Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

Vibez 4

Humans (feat. Lyrik Shoxen and KJM Cornetist)

                              

Pattak

Adapter - Pattak

Born out of a lockdown night when their usual Saturday night plans were off limits, Defected regular Darius Syrossian and South Records boss George Smeddles decided to cook something up for the anticipated return to the club. With just a vocal to work with, they decided to produce something with the 90s, uplifting vibe dancefloors would be needing. Demonstrating the same addictive, dancefloor-ready grooves seen on their previous collabs like ‘Get Toast’ and ‘Blood Orange’, this latest joint venture once again delivers the heat. With its deep organ bassline, playful keys and irresistible 4/4 swing, this record oozes club appeal in a way you can only expect from producers rooted firmly in the scene. It sure feels good to be Back In The Dance.

Darius Syrossian & George Smeddles 'Back In The Dance (Extended Mix)' - Out 04.03

https://www.beatport.com/track/my-paradise/16456472

Jamie Jones - My Paradise (Extended Mix)

Slow Down (James Cole Remix)

Sem Jacobs - Pass Me The Wine Please is OUT NOW!
www.funkiman.com

Pass Me The Wine Please

Sem Jacobs - Pass Me The Wine Please (Edit)

Founder of esteemed Amsterdam born label PIV, Dutch producer and selector Prunk delivers his anticipated Defected debut 'Keep It Simple' featuring Rona Ray. Following the release of his acclaimed 2023 album 'Le Funk', a record that showcased his in-depth, genre-spanning knowledge of house music, this aptly timed single on Defected follows a number of international DJ appearances for the London label brand. Showcasing his signature addictive grooves, with Poland based Rona Ray on vocal duties, 'Keep It Simple' is a flawless demonstration of the irresistible Prunk sound, where classic influences meet something infinitely modern.

‘Keep It Simple’

Prunk & Rona Ray ‘Keep It Simple’

Babert - Dance a Little Bit Closer

Let the Music

prospa this rhythm

Down

Down (Franky Rizardo Remix)

Substrate Music is really happy to introduce you "Various Artist Vol.2" 
Special selection for spring 2018 
This volume includes 22 Original Mix 
Genre Tech House / Minimal DeepTech 
Demos : Substratelabel@gmail.com 
https://www.facebook.com/Substratemusic/
http://classic.beatport.com/release/v-a-substrate-music-vol-2/2239701

Blackchild (ITA) - A Bit Housy (Original Mix)

A mysterious treasure that’s been tearing through the underground finds its way to the surface - ‘Steady’ is a stripped-back techy roller with a UKG tinge that packs a bone-shaking sub bass punch. Hold tight for a warped, well-loved vocal that fits this minimal powerhouse like a dream and is sure to cause a ruckus across dancefloors worldwide.
 
Essential, vinyl only, hand-stamped, 180g goodness…buy on sight!

STEADY

Make A Move

Make A Move (Extended Mix)

Everybody Dancin' (Original Mix)

WhoMadeWho playing an exclusive live set from the temples of Abu Simbel, in Egypt for Cercle. 

☞ Subscribe to our channel for more videos: http://bit.ly/2BINQUh
☞ Subscribe to our Spotify playlist: https://Cercle.lnk.to/Spotifyplaylist/

☞ Cercle Records
WhoMadeWho - Abu Simbel
https://Cercle.lnk.to/WMWAbuSimbel

☞ WhoMadeWho
https://www.facebook.com/whomadewho
https://www.instagram.com/whomadewhoofficial/
https://open.spotify.com/artist/50Lr1puweM1hFsF1LpIZLM?si=E6_DcZD-QG6U3vIDWixy2Q

Video credits:

Artist: WhoMadeWho
Venue: Abu Simbel, Egypt 
Produced by Cercle
Executive producers: Philippe Tuchmann & Derek Barbolla
Film directed by: Pol Souchier & Derek Barbolla
Director of photography:  Mickaël Fidjili & Mathieu Glissant
Drone pilots: Alexis Olas & Ifly
Sound mix & mastering: Jon Schumann
Production team: Anaïs De Framond, Dan Aufsesser, Armand Prouhèze
Communication: Anaëlle Rouquette & Pol Souchier
Technical Manager: Aurélien Moisan
Sound engineer: Ahmed Khalil
Post-production: Mathieu Glissant (Saison Unique Production)

--
Special thanks to:

Bas Enab & Mahmoud Zidan & Ahmed Khalil from Playground 
Carsten Levi from WMW's management

Khaded Al Anini (Minister of Antiquities and Tourism) Ahmed Youssef (Chairman of Egypt Tourism Promotion Authority)

Freedom Music, Sunrise Resorts & Hotels & Redbull. 

______

This artistic performance has been recorded live. 

______

Follow us on http://www.cercle.live

WhoMadeWho - Abu Simbel

Resident and founder of For Those Who Need House collective based in Southern California

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Down (Franky Rizardo Remix)

Marian Hill

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