U GUYS R SO UNDERRATED BUT KEEP GOING U GUYS ARE AWESOME I LOVE PLEASE DONT STOP

S'en sortir sans sortir.

audrey nuna - space (itsdaprinceRemix)

Desperada - LAST LOVE (Morgenshtern - Последняя Любовь Cover) #пальмагофит3

Last Love

Trap Cards

Breakup Business

Heart & Body
By Jaq Mackenzie

Happy early Valentine's Day!

Heart & Body

Instagram: www.instagram.com/markdmnd
Twitter: www.twitter.com/_markdiamond
Stream/Download: mark-diamond.lnk.to/BlackMercedes

Black Mercedes

take a number (ft. dounia)

eat u alive (ft. steve davit)

was it not

Plaza — All Mine (slowed)

Cosmovision presents '' Animals of the Earth ''

The human race has lived and shared this space we call Earth with the animal kingdom for millions of years but today, most cultures have abandoned the idea that humans are animals like the others. Our modern societies have been treating Mother Earth as if it was their property, extracting resources, polluting constantly, changing the landscape, killing the other animals we and destroying its natural balance.

Since the Industrial Revolution, humanity has killed 83% of all wild mammals and half of all plants of the Earth. Two hundred species of living beings are going extinct every single day. We collectively need to change so many things in areas such as the use of plastic, meat consumption, contaminating energies, day to day overconsumption and more. How can artists raise awareness regarding this?

Thinking on how to be simple but at the same time Universal, Cosmovision Records presents ¨Animals of the Earth¨. For this project we have gathered to co-create an ecosystem that lives in a music album. Producers from many places on Earth explored their connections with our animal cousins, remembering that the condor, the rabbit, the deer, the frog and all the others are our partners in the long trip that this green and lively planet takes in the Universe.

We invite you to come with us on this journey through the musical ecosystem of the ¨Animals of the Earth¨ to discover, respect and care for these beautiful beings that live with us.

About the song :
'' GABIAN ''  is the Provençal name of the goeland, a sea bird, that of the end of the quay. I live near the sea and their cries are part of my everyday soundscape. Wild and free, they live with us ... Wild and free, is the spirit of this song.
@vinzoomuzik
⋘ ────── ∗ ⋅◈⋅ ∗ ────── ⋙
the whole compilation will be released on 01/03/2020
Compiled by Don Mescal & El Extravagante
Artwork by Alexandra Gallagher
-> www.alexandragallagherart.com/
⋘ ────── ∗ ⋅◈⋅ ∗ ────── ⋙
https://cosmovisionrecords.bandcamp.com/
www.cosmovisionrecords.com
www.facebook.com/cosmovisionrecords/
www.instagram.com/cosmovisionrecords/

Download

VINZOO - Gabian

We are very happy to premiere you this track by M.RUX (@mrux), an excerpt of his debut album released on like-minded Pingipung (@pingipung).

Vermonische Melodien

Order Vinyl

M.RUX - Bakelit

Listen to this EP everywhere!

Spotify: https://spoti.fi/38RHQrG
Itunes:  https://apple.co/39YgmC6
Bandcamp: http://bit.ly/2xMcSV9
Youtube: http://bit.ly/2Wjsbij

Want to hear Jumpsuit Records music before it is released to the public, exclusive live sets, heaps of festival guest passes and/or a license to use Jumpsuit Records music?

Become a Jumpsuit VIP supporter for $3.99 per month. Cancel anytime.

Sign up here - bit.ly/2qhYUnR Listen to this EP everywhere!

Luz Language

Desplumada (VINZOO Remix)

Download ⚡️ Stream

M.RUX: Vermonische Melodien
LP / digital
Pingipung 069
MAR 6 2020
https://soundcloud.com/pingipung

Press contact: Andrea Wienck andrea@pingipung.de

Vermonische Melodien is a collection of compositions by DJ-producer M.RUX, made with old VERMONA machines from Eastern Germany. The nine Electronica tracks can’t conceal their influences from Exotica records of the 1960s as well as their fondness for vintage music technology. We hear voices singing lullabies (“Magische Time”), mumbling chopped up syllables (“Seelnatrax”) or reciting a Shakespeare quote (“Bakelit”) - are they real? Yes! But they are mostly generated by the world’s first speech synthesis hardware, the IBM 704 from 1954, and processed into off-key melodic beauty with vocoders.

