JustZouk Free Practice 6/15/16

Hold On We're Going Home (Drake Cover)

Habits Of My Heart EP Available Now
http://smarturl.it/habitsofmyheart

Sample: Sufjan Stevens "Concerning the UFO Sighting Near Highland, Illinois"

Produced by Jaymes Young
facebook.com/jaymesyoungmusic
twitter.com/jaymesyng

Habits of My Heart

Habits of My Heart (EP Version)

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Weekend

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"Compass" available on Zella Day's upcoming debut EP releasing on 10" gatefold limited edition decorative swirl vinyl on October 21, 2014 via B3SCI Records. Pre-order here: b3scirecords.bandcamp.com/album/zella-day-ep

Follow Zella on Twitter - twitter.com/zelladay
Like Zella on Facebook: www.facebook.com/zelladay
Watch "Compass" on YouTube: http://bit.ly/CompassYT 
Buy "Compass" on iTunes: http://bit.ly/ZellaITunes
Stream "Compass" on Spotify: http://spoti.fi/1tgdcyT

The sound of strumming guitars; the feel of soft, wet clay; the scent of fresh brewed coffee: this was Zella Day’s childhood. Secluded in the quaint mountain town of Pinetop, Arizona, Zella’s creativity flourished with the forest at her doorstep. High above Phoenix Valley, Pinetop holds a population of 7,000, and Zella's family-owned Mor Mor Coffee House was an only sanctuary for artists. Surrounding herself with local musicians, Zella was inspired to pick up the guitar at the young age of nine. Before long, the blossoming chanteuse started performing sets including Bob Dylan and Elvis songs - selections inspired by her coffee house family.

The native Arizonan found a calling in music and used it as a form of self-realization penning her experiences and discovering herself through the intricacies of song. She drew inspiration from the serene Arizona mountains and turned to Clint Eastwood, old Western films, and cowboy rebel culture to help shape the attitude behind her music. The result is a raw, organic sound unconfined by the boundaries of genre. It effortlessly floats between the tonalities of female frontier-maker Stevie Nicks and art pop songbird Lana Del Rey while invoking imagery painted by Old Arizona and a free-spirited perspective.

Her upcoming self-titled EP is the ideal introduction to Zella, both as an artist and as a woman. The four-track collection showcases her Western Bohemian persona, juxtaposing the crunching drum machines and menacing electronics of its single, “Sweet Ophelia,” with chiming keys and soaring melodies in its lead-off track, “East Of Eden.” Though sonically diverse, this debut is an eye into the future of a prospering young talent. Each song comes straight from the heart as she sings about her love of Arizona (“Compass”), the strength of women (“Hypnotic”), and what it’s like to grow up with a rebellious soul.

Consequently, it’s not surprising the cover artwork features Zella standing in front of a vibrant yellow backdrop. Like the songs themselves, the pop art-influenced cover illustrates the songstress’ perception of the world and femininity with what she calls “fully clothed sexuality.” Drawing from the examples of beauty in Zella’s life, the imagery is both sensual and proper (the only skin revealed is her face) and yet another testament to the importance of girl power that engulfs this album.

This October, B3SCI/Pinetop Records will release 'Zella Day'. The debut EP follows up the April release of a limited edition 7-inch vinyl of “Sweet Opelia”/“1965.” The tracks were brought to life at Los Angeles's WAX LTD. Studios with the production and mixing prowess of Xandy Barry and Wally Gagel. This debut EP showcases a young singer-songwriter’s visceral visions and liberated mentality, while foreshadowing the depth of a long career that's yet to come.

Recorded, Produced and Mixed in Los Angeles @ WAX LTD. Studios by Wally Gagel and Xandy Barry.

Kicker

Compass

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@galimatias

Cover art by: Oska 
http://instagram.com/oskadesign

Urban Flora

Fantasy

http://hypem.com/track/28hj1/Diplo+-+Revolution+(Unlike+Pluto+remix)

Get it on iTunes: http://smarturl.it/revolutionremixes2
Get it on Amazon: http://amzn.to/1Hrn6r3
Get it on Beatport: http://btprt.dj/1dhPteP
---
Stream Revolution (Remixes Part 2) - http://smarturl.it/streamrevolutionrmxs

Revolution (Unlike Pluto Remix) [feat. Faustix & Imanos and Kai]

Buy on iTunes

Diplo - Revolution (Unlike Pluto Remix) [feat. Faustix & Imanos and Kai]

Follow Vera Blue -
Instagram: www.instagram.com/verabluemusic/
Facebook: www.facebook.com/verabluemusic
Twitter: twitter.com/verabluemusic
YouTube: www.youtube.com/user/celia9307
VEVO: www.youtube.com/user/VeraBlueVEVO/
Spotify: open.spotify.com/artist/5ujrA1eZLDHR7yQ6FZa2qA
Apple Music: itunes.apple.com/artist/vera-blue/id1035508270

Hold

"I Want You" is the new single from Marian Hill, off their upcoming album ACT ONE (available June 24th).

Read more from @SPIN - http://spin.com/2016/04/marian-hill-i-want-you-stream-new

Follow Marian Hill:
On Soundcloud - @marianhill
www.MarianHillMusic.com
facebook.com/marianhillmusic
twitter.com/marianhillmusic
instagram.com/marianhillmusic
youtube.com/MarianHillVEVO
Snapchat: marianhillmusic

Act One

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I Want You

Don't You Cry For Me

DOWNLOAD NOW

ACT ONE

I Know Why

Mistaken (feat. Steve Davit)

17 HERO

In My Mind

In My Mind (feat. Ecca Vandal)

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

I Know Why

Marian Hill

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