Deep VIbes

We Take You There

We Take You There (Edit)

Slow Down (James Cole Remix)

One of electronic music's most revered contemporary artists, Archie Hamilton's remarkable rise through the ranks of underground house and techno has earnt him a reputation as one of Europe's originators of the minimal sound. Now he debuts on Defected Records with 'Let The Light In', moving away from his trademark stripped-back sound to explore classic vocal house influences. A full circle moment for Archie, whose humble industry beginnings started as an intern at Defected close to two decades ago, his first release on the London label demonstrates a rich knowledge of the genre. Featuring Manchester vocalist HQA, the EP also features the Garage Dub teased during Archie's set at Paradise Miami during Music Week.

Let The Light In

Archie Hamilton Feat. HQA  'Let The Light In'

The producer and vocalist team of Sam Divine and Josh Barry return to Defected once more with ‘Saved By The Record’. The collaboration follows 2023’s ‘Take My Hand’ which saw the pair quickly establish a rewarding working relationship and friendship, resulting in a dancefloor-ready track with striking vocals that dominated the summer and saw major radio play across BBC Radio 1, KISS FM, and Sirius XM in the US. Kicking off 2024 with a bang, Sam Divine has collaborated with Hannah Wants and Jem Cooke on Defected’s Together series, released a compilation aligning with their inclusive Miami Music Week 2024 takeover, and is now celebrating 9 years of her own imprint DVINE Sounds as she prepares for a busy 2024 touring schedule that includes Ushuaïa Ibiza, a headline Australian / New Zealand tour, and Glastonbury Festival. Now the acclaimed DJ and Defected radio host returns with the second of five singles on Defected planned for 2024, ‘Saved By The Record’, alongside the talented vocalist Josh Barry, an artist who has previously appeared on records by Nile Rodgers and Gorgon City. The song’s lyrics take inspiration from some of the most famous house and electronic records; Josh’s powerful vocals deftly weave over Sam’s precise and bassy production style, creating a personal and infectious house record to prepare us for the summer season.

Saved By The Record (Extended Mix)

Buy/Stream

Sam Divine & Josh Barry - 'Saved By The Record' (Extended Mix)

when all else fails

Danny L Harle - Broken Flowers (Franky Rizardo Remix) 

i-Tunes: https://itunes.apple.com/gb/album/broken-flowers-franky-rizardo/id1073634619

Spotify: https://play.spotify.com/album/20tk1af36tRkxDU8F3rtKA?play=true&utm_source=open.spotify.com&utm_medium=open

Danny L Harle - Broken Flowers (Franky Rizardo Remix)

ANOTR - Strobe

Franky Rizardo 'Mantra' taken from the Mantra EP our Feb 17th

Franky Rizardo 'Mantra' (From the Mantra EP)

Down

Down (Franky Rizardo Remix)

Run the World

Run the World (CAZZETTE Remix Extended) [feat. Nadia Gattas]

AU/RA x CamelPhat - Panic Room - Sony Music

Substrate Music is really happy to introduce you "Various Artist Vol.2" 
Special selection for spring 2018 
This volume includes 22 Original Mix 
Genre Tech House / Minimal DeepTech 
Demos : Substratelabel@gmail.com 
https://www.facebook.com/Substratemusic/
http://classic.beatport.com/release/v-a-substrate-music-vol-2/2239701

Blackchild (ITA) - A Bit Housy (Original Mix)

Remember Me

Remember Me (Franky Rizardo Radio Edit)

BUY ON BEATPORT

GOING TO THE PARK

Love We Had

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Down (Franky Rizardo Remix)

Marian Hill

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