"I’ve always been especially curious about musical visions from the 1970s", says M.RUX about his inspiration for Vermonische Melodien. "Those nifty Vermona machines can today be seen as future machines from the 1970s. They seem almost mystical to me. Like relics from an epoch long ago… and I wanted to find out, how music from that time could have sounded." On the album M.RUX uses, above all, equipment by Vermona, a brand from Eastern Germany manufacturing electronic musical instruments in the "Klingenthaler Harmonikawerke“ until 1990. The company was founded as VEB Klingenthaler Harmonikawerke in the 1950s, who also produced home-organs under the Weltmeister tag before the name Vermona was finally established in 1972. The drum machine VERMONA ER-9 (1976) was not only the first instrument which M.RUX ever possessed (or does it possess him?), it also forms the rhythmical backbone of M.RUX’s studio on this record. The melodies on the other hand have mainly been played on a Vermona Formation-1, a suitcase synthesizer from 1980. Although these two machines are joined by countless other instruments and effect units from all over the planet, their particular soft sound is present in every single moment of this soothing album. "I also take a deep bow to ‘Lacky’ Reinhard Lakomy who passed away 6 years ago", M.RUX adds. "His releases were the first electronic instrumental records on the Amiga label which has been a huge influence for my work in general and this record in particular."

M.RUX has appeared as a solo producer with his „In the Hold“ (2016) on his own YNFND imprint. Before that he had become famous for his edits which gently transform songs by Nina Simone, Townes Van Zandt, Tom Zé and many more into slow, dancefloor-ready gems. Pingipung is proud to present this first full-length album by M.RUX. He is not only a talented multi-instrumentalist and original producer but also a skillful remixer - as he has shown twice to the Pingipung audience in the last two years with his touches on Umeko Ando’s Ainu folklore songs.

Vinyl / Download

Seelnatrax

After several EPs and edit-compilations M.RUX (@mrux) releases his first full-length album called "Vermonische Melodien". You can listen to the album & get it here: https://mrux.bandcamp.com/album/vermonische-melodien

M.RUX: Vermonische Melodien
LP / digital
Pingipung 069
MAR 6 2020

Press contact: Andrea Wienck andrea@pingipung.de

"𝙒𝙝𝙖𝙩 𝙖𝙣 𝙪𝙣𝙪𝙨𝙪𝙖𝙡 𝙧𝙚𝙘𝙤𝙧𝙙 𝙈.𝙍𝙐𝙓’𝙨 𝙑𝙚𝙧𝙢𝙤𝙣𝙞𝙨𝙘𝙝𝙚 𝙈𝙚𝙡𝙤𝙙𝙞𝙚𝙣 𝙞𝙨 [...] 𝙒𝙝𝙚𝙣 𝙘𝙤𝙢𝙗𝙞𝙣𝙚𝙙 𝙖𝙩 𝙈.𝙍𝙐𝙓’𝙨 𝙗𝙚𝙝𝙚𝙨𝙩 𝙩𝙝𝙞𝙨 𝙨𝙩𝙧𝙖𝙣𝙜𝙚 𝙖𝙧𝙧𝙖𝙮 𝙤𝙛 𝙚𝙦𝙪𝙞𝙥𝙢𝙚𝙣𝙩 𝙥𝙧𝙤𝙙𝙪𝙘𝙚𝙨 𝙖 𝙠𝙞𝙣𝙙 𝙤𝙛 𝙠𝙞𝙩𝙨𝙘𝙝𝙞𝙛𝙞𝙚𝙙 𝙠𝙤𝙨𝙢𝙞𝙨𝙘𝙝𝙚 𝙨𝙤𝙪𝙣𝙙 𝙩𝙝𝙖𝙩 𝙞𝙨 𝙘𝙪𝙧𝙞𝙤𝙪𝙨𝙡𝙮 𝙘𝙝𝙖𝙧𝙢𝙞𝙣𝙜. ‘𝘽𝙖𝙠𝙚𝙡𝙞𝙩’ 𝙨𝙤𝙪𝙣𝙙𝙨 𝙡𝙞𝙠𝙚 𝘿𝙚𝙡𝙞𝙖 𝘿𝙚𝙧𝙗𝙮𝙨𝙝𝙞𝙧𝙚 𝙩𝙧𝙮𝙞𝙣𝙜 𝙩𝙤 𝙢𝙖𝙠𝙚 𝙢𝙪𝙨𝙞𝙘 𝙛𝙤𝙧 𝙖𝙣 𝙚𝙥𝙞𝙨𝙤𝙙𝙚 𝙤𝙛 𝙏𝙝𝙚 𝘾𝙡𝙖𝙣𝙜𝙚𝙧𝙨 𝙬𝙝𝙚𝙧𝙚 𝙩𝙝𝙚𝙮 𝙩𝙖𝙠𝙚 𝙖 𝙩𝙧𝙞𝙥 𝙩𝙤 𝙨𝙤𝙢𝙚 𝙥𝙡𝙖𝙘𝙚 𝙬𝙖𝙧𝙢." – Bleep

