a spiralling, hypnotic soundscape that transforms Still "Love You at Your Worst" into a deeply immersive listening experience. We can’t wait to share more of his music in the year ahead.

Keep On Getting Stronger

Still Love Me At My Worst [Zstimmer Remix]

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Gina Lunata - Still Love You at Your Worst (Zstimer Remix)_1644 RS Mastering

Self-Produced

OFFICIAL VIDEO LINK BELOW

Adlib vocals from @casperuk

https://youtu.be/R2C5ZDHvPGI

Oh Shit!

Careless

Down

Down (Franky Rizardo Remix)

‘Cola’ had barely touched the ground when tastemakers’ ears were pricking up across the board. Having become a byword for quality house music, remaining at the #1 Beatport spot for over a month with their last record, the name CamelPhat and the cult status of the mysterious duo behind it become realised to their fullest with this track. Combining lush, saturated beats with Elderbrook’s crystalline voice which elevates and equalises, ‘Cola’ is an exquisitely sophisticated firecracker. Already snapped up by Danny Howard as his Hottest Record on Radio 1 and championed by the likes of MK, Solomun and Sam Divine, the track demonstrates the full strength of CamelPhat’s unique style and takes them into the upper echelons of today’s finest producers.

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Camelphat & Elderbrook - Cola

OUT NOW - http://fizzybeats.com/product/mr-joseph-untouchable-funk-ep/

Mr Joseph - Moments In Time

Mr Joseph - Crazy On My Mind

Time To Get Physical

Nice 7 - time to get physical (Sonny Fodera remix)

https://Toolroom.lnk.to/LonelyDaysTS

London based House duo, MANT, bring an eclectic range of influences to the table and have moulded these into their own unique sonic signature. We're delighted to welcome them to the firm with 'Lonely Days'.

With releases on Sola, Viva Warriors and Yousef's Circus and alongside spins from the likes of Marco Carola, Steve Lawler and Andrea Oliva, these boys have secured big support in the world of House music! In only a short space of time, MANT have already rubbed shoulders with Solardo, Eli Brown and Sonny Fodera in the studio with more exciting projects in the pipeline. 

'Lonely Days' showcases the lads' diverse approach to production. It's a sun-drenched, old skool sounding house record with vintage sounding stabs and breakbeat percussion tucked away underneath that tough house groove. Hayla's incredible vocals add to that summer vibe and turn this into an essential ear-worm for the end of the Summer Months and beyond!

Lonely Days

MANT Feat. Hayla – Lonely Days

Remember Me

Remember Me (Franky Rizardo Radio Edit)

Mind Ur Step

Mind Ur Step (DF Dub) [feat. Janelle Kroll]

Love We Had

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Down (Franky Rizardo Remix)

Marian Hill

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