Good Lord this is good. More of this please!

This been on repeat for the last hour now. God damn your voice is sexy af. 

I REALLY LIKE THIS MOVIE BUT NOT THIS SONG

Official Music Video: https://www.youtube.com/watch?v=o7PzDNh4N2Y

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All I Really Need (Featuring Kenzie May)

'Got It' is on Marian Hill's Sway EP out via Photo Finish Records / Republic Records

iTunes: http://smarturl.it/MarianHillEP

Cover Artwork by Zach Bell



Jem And The Holograms

Got It (From "Jem And The Holograms" Soundtrack)

DOWNLOAD

From the forthcoming 'In Return (Deluxe Edition)' album.  Out September 18th on Counter Records.

Also available in limited edition 10" vinyl, out November 1st.  

Available for pre-order now at http://store.odesza.com/

In Return World Tour: http://odesza.com/shows

Download our official app here: http://ODESZA.co/app

Lyrics:
I gave my cards away, would lose the game for you
each second slipped away did not know what to do
was always drawing secrets on your wall
my clothes were always falling on your floor
a reckless heart could never be much more
I always snuck in late
running through the front gate

Light, floating on a feather
Light, landing on forever
Light

Our trip surreal, so high
we flew right through the roof
those nights you never came home
I stayed up needing you
was always writing poems in math books
my idols were the clever fast crooks
This reckless heart could never be much more
I always snuck in late
rushing through the front gate

Light, floating on a feather
Light, landing on forever
Light
Float on a feather, land on forever

Light

Light (feat. Little Dragon)

“Heart Is Full” available now:
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Spotify: http://smarturl.it/S_HeartisFull
Google Play: http://smarturl.it/GP_HeartisFull
Amazon: http://smarturl.it/A_HeartisFull

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Heart Is Full

ACT ONE

Mistaken (feat. Steve Davit)

Tim Legend- Hope (feat. BR/\VE)

You Don't Get Me High Anymore (A-Trak Remix) featuring Joey Purp

You Don't Get Me High Anymore

You Don’t Get Me High Anymore (A-Trak Remix) [feat. Joey Purp]

Unusual

Differently

“oOo (that’s my type)” and “omg” out now

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af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Got It (From "Jem And The Holograms" Soundtrack)

Marian Hill

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