Vermonische Melodien is a collection of compositions by DJ-producer M.RUX, made with old VERMONA machines from Eastern Germany. The nine Electronica tracks can’t conceal their influences of Exotica records from the 1960s as well as their fondness for vintage music technology. We hear voices singing lullabies ("Magische Time"), mumbling chopped up syllables ("Seelnatrax") or reciting a Shakespeare quote ("Bakelit") - are they real? Yes! But they are mostly generated by the world’s first speech synthesis hardware, the IBM 704 from 1954, and processed into off-key melodic beauty with vocoders.

"I’ve always been especially curious about musical visions from the 1970s", says M.RUX about his inspiration for Vermonische Melodien. "Those nifty Vermona machines can today be seen as future machines from the 1970s, they seem almost mystical to me like relics from an epoch long ago… and I wanted to find out how music from that time could have sounded." On the album M.RUX uses, above all, equipment by Vermona, a brand from Eastern Germany manufacturing electronic musical instruments until 1990. The company was founded as VEB Klingenthaler Harmonikawerke in the 1950s, who also produced home-organs under the Weltmeister tag before the name Vermona was finally established in 1972. The drum machine VERMONA ER-9 (1976) was not only the first instrument which M.RUX ever possessed (or does it possess him?), it also forms the rhythmical backbone of M.RUX’s studio on this record. The melodies on the other hand have mainly been played on a Vermona Formation-1, a suitcase synthesizer from 1980. Although these two machines are joined by countless other instruments and effect units from all over the planet, their particular soft sound is present in every single moment of this soothing album.
"I also take a deep bow to „Lacky“ Reinhard Lakomy who passed away 6 years ago", M.RUX adds. "His releases were the first electronic instrumental records on the Amiga label which has been a huge influence for my work in general and this record in particular."

M.RUX has appeared as a solo producer with his EP "In the Hold" (2016) on his own YNFND imprint. Before that he was especially famous for his edits which gently transform songs by Nina Simone, Townes Van Zandt, Tom Zé and many more into slow, dancefloor-ready gems.

Pingipung is proud to present this first full-length album by M.RUX. He is not only a talented multi-instrumentalist and original producer but also a skillful remixer - as he has shown twice already to the Pingipung audience in the last two years with his touches on Umeko Ando’s Ainu folklore songs.

Magische Time

Buy LP / digital album

M.RUX - Magische Time

this song has been a long time coming. I hope you all love it as much as I do. using you using me too.

song written by: @lacimercede & @gabbyneeley
song produced by: @robbiedean_ & @__j.o.s.e._
song mix/mastered by: @ilukemusic

using you using me too - Laci Mercede

Il meurt lentement celui qui ne voyage pas,
celui qui ne lit pas,
celui qui n'écoute pas de musique...
Pablo Neruda

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

eat u alive (ft. steve davit)

Marian Hill

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