Deep VIbes

Buy Here

Last night a dj saved my life (Smeddles More Ass Mix) OUT NOW

Lil Things - Enzo Edit

Let the Music

Reckless (With Your Love)

God is a disco DJ

Octave One ft. Ann Saunderson - Black Water (String vocal).mp3

Danny L Harle - Broken Flowers (Franky Rizardo Remix) 

i-Tunes: https://itunes.apple.com/gb/album/broken-flowers-franky-rizardo/id1073634619

Spotify: https://play.spotify.com/album/20tk1af36tRkxDU8F3rtKA?play=true&utm_source=open.spotify.com&utm_medium=open

Danny L Harle - Broken Flowers (Franky Rizardo Remix)

Franky Rizardo 'Mantra' taken from the Mantra EP our Feb 17th

Franky Rizardo 'Mantra' (From the Mantra EP)

Down

Down (Franky Rizardo Remix)

Sean Roman reworks Alicia Myers' classic ' I Want To Thank You' in to an energetic, club-ready record in his most recent release. The track's chunky bass lines and swift hi hats compliment Myers's silky smooth vocals and the backing piano laden melodies perfectly. Brief breaks in the instrumentals allow Myers the chance to let her vocals shine for a moment, before diving right back in to the rhythmic bass lines and smooth piano melodies. 

Overall, the rework sees Sean Roman add his distinct touch without comprising the integrity of the track by letting some of the best aspects of the original shine at points.

Sean Roman:

https://www.facebook.com/sromanmusic/
https://soundcloud.com/seanroman
https://twitter.com/seanroman_mutt

I Wanna

Premiere: Sean Roman - 'I Wanna' (Dirty Panda)

From
» Duke Dumont / Rencontre Nocturne

CREDIT
FCL - It's You (San Soda's Panorama Bar Acca Version)
M.A.N.D.Y. vs Booka Shade - Body Language

FCL & San Soda x M.A.N.D.Y. vs. Booka Shade - It's You x Body Language

Run the World

Run the World (CAZZETTE Remix Extended) [feat. Nadia Gattas]

AU/RA x CamelPhat - Panic Room - Sony Music

Time To Get Physical

Nice 7 - time to get physical (Sonny Fodera remix)

Remember Me

Remember Me (Franky Rizardo Radio Edit)

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Down (Franky Rizardo Remix)

Marian Hill

Recent comments

Santi Requena

nick altmann

Deepinlove

shortshortz

Related tracks